Posts Tagged ‘1428’

Berenice Reynaud on 1428 – Screening at Los Angeles Film Festival

Wednesday, June 16th, 2010

1428 (dir. Du Haibin)

The 2010 Los Angeles Film Festival will screen Du Haibin’s prize-winning documentary 1428 this Sunday and Monday at the Regal Cinemas at LA Live:

  • Sun. Jun 20, 1:45pm, Regal Cinemas #13
  • Mon. Jun 21, 8:00pm, Regal Cinemas #13

Tickets can be purchased at the Festival website.

In the current issue of the online magazine includes a lengthy appraisal by film scholar and Cal Arts professor Berenice Reynaud on 1428. It’s part of a much longer review of last fall’s Vancouver Film Festival. We’ve republished the passage concerning 1428 below:

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The shadow of lost sons haunts Du Haibin’s 1428, an award-winning (Orizzonti Award in Venice) documentary on the aftermath of the Sichuan earthquake that killed tens of thousands of people, rendered millions homeless and turned the Beichuan area into piles of rubble. Echoing Du’s previous works (such as Tielu yanxian [Along the Railway, 2001] San [Umbrella, 2007]), it is shot in hybrid cinéma-vérité style, with his subjects freely addressing and interacting with him. “Some people thought I was working for television. They would spontaneously stand in front of the camera, to tell me that the Chinese people were lucky. When Chinese people talk about the Communist party leaders, I have no way of sorting out what is true and what is false… Some also told me that is was a system of corrupt bureaucrats, but they said so because they had been wronged.”  We see an old lady staunchly defending the government on her way to collect an electric blanket, then switching to angry recriminations after it is refused to her. Other addresses are more intimate. While washing clothes in a brook, a woman describes how terribly she misses her dead children. A teenager looking for his missing brother asks Du “Are you filming this?” A butcher interjects: “You and I are from the same generation. You remember how terrible it was in 1979!”

Read more after the break.

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Berenice Reynaud Reviews Four New Chinese Films

Thursday, June 10th, 2010

Queer China, 'Comrade China' (dir. Cui Zi'en)

The newest issue of the online film journal Senses of Cinema features lengthy reviews by film scholar and Cal Arts professor Berenice Reynaud on new films from Mainland China. Titled  “Men Won’t Cry – Traces of a Repressive Past,” Reynaud covers a dozen international titles that screened at last fall’s Vancouver International Film Festival, giving special attention to four new films from the Mainland, as well as the Hong Kong feature Night and Fog by Ann Hui. Her analysis is particularly astute at discerning issues of identity, gender, power and nationhood in the formal approaches taken by each film. The following are some choice excerpts, though readers are advised to read Reynaud’s appreciations in full:

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Controversial Earthquake Documentary Now on YouTube

Friday, June 4th, 2010

Buried (dir. Wang Libo)

Wang Libo’s film Buried was one of the prizewinners of the 2009 Beijing Documentary Film Festival. This probing documentary was made in the aftermath of the 2008 earthquake that shook Sichuan province (an event covered in detail by Du Haibin’s 1428, playing next month at the Los Angeles Film Festival). The film is now available in its entirety on YouTube; it’s embedded in its entirety on our site, following the break.

Instead of focusing directly at the Sichuan earthquake, Wang’s film looks back at controversies surrounding the 1976 Tangshan Earthquake that killed over 200,000 people. Using a range of expert testimonies, Wang builds a provocative argument that Chinese officials had significant information forewarning of an imminent earthquake, but did not take sufficient action to help prevent the loss of hundreds of thousands of lives. The implications of the film’s conclusions bear heavily on the Chinese government’s handling of both the Tangshan and the Sichuan earthquake. Buried leaves disturbing questions about the power and responsibility of government in disaster management.

Director’s Statement:

The 1976 Tangshan Earthquake left a lot of open questions. Before the earthquake, seismological personnel in Tangshan and quake experts in Beijing had already warned of an imminent quake. But in the end, more than 240,000 people had to pay with their lives, causing a shocking tragedy of massive proportions. Why did this happen? In the 2008 Wenchuan Earthquake about 100,000 people were killed. Faced with terrible quakes, the human race repeats tragedy time and time again. It is terrible that people can only offer money and bland tears after the disaster – when better preparation could have saved lives. A nation has to courageously face its own weakness to remain hopeful.

