Posts Tagged ‘avatar’

Hooray for Chollywood? Chinese Cinema Takes on the World

Tuesday, April 20th, 2010

Logo for www.Chinesefilms.cn

Last month, the Film Bureau of China launched www.chinesefilms.cn, its first English-language website dedicated to promoting domestically produced films to a world audience. The portal offers news, celebrity photos and even informational pages on the major studios in mainland China. From initial appearances, the site has a ways to go: a number of links are broken, and among the top search terms “Confucious” is spelled incorrectly. The look and feel of the site somewhat resembles the pages of the news satire site The Onion when it was supposedly taken over by a Chinese conglomerate. But laugh at your own risk; this website is a shot across the bow of the status quo of global film distribution, the Chinese film industry’s way of saying to Hollywood “It’s on!”

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Google, Avatar and the Rise of a Consumer Citizenry in China

Friday, March 26th, 2010

Memorial flowers left at Google's China headquarters (image source: The Shanghaist)

On The China Beat, Ying Zhu and Bruce Robinson give a fascinating take on two major cultural controversies in China so far this year: the showdown between Google and the Chinese government, and the pulling of Avatar from Chinese theater chains. In their article, Zhu and Robinson identify the Chinese citizenry as an increasingly empowered force in shaping their society.  They cite this to explain the different outcomes between Google and Avatar when both faced opposition from the state:

The Chinese state and local economic interests have worked in unison in dismissing Google’s request for an open and uncensored Internet system…In the case of Avatar, the public triumphed in their resolve to keep Avatar on screen partly because they had the backing of Chinese theater chains that wanted to maximize their profits from screening Avatar… Google, however, does not have local partners analogues to theater chains whose financial interest contributed to the victory of the Chinese Avatar fans.

The full article compares these two events at much greater length, while ultimately pointing to an emerging class of citizens in China as the critical factor in determining the outcome of these and future controversies.  Empowered both by their conspicuous consumption and their ability to exchange opinions on the web with increasing freedom, these critical masses are bringing a new age of “lifestyle politics” to China.

This strain of “lifestyle politics” can be seen in at least two dGenerate titles. Jian Yi’s Super Girls shows teenage girls thriving in a subculture of identity empowerment around the  Chinese version of American Idol (whose online voting, incidentally, triggered the largest democratic election in Chinese history). Cui Zi’en’s Queer China, Comrade China chronicles the many tactics taken by the LGBT community to gain acceptance within the Chinese public.

The mobilization of the Chinese “netizenry” is something to keep an eye on, especially with new developments constantly unfolding. This week, Google has begun offering uncensored search results through its new Hong Kong-based China operations. And an online network of journalists, lawyers, academics and activists have demanded a provincial governor’s resignation over his open suppression of an investigation of a scandal involving his office.

Avatar Breaks Chinese Box Office Records — and Inspires Activists

Monday, January 18th, 2010

What do this:

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and this:

AMESDoc_MeishiStreet

have in common? Apparently, they are both images of urban gentrification in China.

The top image is from James Cameron’s Avatar, which recently set the opening-day box office record in China with 33 million yuan ($4.85 million US).  The film is on track to take over the record for total gross of 460 million yuan ($67 million US) set just months ago by Roland Emmerich’s 2012, which itself had just beaten the 450 million yuan earned by Transformers 2: The Revenge of the Fallen. 2009 was indeed a record year at the Chinese box office, whose 6.2 billion yuan toppled the 2008 take by a staggering 43%. Chinese films got in on the action, with five domestic features placing among the 2008 top ten earning films. (Full list after the break).

It’s somewhat reassuring that some Chinese have taken some political activist inspiration from their mainstream entertainment. British news source The Independent reports that Avatar has been embraced by potential evictees of urban neighborhoods slated for redevelopment (such as new shopping centers that feature state-of-the art cineplexes showing, um, Avatar):

Residents of China’s “nail houses” – so named because they are the last hold-outs in areas flattened for development – have likened their plight to those of the alien Nai’vi race in the blockbuster, as too have villagers in Hong Kong who face eviction to make way for a high-speed railway line.

“I’m touched by how they protect their homeland,” 81-year-old Wong Kam-fook told the South China Morning Post, referring to the war the Na’vi wage in the film against the human invaders.

For a more realistic depiction of this plight, one might look at the source of the second image, Ou Ning‘s documentary Meishi Street, which shows ordinary citizens taking a stand against the planned destruction of their homes for the 2008 Beijing Olympics. In order to widen traffic routes for the Olympic Games, the Beijing Municipal Government orders the demolition of entire neighborhoods. Given video cameras by the filmmakers, evictees shoot exclusive footage of the eviction process, adding vivid intimacy to their story.

Click here for more information on Meishi Street. Trailer of Meishi Street and the list of top 10 grossing films in China in 2009 after the break.

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