Archive for the ‘Academic Resources’ Category

The Hidden Tolls of Coal Mining

Wednesday, June 2nd, 2010
Coal Miners in China (Image: China Digital Times)

Coal Miners in China (Image: China Digital Times)

by Ariella Tai

The Asia Society’s China Green feature “Black Lungs: The Hidden Tolls of Coal Mining” discusses the high environmental and human costs of coal mining in China. Although the ecological risks of coal mining and consumption are widely known, this feature explores the human cost of mining in more depth.

Featured on the site is a clip from Faraway Mountain, independent documentary filmmaker Hu Jie’s film on the living conditions of coal miners in a northern Chinese village. These so-called “cave-cats” spend over 12 hours a day in the mines for the equivalent of less than 600 USD per month, with little to no protection from the fumes and dust. One miner interviewed compares mining to battle, observing that:

“Mining coal is like going to war- three or four deaths a day. But if a fire explosion happens, bam! Suddenly thousands of people and the entire mine is wiped out!”

But more dangerous even than the risk of getting crushed by machinery or buried alive by mine collapses, is the fatal “Black Lung” disease- contracted by breathing fumes of kerosene and coal dust. Although the government does allot funds to cover treatment for those afflicted with Black Lung, patients who are “too far advanced,” too old, or who contracted the disease working in an illegal mine are not eligible for treatment, and even the lung-flushing procedures funded by the government are only able to alleviate symptoms of the disease, rather than cure.

According to official Chinese statistics, “Since 1949 over a quarter million people have died from coal mining”

Visit Asia Society’s China Green feature here.

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Testimonial Feedback from Swarthmore College

Monday, May 24th, 2010

Kevin Lee (center) with students of Swarthmore College (photo by Shiyin Lin)

Last month dGenerate Films’ Kevin B. Lee gave a presentation and screening to students and faculty at Swarthmore College. Alex Ho, student organizer of the event, provided the following testimonial:

Many thanks for coming to Swarthmore College to speak about the growth in independent Chinese cinema over the past decade and what your company dGenerate Films is doing to help this movement gain greater exposure. Your talk was of great interest to our varied audience, which included film studies and Chinese studies students and faculty as well as the general liberal arts student who attended on a whim.

As an admirer of your work in online film criticism, I was excited to bring to our college your take on what makes this particular moment in film history so groundbreaking and important, given your extensive knowledge of and passion for world cinema. Your talk certainly didn’t disappoint; it was an accessible, sweeping introduction to Chinese cinema and its place in the foreign film market. At the same time, for even those more familiar with Chinese film, your talk was a priceless look into the works of up-and-coming independent filmmakers that most of the film world doesn’t yet seem to have caught on to. You definitely tapped into our school’s affinity for small-scale, relaxed seminars, peppering your talk with interesting anecdotes and seriously considering questions from our audience about the pertinence of the “dGenerate movement” to the general public in the U.S. and China. Thanks also for having an informal dinner with some of our students and letting us pick your brain about a multitude of topics within and outside of Chinese cinema.

Again, it was a pleasure to bring your presentation to Swarthmore. I hope to see your talk reach more and larger college audiences in the future. Certainly, any university interested in covering Chinese film in its curriculum, shouldn’t limit themselves to the well-known Fifth and Sixth Generation, but look also to the less Beijing-centric films that dGenerate Films works to distribute.

Best,

Alex Ho

dGenerate Films organizes presentations and screenings at colleges, museums and other institutions across the country. For more information, please contact info *at* dgeneratefilms *dot* com.

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Highlights from dGenerate Presentation at Swarthmore

Monday, April 19th, 2010

dGenerate's Kevin B. Lee discusses Chinese cinema to students at Swarthmore College

On March 30, 2010, dGenerate Films’ Kevin B. Lee gave a talk to students and faculty at Swarthmore College. The presentation, entitled “From the Fifth Generation to the dGeneration,” gave an introduction to  the wave of digital filmmaking currently prevalent in China, and how it emerged as a response to the Fifth and Sixth Generations of Chinese filmmakers. The talk discussed the films within social, historical, cultural and political contexts and introduced several representative films and directors. Lee also touched on issues such as audience responses both at home and abroad, financing and distribution, and censorship.

The talk was followed by a screening of Fujian Blue by Robin Weng. Highlights of the presentation can be viewed in the video below.

dGenerate Films organizes presentations and screenings at colleges, museums and other institutions across the country. For more information, please contact info *at* dgeneratefilms *dot* com.

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Online Project on Chinese Underground Cinema and Piracy

Friday, April 9th, 2010

We were pleased to discover this wonderful online project created by Dan Carrington, a student at the University of Amsterdam, as part of a class blog project titled “Curating the Moving Image.” Carrington’s project, titled “Chinese Underground Cinema and Piracy: ‘Images that Cannot be Banned,’” is an online resource intended to expand interest and discussion about Chinese underground cinema. From the introduction:

“Images that Cannot be Banned” will offer a program of both fictional and documentary feature films as a way of introducing and exploring an interest in Chinese underground cinema. Through contextualisation, the primary intention of the selection is not to produce a ‘canonical’ list, but rather, to construct a snapshot of underground and independent filmmaking by tracing a web of links and commonalities inherent within emerging trends in Chinese filmmaking over the past decade.

