Archive for the ‘dGenerate News’ Category

Disorder Wins Best Documentary at Ann Arbor Film Fest; Tape Wins Silver Award at YunFest

Monday, March 28th, 2011

Director Huang Weikai

It was a good weekend for a couple of filmmakers whose films we are fortunate to distribute.  At the Ann Arbor Film Festival, Huang Weikai won the Michael Moore Award for Best Documentary Film, which comes with a $1,000 cash prize, for his trippy experimental documentary Disorder.  Halfway around the world, Li Ning won the Silver Award at YunFest, one of the oldest independent film festivals in China, for his equally envelope-pushing documentary Tape. Unfortunately the YunFest site appears to be down at the moment, so we cannot access the full list of winners of the festival. In the meantime, we extend our warmest congratulations to Huang Weikai and Li Ning!

Both films will screen as part of the San Francisco Yerba Buena Center series Fearless: Chinese Independent Documentaries, playing all throughout April.

Disorder will screen April 9 at the REDCAT in Los Angeles as part of its series on New Chinese cinema.

Both Disorder and Tape are available in the dGenerate Films Catalog.

“Everybody Should Be Watching” – South China Morning Post Profile on dGenerate

Wednesday, March 16th, 2011
By Isabella Tianzi Cai

Oxhide 2 (dir. Liu Jiayin)

“Film distribution is more often driven by profit than a love of movies, but that’s not true of Karin Chien’s dGenerate Films.” The South China Morning Post profiles dGenerate in a March 6, 2011 article, which can be viewed here as a .pdf.

Reporter Richard James Havis distinguishes dGenerate from most other film distributors. At dGenerate, as Havis explains, dGenerate only picks films that they believe “everyone will benefit from seeing.”

More after the break.

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New York Times Profiles Chinese Indie Docs and Other Coverage of MoMA Doc Fortnight

Friday, February 18th, 2011

Fortune Teller (dir. Xu Tong)

In the New York Times, Larry Rohter profiles the Chinese independent film movement, with special attention on the films screening at the Documentary Fortnight Festival at MoMA:

As a group they give a new and truer meaning to the phrase “independent film.” In a country where all movies must obtain official approval to be exhibited commercially, the five Chinese directors whose work will be featured beginning on Friday in the Museum of Modern Art’s Documentary Fortnight are forced to operate in a peculiar gray zone.

“You have to have an awful lot of energy and passion to make films with no funding and no prospect of having them seen in public in your home country except under the radar and off the grid,” said Sally Berger, the curator of the festival, who visited China last fall. “These are sophisticated, experimental filmmakers with a strong aesthetic sense, making films filled with a sense of urgency and change, even though they know they have a better chance of having their work seen abroad than at home.”

Director Xu Xin of Karamay weighs in on the importance of his work:

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A Sneak Peak at Film Pages for Three New dGenerate Titles, All Playing at MoMA Doc Fortnight

Thursday, February 17th, 2011

In preparation for the Documentary Fortnight screenings of new dGenerate titles, we have prepared pages introducing each of our films in the series. Have a look and learn more about these distinguished titles who have the honor of screening at the Museum of Modern Art.

Karamay (dir. Xu Xin)

Fortune Teller (dir. Xu Tong)

Tape (dir. Li Ning)

In addition, Huang Weikai’s mind-blowing Disorder is already listed in our catalog and available for pre-order.

The 10th Annual Documentary Fortnight Festival of the Museum of Modern Art in New York runs from Wednesday February 16 to 28, 2011. Find out the screening details.

dGenerate President Karin Chien Profiled in The Beijinger

Wednesday, February 9th, 2011
By Isabella Tianzi Cai

dGenerate Films President and Founder Karin Chien

Dan Edwards of The Beijinger profiles dGenerate Films’ President Karin Chien. The purpose of the company, as Edwards quotes Karin, was “to bring Chinese perspectives on the People’s Republic to US audiences.” There is a need for this due to language and cultural barriers between China and America. Most available films and television programs about China in the US and elsewhere tend to represent “an outsider’s view of China tailored to a western audience.” They are very different from the perspectives offered by native Chinese filmmakers.

Established in 2008, dGenerate took on a niche market of Chinese film distribution even as an economic downturn that year caused ten major US distributors to shut down. In order to distribute independent Chinese films in the US, there are problems to be overcome by the company. Karin comments on the patterns exhibited by the current reception of Chinese independent films in the US. So far, “dGenerate has found that films based on strong characters appeal most to US audiences, while film festival pedigree makes the films much easier to sell.” Moreover, as Edwards quotes Karin,
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Disorder, Winter Vacation Named Discoveries of 2011 by Film Comment Magazine

Tuesday, January 11th, 2011

Disorder (dir. Huang Weikai)

The current issue of Film Comment magazine polls several critics, filmmakers and programmers on the “unknown pleasures” they watched in 2010 that are poised to be more widely discovered this year. Two Chinese films are mentioned, both independent productions: Winter Vacation by Li Hongqi and Disorder by Huang Weikai. Here are the entries, both found at the Film Comment website:

Winter Vacation: The funniest film since Goodbye, Dragon Inn, but actually it’s funnier—and a bit faster-paced. There is not a single superfluous action nor unnecessary cut. The sky is always empty over this dead-end town in Inner Mongolia, and not even an insulting tirade from a teacher “off his medicine” can break the lethargy of his students. He’s in the wrong classroom, as his substitute begins a lesson on “how to be a useful person.” Then there’s a cathartic eruption of punk rock from the Top Floor Circus on the soundtrack. If only the students could hear it.—Thom Andersen

