Archive for the ‘Other’ Category

Cinema Scope Magazine Honors Chinese Filmmakers among “50 Best Filmmakers Under 50″

Monday, April 23rd, 2012

To celebrate its 50th issue, Cinema Scope has compiled a list of fifty directors under 50 who represent “the future of cinema.” Much to the pride and delight of all those who champion Chinese voices in contemporary cinema, Cinema Scope has chosen to honor several significant Chinese filmmakers: Liu Jiayin, director of Oxhide and Oxhide II, Zhao Liang, director of Petition and Crime and Punishment, Pema Tseden the Tibetan director of Old Dog, Jia Zhangke, director of such films as Unknown Pleasures and The World, as well as the 2008 documentary Dong, and Wang Bing, director of Coal Money and Man With No Name.

Director Liu Jiayin and her parents in "Oxhide"

Profiling Liu JiayinAndréa Picard praises Liu and the Oxhide series, musing “Who was this filmmaker who so maturely delineated the space of her imagination, carving a humanist monument from next to nothing?”
On these remarkable films that measuredly unfold an intimate world of family minutiae, Picard discusses Liu’s ”carefully calibrated yet warmly sensual sound and image construction, a droll humanism, and, ultimately, a feisty hopefulness.” 

 

Zhao Liang

Zhao Liang, called a “poet of justice” by reviewer Albert Serra, is described as an artist who “cannot simply describe social injustices, lies, abuses of power…because as an author he’s realized that “reality” itself is unjust and abusive. And it’s absurd to find a way to fight against it because reality has as much power as the “system” does in China.” Of the careful examination of power and artistry at play in Zhao’s Crime and Punishment and Petition, as well as his dedication to pulling back the layers of the grueling injustices of Chinese beaurocracy, Serra writes: “With any other topic he could have been involuntarily serving the propaganda of what he’s criticizing, but the issue of the absence of justice turns our hearts with so much power that this is impossible.”

(more…)

@Indie Filmmakers, A Micro-Blog Roundup

Tuesday, March 6th, 2012

Once again, we’ve rounded up some of our filmmaker’s micro-dispatches on Sina Weibo, China’s version of twitter. Here are some thoughts from some of China’s independent directors and indisputable proof that when you micro-blog in Chinese characters, 140 characters can go a lot further!

"Shattered" (dir. Xu Tong)

Xu Tong, director of Fortune Teller and Shattered, blogged on 02/12:

We had a discussion after the screening of “Shattered” on the eleventh and the people of Shanghai really impressed me. Who says people are numb—especially young people? They may not know some things (like history before twenty years ago) or be living in a state of reality (compared to some of the subjects of my movies); but once they’ve seen it, they’re eager to express their sorrows and joys, their angers and confusions. The problem is not our audiences, but ourselves. I should be harder on myself more often. 

(more…)

Reel Asian Film Festival Call for Submissions

Friday, February 17th, 2012

From the Reel Asian Film Festival:

EARLYBIRD DEADLINE – APRIL 2, 2012 (NO SUBMISSION FEE)

FINAL DEADLINE – JUNE 1, 2012 (SUBMISSION FEE $20 CAD)

Reel Asian is Canada’s largest and longest-running showcase dedicated to contemporary Asian cinema and media arts from Asia, North America and all over the world. Annually, the festival attracts thousands of attendees to eight exciting days of screenings, industry events and galas.

(more…)

CinemaTalk: Interview with Alison Klayman, director of “Ai Weiwei: Never Sorry”

Friday, February 3rd, 2012

By Maya Eva Gunst Rudolph 

Alison Klayman (alisonklayman.com)

Alison Klayman is a journalist who, while living in China from 2006-2010, produced radio and television for news sources such as  NPR’s “All Things Considered,” AP Television, Voice of America, Current TV, and CBC. She is the director of the documentary film Ai Weiwei: Never Sorry, which won the U.S. Documentary Special Jury Prize for Spirit of Defiance at the 2012 Sundance Film Festival. I spoke with Alison at the Sundance Film Festival in Park City, Utah about the film’s trajectory, the role of social media in making bringing this story to life, and her working relationship with China’s most notorious artist and filmmaker. Thanks to Alison and her team for their cooperation.

dGenerate Films: Can you talk a little about the origins of your working relationship with Ai Weiwei and how the project got started?

Alison Klayman: I had been living in Beijing for about two years when my roommate, Stephanie Tung, who was working at Three Shadows [Photography Center, a gallery and cultural center in Caochangdi, Beijing] got me involved in an exhibition they were doing of Ai Weiwei’s photos from New York. The photos are kind of a“greatest hits” series of contemporary cultural figures in China and provided an interesting window into this cross-cultural understanding of New York that I was really drawn to. I was kind of underemployed at the time and Stephanie suggested I make a video to accompany the exhibition. Rong Rong [photographer and Three Shadows director] gave me the okay and I went from Three Shadows to Weiwei’s house with the camera already rolling. It was really natural and organic. I didn’t just show up at Weiwei’s door and say “I’m fascinated by you, I want to film you.” We finished the video and Weiwei liked. I think it showed who he really is—very charismatic and engaging, fun-loving, doesn’t take himself too seriously. And then projects just kept coming up, so I feel compelled to keep filming. That’s kind of the beauty of Beijing—it’s very open and you can easily fall into these kinds of projects unexpectedly.

