Posts Tagged ‘beijing’

Defending Culture and Democracy in Chinese Independent Documentaries

Monday, August 30th, 2010

By Isabella Tianzi Cai

The latest issue of Hong Kong-based Open Magazine features three articles on citizens’ documentary in Chinese civil rights movements. One of them, written by Teng Biao, who is a human rights lawyer in Beijing, has been translated and published at Interlocals.net. See original.

In the article, Teng gives a comprehensive overview of the civic documentary movement in China for the past few decades. While the facts are impressive in both volume and numbers, the ideas aren’t all new to us. He writes,

Information monopoly is designed to benefit those in power, while Citizens Documentary can eliminate the cover-ups in certain extent. Only a few documentaries can already make the dictatorship pay a huge price. One can imagine that with the expansion of the Civic Documentary campaign, covering up truth will be a futile and obsolete attempt. Till then, there should be a significant change in the mode of power operation. (Interlocals)

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Shelly on Film: Bumping against Boundaries in Chinese Film Culture

Wednesday, July 21st, 2010

Thomas Mao (dir. Zhu Wen)

By Shelly Kraicer

During a recent interview with an independent Chinese journalist, I was somewhat taken aback, but also quite amused by her rather pointed question to me: “In an online discussion of an article you wrote recently, some [anonymous] commenter was skeptical that Westerners could be so interested in debating Chinese movies and ideology, when in fact it has nothing to do with them. What do you think?”

What could I think? I remember reading the original comment the journalist was referring to, and noting at the time that the implied (and oft-heard) background to this attitude was something along the lines of “outsiders [like you] are fundamentally unequipped to comment on (write about / research about / review) our Chinese films (painting / dramas / novels), so just what do you think you are doing, anyway?

At the risk of answering one cultural judgment with another, I find this display of an aggressively protective attitude to Chinese culture to be distinctly Beijing-ese. Hong Kong, Taipei and Shanghai tend to be much more relaxed about foreigners in their midst, given their cosmopolitan histories. Their urban intellectual cultures more readily admit “other” voices — foreign voices, alternative points of view — with fewer hangups than Beijing’s thriving and otherwise open intellectual culture. Beijing has long been the capital of mainland Chinese independent film and avant-garde culture. No less than half of the dGenerate Films catalog are by Beijing-based filmmakers: Jia Zhangke, Liu Jiayin, and Cui Zi’en, to name a few. And yet, despite its openness to progressive artisitic activity, Beijing has an intensely policed view of the cultural “other” and the potential role of these “others” in its cultural discourse.

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CinemaTalk: Peng Tao at the Beijing Apple Store

Tuesday, July 13th, 2010

This is the third of three interviews produced from the “Meet the Filmmakers” series held in Feburary 2010 at the Apple Store in Sanlitun, Beijing. The series, co-presented by the Apple Store and dGenerate Films, is an ongoing series to showcase China’s newest filmmakers powered by digital technology.

Peng Tao at the Sanlitun Apple Store, Beijing

Peng Tao is the award-winning director of Little Moth (2007) and a graduate of the Art Department of Beijing Film Academy, where he received the Outstanding Short Film Award and first prize at the 1st JINZI Awards. Peng Tao’s second feature, Floating in Memory (2009), is supported by the prestigious Sundance Institute Feature Film Program and the Hubert Bals Fund, and screened in the VPRO Tiger Awards Competition at the 2009 International Film Festival Rotterdam.

The video of Peng’s interview is in three parts, with an English transcript following each video. Video of Part One is below. Click through to view both videos and the full transcript. Interview conducted by Jane Zheng. Videography by Michael Cheng. English transcription and subtitles by Yuqian Yan and Isabella Tianzi Cai.

Note: English subtitles for each video can be accessed by clicking on the CC button in the pop-up menu on the bottom right corner of the player.