- Wang Libo

Click through to watch the entire film, embedded on YouTube:

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Award-winning Earthquake Documentary 1428 to screen at Los Angeles Film Festival

Wednesday, May 5th, 2010

1428 (dir. Du Haibin)

The 2010 Los Angeles Film Festival (June 17-27, 2010) has announced its lineup, and we’re happy to see that Du Haibin’s prize-winning documentary 1428 will be screening as part of the Festival’s International Showcase.

The festival’s program page has this to say about 1428:  “Filmmaker Du Haibin artfully hones in on the aftermath of the great Sichuan earthquake of 2008, capturing the intimate reactions of the survivors and the government’s response, both ten days after the tragedy and seven months later.”

The film will screen at the following dates and venues (to be confirmed; check the Festival website closer to the dates of the Festival).

  • Sun. Jun 20, 1:45pm, Regal Cinemas #13
  • Mon. Jun 21, 8:00pm, Regal Cinemas #13

Tickets will go on sale June 1 at the Festival website.

Find out more about 1428.

“Alternative Realities:” China’s Digital Documentary Filmmakers

Monday, April 26th, 2010

1428 (dir. Du Haibin)

In the newest issue of RealTime Arts Magazine, there is a rousing article by Dan Edwards on the significance of digital independent filmmaking in China. Here’s the opening passage:

While China’s political system remains deeply authoritarian, the country’s overwhelming size and explosive growth have opened cavernous gaps in the government’s control of culture, through which a new generation of DV-wielding documentary filmmakers has climbed.

Edwards profiles films such as Hu Jie’s In Search of Lin Zhao’s Soul, Ou Ning’s Meishi Street, and Du Haibin’s 1428 (editor: The latter two are distributed by dGenerate Films). He also interviews three notable figures in the contemporary digital filmmaking scene: producer/journalist David Bandurski (Ghost Town), artist/filmmaker Ou Ning and filmmaker/journalist Hu Jie. Here are some choice quotes from each:

Bandurski: “I’ve never heard an independent filmmaker in China ask themselves, ‘Can I do this?… Independent filmmaking is the freest avenue of expression that exists in China today.”

Ou: “Before, history only had one version—by the Chinese Communist Party… Now with digital technology history has different versions.”

Hu: “I knew very little about the history of the 1950s and 60s… While making Lin Zhao I had the sense that I was feeling around in the dark. Then I found the door of history, opened it and walked through. There I found a lot of ridiculous, cruel stories that really shocked me, and that was the motivation to go further.”

Read the complete article at RealTime Arts.

Find out more about Meishi Street, 1428, and Ghost Town.

“Fascinating, beautifully crafted” 1428 Reviewed in Variety

Monday, April 5th, 2010

1428 (dir. Du Haibin)

Du Haibin‘s documentary 1428 received an enthusiastic review in Variety.  Reviewer Ronnie Scheib writes:

The title of Du Haibin’s striking documentary refers to the exact time (14:28) on May 12, 2008, when a massive 8.0 earthquake rocked China’s Sichuan province. Pic proceeds with virtually no exposition, except for the words supplied by survivors as they scramble to build a makeshift existence on the ruins. Visiting a devastated village 10 days and then 210 days after the quake, Du depicts, with immediacy and casual artistry, a wide range of human reactions to the natural and political aftershocks. Fascinating, beautifully crafted Venice prizewinner fully warrants an arthouse run.

Full review can be accessed at Variety.

More details about the film here.

Venice Prizewinning 1428 to screen at MoMA

Monday, February 15th, 2010

dGenerate Films is proud to present a special US screening of
Du Haibin’s 1428 at the Documentary Fortnight at the Museum of Modern Art.

1428, directed by Du Haibin, won last year’s Best Documentary Award at the Venice International Film Festival. A stunning exploration of the 8.0 earthquake that shook China’s Sichuan province in 2008, causing 70,000 deaths and 375,000 casualties, the film has an eerie resonance to the recent tragedy in Haiti.

PLEASE JOIN US AT THE FOLLOWING SCREENINGS:

SATURDAY, FEBRUARY 27, 3:30 pm

MONDAY, MARCH 1, 4:30 pm

Museum of Modern Art
11 West 53 St
New York, NY 10019

Click through for more information.

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