(more…)

2012 Melbourne Conference on China: Global Media and Public Diplomacy in Sino-Western Relations

Monday, January 16th, 2012

Announcement and Call for Papers
2012 Melbourne Conference on China: Global media and public diplomacy in Sino-Western relations

Date: Wednesday 30 May and Thursday 31 May 2012
Venue: The University of Melbourne, Melbourne, Australia
Organisers: The Asia Institute and the Centre for Advanced Journalism at the University of Melbourne, and Radio Australia of the ABC
Website: www.chinastudies.unimelb.edu.au/conferences/2012
Contact: Conference-on-China@unimelb.edu.au

(more…)

“Thought Control” and the Dark Side of China’s Education System

Tuesday, January 10th, 2012

"Though I Am Gone" (dir. Hu Jie

China News Watch‘s Stephen Chan, discussing a recent CCTV broadcast, reports on recent efforts made by Xi Jinping and the CCP to “to step up ideological control of students and young lecturers” at Chinese Universities. Recently enacted, wide-spread initiatives to tighten controls and censorship of Chinese cultural life–from the internet to TV and film and beyond–are now increasingly apparent in the education system. Said Chan, “Universities have long been regarded as the most important stronghold for the party’s grip on ideology.” 

(more…)

Protests in Wukan Dissolved After Weeks of Unrest

Thursday, December 22nd, 2011

"Crime and Punishment" (dir. Zhao Liang)

Protests in Guangdong Province’s Wukan Village, which began months ago in response to government seizure of collectively-owned agricultural lands, have suspended their protests after a representative of Wukan Village met to negotiate with Guangdong  Province government officials.

The New York Times‘s Edward Wong reports:

In the meeting, which lasted for more than an hour outside Wukan, two senior provincial officials spoke to Lin Zuluan, 65, one of the villagers’ main representatives. Mr. Lin said after the meeting that the officials had agreed to three conditions set by the protesters, including freeing several villagers who had been detained, though the issue of the land sales remained unresolved.

“I was satisfied with how the meeting went,” Mr. Lin said. “Now they’ve opened up a new channel of communication, and it will help to build a closer relationship between the two sides.”

On Wednesday afternoon, Mr. Lin and other village leaders met to discuss their options and decided to call off the public protests and to reopen access to the village. It was unclear whether party officials who fled earlier would return and resume their jobs.

After that conclave, the village leaders held a rally with more than 1,000 residents in a public square and told the audience about the new agreement. When the villagers then dispersed, they took down protest banners hanging up near the square.

(more…)

Call For Proposals–Berkeley Summer Research Institute

Wednesday, December 21st, 2011
CALL FOR PROPOSALS
Berkeley Summer Research Institute
“Bordering China:  Modernity and Sustainability”August 1-10, 2012
Institute of East Asian Studies
University of California, Berkeley

The Berkeley Summer Research Institute, organized in partnership with the
Academia Sinica, Taipei, Taiwan, is pleased to announce its call for
proposals for an intensive residential research workshop that will take
place in the summer of 2012 at Berkeley.

Themes and TopicsFor much of the 20th century China defined its quest for modernity in
terms of the industrialization and the urbanization of its economy and
landscape.  State policies and private initiatives in pursuit of specific
goals within this general framework have brought along significant
transformations.  China today is a land of gleaming towers as well as
polluted air, of high-speed railroad connections as well as massive
population dislocations, of an abundance of manufacturing wealth as well
as a paucity of natural resources.   A vibrant environmental discourse
meanwhile has been on the rise.  Under the general heading of
“sustainability” this discourse calls attention to issues of social
equity, the power politics of resource allocations, the humanistic
constructions of people and nature, the globalization of world economies,
and the contestations over ecological imperialism.

(more…)

Tibet New Wave in the South China Morning Post

Monday, December 12th, 2011

By Nicola Davison 

The following article originally appeared in the South China Morning Post. It is reprinted below with the permission of the author. 

Filmmaker Pema Tseden

Under the flashy, big-budget productions coming out of the mainland, the quieter voices can drown. But while films such as Let the Bullets Fly rake in renminbi at the box office, a new wave of more contemplative films from Tibet are garnering critical attention both at home and abroad.

At the centre of the movement is Pema Tseden, the son of nomads and the only sibling of three to attain higher education. A graduate of the Beijing Film Academy, Pema Tseden, now 41, is the first filmmaker to make a feature in the Tibetan language using an all-Tibetan cast and crew, with The Silent Holy Stones (2005). His follow-up, The Search (2009), won the Grand Jury prize at the Shanghai International Film Festival while his latest, Old Dog, won the grand prize (and HK$100,000) at Tokyo Filmex last week. And his cinematographer Sonthar Gyal’s directorial debut The Sun-Beaten Path won the Dragons and Tigers Award at the Vancouver International Film Festival in October.

(more…)

dGenerate’s Karin Chien Featured on Filmwax Podcast

Monday, December 5th, 2011

"Little Moth" (dir. Peng Tao)

Check out this podcast: dGenerate president Karin Chien chats with Filmax Film Series director Adam Shartoff on the perks and pitfalls of indie filmmaking worldwide, our philosophy and where the name “dGenerate” comes from, and the uphill battle to bring Chinese independent cinema into world view.

Says Karin:

“The films that we’re distributing here take incredible risks and they’re able to because they do work completely out of the system in China and they don’t have these market pressures to bear as we do in the states. And in a way, that’s crippling when it comes to distribution, but also freeing when it comes to making the films.”

Filmwax, a screening series with an emphasis on Brooklyn-based filmmakers and ventures, recently hosted a mini-series of dGenerate fare: Jian Yi’s Super, Girls! and Peng Tao‘s Little Moth.