Disorder: Huang Weikai inaugurates a new genre: the City Cacophony Film. Taking Canton as his subject, he explodes the Romantic lyricism of Ruttmann and Cavalcanti into oblique shards as China’s third largest city, polarized by tradition and globalization, becomes a study in existential absurdity. A patchwork of amateur footage offers a berserk, scattershot glimpse into the public and private spheres of this modern metropolis. A distant cousin of Godard’s Weekend, shot through with Keystone Kops, discontented citizens, and a renegade pig, Disorder is an original, terrifying portrait of a society on the verge of a nervous breakdown.—Michael Chaiken

As official distributors of Disorder, we’re quite pleased that the film was singled out for praise as a discovery in the waiting – though we’re a bit puzzled by its designation as an “unknown pleasure,” as we’ve published numerous articles and news items on the film over the past year. Disorder featured prominently in our recent coverage of the 2010 Reel China Documentary BiennialDisorder was also mentioned in the Moving Image Source poll of Best Moving Image Moments of 2010. We even announced that director Huang Weikai was available to present his work through the end of February!  We’ll just have to do a better job of getting the word out about this and other exciting new work coming from the independent film scene in China.

dGenerate Titles Fortune Teller, Tape to Screen at Rotterdam Film Festival

Monday, January 10th, 2011

Artist Li Ning performing "Tape"

The International Film Festival Rotterdam (IFFR), one of the leading venues for global cutting-edge cinema, announced its Bright Future program of debut and second feature films by fresh filmmaking talent from around the world. Five Chinese titles are included in the lineup, including two represented by dGenerate Films: Fortune Teller by Xu Tong and Tape by Li Ning. dGenerate Films is the North American distributor of Fortune Teller and the international sales agent for Tape.

The IFFR runs from January 26-February 6, 2010 in Rotterdam. Both directors Xu Tong and Li Ning will be present at the festival. Screening dates and details will be announced later.

The full Competition lineup for the prestigious Tiger Award will be announced over the coming days. We expect more exciting titles from China to be announced, possibly featuring names familiar to the dGenerate catalog. Stay tuned.

Award-Winning Director Huang Weikai in U.S. Until March – Available for Appearances

Tuesday, November 30th, 2010

Huang Weikai

From now until March 2011, director Huang Weikai will be available for screenings and lectures in the United States. Huang’s latest film Disorder is a groundbreaking work of experimental documentary that has won prizes and screened at festivals around the world. The Atlantic calls it “one of the most mesmerizing films I’ve seen in ages!”

If you are interested in bringing Disorder and Huang Weikai to your institution or university for a screening, Q&A or guest lecture, please contact exhibitions *at* dgeneratefilms *dot* com.

BIOGRAPHY

Huang Weikai was born in 1972 in Guangdong Province, China. He studied Chinese painting for 15 years and graduated from the Chinese Art Department of the Guangzhou Academy of Fine Arts. He used to work as a cinema promoter, art editor, graphic designer, movie script writer and cameraman. Since 2002, he has been directing independent films. His 2009 found-footage documentary, Disorder has been acclaimed as “One of the most mesmerizing films I’ve seen in ages” by Hua Hsu in The Atlantic for its unflinching look at the absurdity and anarchy of urban life in contemporary China.

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dGenerate Titles now available on Objective Cinema

Thursday, November 18th, 2010

By Isabella Tianzi Cai

Three dGenerate films are now available on Objective Cinema, a newly launched online platform for select social- and political-themed films.

The films are Ban Zhongyi’s Gai Shanxi and Her Sisters, Rachel Tejada’s Digital Underground in the People’s Republic, and Ou Ning’s Meishi Street.

Watch now on Objective Cinema:

Gai Shanxi and Her Sisters

Digital Underground in the People’s Republic

Meishi Street

The goal of Objective Cinema is to support and encourage social change at a grass roots level by making socially conscious films available to a worldwide audience. Gai Shanxi and Her Sisters documents the story around a group of Chinese women forced into sex slavery by Japanese soldiers in the Sino-Japanese War. Digital Underground in the People’s Republic penetrates the close circle of contemporary Chinese filmmakers and brings their voices to the fore. And Meishi Street archives the images of a demolished street in Beijing and the grievances of the uprooted residents for the 2008 Olympic Games.

Trailers, intros, and stills from the films are also available on Object Cinema’s website. Registered members can also rent the films online for a period of 48 hours or buy them on DVD.

dGenerate Titles Now Viewable Online on MUBI

Tuesday, August 31st, 2010

We are proud to announce that ten films from dGenerate’s catalog are now available on MUBI (formerly The Auteurs) for online viewing. The acquisition of these new titles by MUBI marks another milestone in our commitment to bring to audiences the most contemporary award-winning independent films by native Chinese filmmakers, using the newest technology in the market.

MUBI is known for its role in giving film enthusiasts an indispensible resource for learning about cinema, through its online rental service, the MUBI Notebook filled with articles, reviews and festival reports, and its robust virtual community.  We are proud that our films are becoming part of this important vehicle for cinema enthusiasts.

Listed below are these new titles on MUBI. One-time viewing on their site is priced at $3.00.

Using

Betelnut

Meishi Street

Crime and Punishment

Er Dong

The Other Half

San Yuan Li

Super, Girls!

Little Moth

Raised from the Dust