What I like about this statement is the desire to resist producing a canon or list of key films. While there are several films that would be worthy of such a distinction, the Chinese underground cinema movement is a relatively new phenomenon still in the process of maturing and defining its historical legacy. It should be acknowledged that dGenerate took a significant step in commemorating the achievements of the movement with our poll of the greatest Chinese films of the 2000s, in which numerous digital independent productions were cited. But at the same time, there is such a wealth of creative activity being generated by the Chinese underground scene, that singling out specific films risks misrepresenting the collective nature of the movement, as a response to a larger and multifaceted sense of crisis underlying the radical social development of China in the post-Reform era.

It’s encouraging to see that a number of articles found on the dGenerate site are linked by Carrington as key resources for learning about Chinese underground cinema, as well as our short documentary Digital Underground in the People’s Republic, which, we hope, gives an impression of how much this aesthetic movement is the result of a collective effort involving not just directors, but producers, programmers and audiences.

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Look For Us at the AAS Annual Meeting in Philadelphia

Wednesday, March 17th, 2010

We had a great time at last year’s Association of Asian Studies Annual Meeting, so we’re coming to the2010 Meeting in Philadelphia. Look for our booth in the Exhibitions Hall, where you can meet dGenerate staff, buy our DVDs (including some of our new releases) and enter our raffle for a free dGenerate DVD! Also, four of our films will be shown in the media screening area of the conference. Our booth will be open from Friday, March 26 to Sunday, March 28. See you there!

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Call for Papers at Summer and Fall Chinese Conferences

Tuesday, March 16th, 2010

We’d like to share announcements calling for papers for three academic conferences on Chinese studies. The first is for the Rocky Mountain MLA Conference, held in Albuquerque, New Mexico, October 14-16, 2010. Second is for Chinese Cinema in the US since 1979 to be held at the University of South Carolina, Columbia, October 8-10, 2010. The third is for the 2010 Melbourne Conference on China: Chinese Elites and their Rivals – Past, Present and Future, at the The University of Melbourne, Australia, July 19-20 2010.  Details after the break.

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Zhang Xianmin on six recent Chinese documentaries

Thursday, March 4th, 2010

Zhang Xianmin (photo courtesy China Independent Film Festival)

One of our key partners in China is Zhang Xianmin, who is a leading figure of the independent film scene.  Film producer, writer, programmer: these are just a few of his credentials. And now, Zhang will be contributing a series of articles for our website, offering his own perspective on Chinese indie cinema.

To kick things off, here are his thoughts on six recent Chinese independent documentaries, offering his own insights into the background on the films and filmmakers. A couple titles happen to be dGenerate titles.

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Jia Zhangke: “The Age of Amateur Cinema Will Return”

Wednesday, March 3rd, 2010

To commemorate Jia Zhangke’s monthlong career retrospective at MoMA, we’ve translated a seminal essay written by Jia, “The Age of Amateur Cinema Will Return.” The essay amounts to a manifesto on the purpose of cinema in shaping world culture and the significance of “amateur” filmmaking in opposition to an emerging global aesthetic of commercial professionalism.

The essay certainly speaks on behalf of the types of films that we at dGenerate Films cherish, and it accounts for some of the reasons we find these films so valuable to audiences around the world. Both Jia and several of these films will appear at the Asia Society through March and April.

Full essay after the break.

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New Book Series on Chinese Cinema

Friday, February 5th, 2010

“Critical Interventions” edited by Sheldon Lu is the latest series from University of Hawaii Press that aims at building a list of innovative, cutting-edge works with a focus on Asia or the presence of Asia in other continents and regions. Manuscripts and proposals exploring a wide range of issues and topics in the modern and contemporary periods are welcome, especially those dealing with literature, cinema, art, theater, media, cultural theory, and intellectual history, as well as subjects that cross disciplinary boundaries. The scholarship should combine solid research with an imaginative approach, theoretical sophistication, and stylistic lucidity.

The following two titles are released and available:

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New Book: Chinese Ecocinema

Friday, January 22nd, 2010

Two of our friends in the academic community, Professors Sheldon Lu of UC Davis and Jia-yan Mi of The College of New Jersey, have edited a new publication that couldn’t be more relevant to the concerns of our time. Chinese Ecocinema in the Age of Environmental Challenge (2009, Hong Kong University Press) is touted as the first book-length study of China’s eco-system through the lens of Chinese cinema. From the book’s description:

Proposing “ecocinema” as a new critical framework, the fourteen essays in the volume collectively investigate a wide range of urgent topics in today’s world: Chinese and Western epistemes of nature and humanity; the dialect of socialist modernization amid capitalist globalization; shifting configurations of space, locale, cityscape, and natural landscape; gender, religion, and ethnic cultures; as well as bioethics and environmental politics. The individual chapters zero in on diverse Chinese-language films by talented directors such as Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Jia Zhangke, Lou Ye, Fruit Chan, Wu Tianming, Tsai Mingliang, Li Yang, Feng Xiaogang, Zhang Yang, Wang Xiaoshuai, Wang Bing, Ning Hao, Zhang Ming, Dai Sijie, Wanma Caidan, and Huo Jianqi. The book is a timely engagement with Chinese cinema’s ecological consciousness in a historic moment of unparalleled environmental crises and destruction.

The contents of the book can be found on the website of Hong Kong University Press.

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