VIDEO PART ONE

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CinemaTalk: Jian Yi at the Beijing Apple Store

Monday, June 21st, 2010

This is the second of three interviews produced from the “Meet the Filmmakers” series held in Feburary 2010 at the Apple Store in Sanlitun, Beijing. The series, co-presented by the Apple Store and dGenerate Films, is an ongoing series to showcase China’s newest filmmakers powered by digital technology.

Jian Yi

Jian Yi is a filmmaker from China whose work actively engages ordinary citizens in documenting their own lives. He directed the critically acclaimed films Super, Girls! and Bamboo Shoots, and co-directed the groundbreaking China Village Documentary Project, in which ordinary villagers from across China used video cameras to record the changing rural dynamics in their home villages. Jian Yi is also the founder of the Participatory Documentary Center at Jinggangshan University and Original Studio, one of the nation’s first innovative community art centers. His documentaries and feature films, which reveal the social and cultural tensions of contemporary China, have won international awards and are shown worldwide. He is a 2010 Open Society Institute Fellow.

The video of Jian’s interview is in four parts, with an English transcript following each video. Video of Part One is below. Click through to view both videos and the full transcript. Interview conducted by Jane Zheng. Videography by Michael Cheng. English transcription and subtitles by Isabella Tianzi Cai.

Note: English subtitles for each video can be accessed by clicking on the CC button in the pop-up menu on the bottom right corner of the player.

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New Films by Liu Jiayin, Other Indie Directors at Beijing’s Opposite House

Monday, June 14th, 2010

Poster for "Short Stays" film project at The Opposite House

From the official press release:

With a vision to support the growing contemporary Chinese art scene, The Opposite House in Beijing commissioned a short film collection project as an extension of their commitment to support emerging local artists in every medium, from sculptures to music and now, film. “Short Stays” is a unique project that has given a platform to independent film artists in Beijing to explore the concept and space of the House.

In collaboration with independent producers and film makers Zhang Xianmin and Samantha Culp, the idea is inspired by the use of the hotel’s space. From the new wave classic “Last Year at Marienbad” to the sleek “Lost in Translation,” hotels have always been great cinematic spaces. The closed door of a hotel room naturally evokes themes of mystery, memory, desire, escape, and curiosity.

“In this project, we wanted to peek through the keyholes into this borderline space, through the eyes of three fiercely original filmmakers,” says Samantha Culp, co-producer of “Short Stays.”

The short films by three award-winning young Chinese filmmakers—Liu Jiayin, Peng Lei and Zhao Ye—all based in Beijing but with festival cred from around the world, create a conversation around the nature of the hotel’s space and explore modern urban story telling in the framework of a type of creative experiment unprecedented in China. “Short Stays” also invited two up-and-coming photographers, Madi Ju and Lin Zhi Peng (aka 223) to document the filming process for the limited-edition DVD and booklet, adding another offbeat perspective to the project.

Details on the films, how to see them (for a limited time) and an online trailer after the break.

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Shelly on Film: From Buenos Aires to Beijing

Monday, May 31st, 2010

Buenos Aires Festival of Independent Cinema

I was able to attend two events last month that showcased the strength, diversity, and vitality of new independent documentaries from China. The first, at BAFICI, the Buenos Aires Festival of Independent Cinema, was a section on recent Chinese independent docs that I curated for the festival. Intended as an abbreviated look back at the past 2 years or so of Chinese indies, I selected eight films (but could easily have chosen twenty) that represented different directions in what I called “radical” documentary filmmaking (using “radical” as broadly defined, in form or in content) in China today:

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What Will Happen to Caochangdi?

Monday, May 17th, 2010

Three Shadows Photography Art Centre, Chaochangdi art district, Beijing

At RedBox Review, Samantha Culp reports a disturbing development concerning the Chaochangdi art district in Beijing, home of such artists and filmmakers as Ai Weiwei, Wu Wenguang and Zhao Liang. Here is her report:

This past month, Beijing saw the launch of the first annual Caochangdi PhotoSpring – a festival based at Three Shadows Photography Art Centre and comprising over two months of exhibitions and events at 27 galleries, with artists from around the world. Subtitled “Arles in Beijing,” PhotoSpring was created in partnership with the acclaimed Les Rencontres d’Arles festival of France, and seems to further strengthen Caochangdi’s position as an established art district in Beijing.

