“Nearly Perfect:” Little Moth at Asia Society This Friday

Peng Tao’s devastating debut Little Moth will screen this Friday at Asia Society as part of the series “China’s Past , Present and Future on Film.” dGenerate Films’ Kevin B. Lee will introduce the screening.

You can use discount code asia725 to buy tickets at the $7 member rate. Tickets can be purchased at the Asia Society website or at the Asia Society box office.

Little Moth (Xue Chan)
PENG Tao. China, 2007. Narrative, 99 minutes. Digibeta.
Hubei dialect w/ English subtitles.

Friday, April 2, 6:45 pm
Asia Society and Museum
725 Park Avenue
New York, NY 10021

View clips from the film below. Further details about the film can be found here, and after the break.

“Suspenseful, moving yet ruthlessly unsentimental.” – Jason Anderson, Eye Weekly”

“A nearly perfect little film.” – Shelly Kraicer, Vancouver International Film Festival

When an impoverished country couple adopts a crippled young girl and puts her to work begging on city streets, a battle soon ensues over her fate.

Luo Jiang and Guihua, a poor, middle-aged couple with few prospects, decide to buy an 11-year-old girl, Xiao Ezi (aka “Little Moth”), for $140 in rural China. Xiao Ezi’s life is in peril, as she is forced to earn money for her new parents as a beggar while suffering from a blood disease that leaves her unable to walk. Her greedy adoptive father, Luo Jiang, refuses to buy her medicine, while Guihua’s growing maternal affection wracks her with guilt. After a run-in with local extortionists, the three flee into the territory of the unsavory Mr. Yang, whose one-armed boy Xiao Chun is also forced to beg. Inevitably the grownups take turns taking advantage of each other, giving the children a rare opportunity to develop a protective bond with one another.

With virtually no budget, a hand-held digital camera and a cast of non-professionals, Peng Tao turns the sordid street life of small town China into a chain-reaction tale of human cruelty and unforgettable suspense. LITTLE MOTH “melds the anger and storytelling scope of Dickens, the doc-influenced immediacy and sensitive gaze of the Dardenne brothers, and the best tendencies of recent Chinese cinema.” (Robert Koehler, Variety).

Select Film Festivals:

Hong Kong International Film Festival
Locarno International Film Festival
Bucharest International Film Festival
Cairo International Film Festival
Brisbane International Film Festival

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