Archive for the ‘Academic Resources’ Category

Swarthmore College Seeks Assistant Professor of Chinese

Monday, May 14th, 2012

Swarthmore College is inviting applications to fill a 4/5-time, one-year replacement position as Assistant Professor of Chinese, with possibility of renewal FOR up to TWO MORE years pending on the need, effective Fall 2012.

Qualifications: Ph.D. in some area of Chinese language and cultural studies; experience teaching modern standard Mandarin Chinese at a North American college or university; familiarity with a broad range of instructional materials and media, including computer-aided multi-media resources; native or near-native proficiency in both Chinese and English.

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U Michigan Seeks Chinese Humanities Professor

Friday, May 11th, 2012

The University of Michigan invites applications for a tenure-track position in Chinese Humanities from late imperial to the present.

This is an open-rank search, and the appointment will begin September 1, 2013.
Applicants from a variety of fields in Chinese Humanities will be considered, including literary, film, visual, and cultural studies.

All applicants should possess a high level of proficiency in Chinese. Successful candidates are expected to teach a range of courses in Chinese Humanities, from introductory undergraduate lecture courses through graduate seminars; to supervise doctoral dissertations; and to participate actively in the programs of the department as well as in area studies initiatives within a larger university community that encourages interdisciplinary efforts.

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“World Film Locations: Beijing” Available for Pre-Order

Tuesday, May 8th, 2012

Beijing in focus

A new book from the World Film Locations series entitled World Film Locations: Beijing, edited by John Berra and Liu Yang, is available for pre-order. This exciting new title features “a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films—encompassing drama, madcap comedy, martial arts escapism, and magical realism—that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers, and traditional Hutong neighborhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.”

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Call For Papers for Special Issue of the Journal of Chinese Cinemas: Sound and Music in Chinese Cinemas

Thursday, May 3rd, 2012

CALL FOR PAPERS:
Special Issue of the Journal of Chinese Cinemas: Sound and Music in Chinese Cinemas


Sound has recently emerged as a vibrant field of inquiry in film studies. It provides an important starting point for the development of new analytic frameworks, including models of reception, historiographic perspectives, and theoretical and practical understandings of cinematic technology and representation. In the area of Chinese cinema,  research on the intersections of film and music by scholars such as Andrew Jones, Sue Touhy, and Zhang Zhen has already made a firm case for the importance of understanding cinema as an inter-textual, multi-sensory medium, while also demonstrating how historical changes in sound technology have profoundly shaped the cinematic experience. In reviving the field of opera studies, Judith Zeitlin and others have opened up new perspectives on Chinese cinema’s imbrication in traditions of performance and changing idioms of live musical drama; such perspectives move beyond previous studies that have focused primarily on opera¹s communication of political and national ideologies. This growing body of research attests to the importance of music in mapping film¹s relationship with other cultural forms, and suggests future directions for the study of sound technology¹s role in the development of Chinese cinema.

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U of Sydney Seeks Lecturer/Senior Lecturer in Modern Chinese Literature

Wednesday, April 18th, 2012

The University of Sydney, Faculty of Arts and Social Sciences Seeks a Lecturer/Senior Lecturer in Modern Chinese Literature

School of Languages and Cultures
Reference No. 1598/0911A

* Join a comprehensive and diverse school
* Work with leading international scholars
* Full-time, continuing: $104.6K-$147.6K p.a. including salary, leave loading and up to 17% super

The University of Sydney is Australia’s first university and has an outstanding global reputation for academic and research excellence. It employs over 7500 permanent staff supporting over 49,000 students.

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Call For Papers: Concentric Literary and Cultural Studies

Thursday, April 12th, 2012

Concentric: Literary and Cultural Studies
Vol. 39 No. 1 | March 2013

Special Issue Call for Papers
“Documenting Asia Pacific”

Guest Editors: Kuei-fen Chiu & Chi-hui Yang
Deadline for Submissions: August 15, 2012

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Third Annual Berkeley-Stanford Graduate Student Conference in Modern Chinese Humanities

Monday, April 9th, 2012

Third Annual Berkeley-Stanford Graduate Student Conference in Modern Chinese Humanities

April 13-14, 2012
IEAS Conference Room
2223 Fulton Street, sixth floor
University of California, Berkeley

Keynote Speaker: Xiaobing Tang

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Weekly Events: Timber Gang in Ann Arbor & Fortune Teller in Minneapolis

Friday, April 6th, 2012

Saturday, April 7th at 7pm 

"Timber Gang" (dir. Yu Guangyi)

Timber Gang at University of Michigan

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Call For Papers: Fashioning the East-Asian Screen

Monday, April 2nd, 2012

FASHIONING THE EAST-ASIAN SCREEN
3-4th May 2012, Nottingham Castle, UK

About “Fashioning the East-Asian Screen”

It is no coincidence that almost simultaneously in the 1890s the very first issue of Vogue appears and the birth of cinema takes place. The invention of modern life involves this parallel between fashion’s history and the screen. However, most of the emphasis in this relationship is celebrated and documented through American and European cinema. While the relationship between fashion and Western cinemas has already been explored in a number of important publications there has been scant attention to similar themes and issues when it comes to non-Western cinemas, for example, China, Hong Kong, Japan, South Korea, and so on. This two-day event seeks to address this gap both in our knowledge about fashion and the screen and the role that fashion, clothing, style, costume, and design plays in East-Asian cinemas. We are also interested in how the screen has influenced fashion cultures in the region. Furthermore, we wish to consider the concept of the screen and East-Asia in their broadest sense to include all screens not just cinema but also television to new media and similarly we intend the concept of East-Asia to be fluid and transcultural rather than limited and fixed. Our primary aim with this event is to begin to map an East Asian context in terns of the multiple and mutual contacts between fashion and the screen.

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Asia Society Program Seeks Nominations and Applications

Tuesday, March 27th, 2012

CALL FOR NOMINATIONS AND APPLICATIONS: The Bernard Schwartz Fellows Program

The Bernard Schwartz Fellows Program seeks to contribute to a better understanding of policy challenges and opportunities related to the growing importance of Asia in the international political arena and global economy. The program selects highly qualified professionals to serve as resident Fellows at Asia Society’s headquarters in New York City or its office in Washington, D.C. for up to one year. During the course of their residencies, Fellows direct a major and original policy project of their own design, including writing a policy relevant publication for Asia Society.

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