Only a few days before the opening, however, Three Shadows and neighboring galleries had received yet another notice that their buildings were slated for demolition. Though rumors of Caochangdi’s imminent destruction have been circulating since June 2009, and though it seems most of the non-art businesses in the area have *not* received these latest notices, artists and gallerists were concerned enough to spring to action – including luminaries like Ai Weiwei, who has a studio in Caochangdi and personally designed several art spaces there.

petition is currently circulating through Beijing’s art community, and even its international diplomats, in the attempt to emphasize Caochangdi’s importance as a cultural site. Many are hoping that as with Dashanzi 798 Art District, which was set to be destroyed until the Beijing government realized its value as an art and tourist destination, Caochangdi might be similarly preserved. With the current campaign, as well as festivals like Caochangdi PhotoSpring and the recently-opened CCD Workstation May Festival (focused on film and dance), these hopes remain, but Caochangdi’s future is far from certain.

Click here to learn more about the preservation campaign, and sign the online petition here.

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Awards Announced at 7th China Documentary Film Festival

Monday, May 10th, 2010

The Spiral Staircase of Harbin (dir. Ji Dan) [Photo courtesy of Fanhall Films

The 7th China Documentary Film Festival, organized by Fanhall Films, was held May 1-7  in the Songzhuang Art District on the outskirts of Beijing. 11 new documentaries were featured in the competiton, as well as several other films outside of competition and an international section featuring films from Japan, South Korea and Singapore.  We will have some commentary on the festival proceedings in the coming days.

The Festival announced its awards for the following films (with citations by the jury in quotes):

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Documentary screenings at Beijing Iberia Center This Weekend

Thursday, April 15th, 2010

Last Lumberjacks (dir. Yu Guangyi)

Organized by Indie Workshop, Non-Profit Incubator (NPI) and the Iberia Center for Contemporary Art, the Eyes on the World series, running April 16-20, examines significant social issues facing contemporary China through the lens of these ten documentary films. These screenings will take place at the Iberia Center for Contemporary Art in the 798 Art District in Beijing.

Full list of films after the break (Screening times are not listed – check ICCA website for more info):

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Chinese Arthouse Cinema Series at Beijing’s UCCA Art Cinematheque

Tuesday, April 13th, 2010

Lan (dir. Jiang Wenli)

The ScreenOut Film Exhibition, hosted by Guangzhou-based Southern Metropolis Daily, is China’s first (and so far only) campaign to introduce art films into commercial-run cinemas. It has presented a number of indie films by many acclaimed Chinese directors, such as Jia Zhangke, Gu Changwei, Lv Le, Wang Quanan, and Wang Xiaoshui. This year, a special retrospective programme at UCCA will screen selected films from past years and a special screen of this year’s new film Lan (dir. Jiang Wenli) and Judge (dir. Liu Jie).

DATES
April 11, 2010 – April 28, 2010

15rmb for adults (with exhibition admission)
10rmb for students with valid student ID

ADDRESS
798 Art District, No.4 Jiuxianqiao Lu, P.O. Box 8503, Chaoyang District, Beijing, P.R.China, 100015

Tel: +86 (0) 10 8459 9269/8459 9387
Fax: +86 (0) 10 8459 9717

TRANSPORTATION
- By Car: From Sanyuan Bridge or Siyuan Bridge enter the Airport Expressway, then leave the Airport Expressway at the entrance to Jiuxianqiao Rd.
- By Bus: Take Bus 401, 402, 405, 445, 909, 955, 973, 988, 991 to Dashanzi or Wangyefen Stop.

Full screening schedule and film descriptions after the break.

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