Posts Tagged ‘beijing’

CinemaTalk: Jian Yi at the Beijing Apple Store

Monday, June 21st, 2010

This is the second of three interviews produced from the “Meet the Filmmakers” series held in Feburary 2010 at the Apple Store in Sanlitun, Beijing. The series, co-presented by the Apple Store and dGenerate Films, is an ongoing series to showcase China’s newest filmmakers powered by digital technology.

Jian Yi

Jian Yi is a filmmaker from China whose work actively engages ordinary citizens in documenting their own lives. He directed the critically acclaimed films Super, Girls! and Bamboo Shoots, and co-directed the groundbreaking China Village Documentary Project, in which ordinary villagers from across China used video cameras to record the changing rural dynamics in their home villages. Jian Yi is also the founder of the Participatory Documentary Center at Jinggangshan University and Original Studio, one of the nation’s first innovative community art centers. His documentaries and feature films, which reveal the social and cultural tensions of contemporary China, have won international awards and are shown worldwide. He is a 2010 Open Society Institute Fellow.

The video of Jian’s interview is in four parts, with an English transcript following each video. Video of Part One is below. Click through to view both videos and the full transcript. Interview conducted by Jane Zheng. Videography by Michael Cheng. English transcription and subtitles by Isabella Tianzi Cai.

Note: English subtitles for each video can be accessed by clicking on the CC button in the pop-up menu on the bottom right corner of the player.

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New Films by Liu Jiayin, Other Indie Directors at Beijing’s Opposite House

Monday, June 14th, 2010

Poster for "Short Stays" film project at The Opposite House

From the official press release:

With a vision to support the growing contemporary Chinese art scene, The Opposite House in Beijing commissioned a short film collection project as an extension of their commitment to support emerging local artists in every medium, from sculptures to music and now, film. “Short Stays” is a unique project that has given a platform to independent film artists in Beijing to explore the concept and space of the House.

In collaboration with independent producers and film makers Zhang Xianmin and Samantha Culp, the idea is inspired by the use of the hotel’s space. From the new wave classic “Last Year at Marienbad” to the sleek “Lost in Translation,” hotels have always been great cinematic spaces. The closed door of a hotel room naturally evokes themes of mystery, memory, desire, escape, and curiosity.

“In this project, we wanted to peek through the keyholes into this borderline space, through the eyes of three fiercely original filmmakers,” says Samantha Culp, co-producer of “Short Stays.”

The short films by three award-winning young Chinese filmmakers—Liu Jiayin, Peng Lei and Zhao Ye—all based in Beijing but with festival cred from around the world, create a conversation around the nature of the hotel’s space and explore modern urban story telling in the framework of a type of creative experiment unprecedented in China. “Short Stays” also invited two up-and-coming photographers, Madi Ju and Lin Zhi Peng (aka 223) to document the filming process for the limited-edition DVD and booklet, adding another offbeat perspective to the project.

Details on the films, how to see them (for a limited time) and an online trailer after the break.

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Shelly on Film: From Buenos Aires to Beijing

Monday, May 31st, 2010

Buenos Aires Festival of Independent Cinema

I was able to attend two events last month that showcased the strength, diversity, and vitality of new independent documentaries from China. The first, at BAFICI, the Buenos Aires Festival of Independent Cinema, was a section on recent Chinese independent docs that I curated for the festival. Intended as an abbreviated look back at the past 2 years or so of Chinese indies, I selected eight films (but could easily have chosen twenty) that represented different directions in what I called “radical” documentary filmmaking (using “radical” as broadly defined, in form or in content) in China today:

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What Will Happen to Caochangdi?

Monday, May 17th, 2010

Three Shadows Photography Art Centre, Chaochangdi art district, Beijing

At RedBox Review, Samantha Culp reports a disturbing development concerning the Chaochangdi art district in Beijing, home of such artists and filmmakers as Ai Weiwei, Wu Wenguang and Zhao Liang. Here is her report:

This past month, Beijing saw the launch of the first annual Caochangdi PhotoSpring – a festival based at Three Shadows Photography Art Centre and comprising over two months of exhibitions and events at 27 galleries, with artists from around the world. Subtitled “Arles in Beijing,” PhotoSpring was created in partnership with the acclaimed Les Rencontres d’Arles festival of France, and seems to further strengthen Caochangdi’s position as an established art district in Beijing.

Only a few days before the opening, however, Three Shadows and neighboring galleries had received yet another notice that their buildings were slated for demolition. Though rumors of Caochangdi’s imminent destruction have been circulating since June 2009, and though it seems most of the non-art businesses in the area have *not* received these latest notices, artists and gallerists were concerned enough to spring to action – including luminaries like Ai Weiwei, who has a studio in Caochangdi and personally designed several art spaces there.

petition is currently circulating through Beijing’s art community, and even its international diplomats, in the attempt to emphasize Caochangdi’s importance as a cultural site. Many are hoping that as with Dashanzi 798 Art District, which was set to be destroyed until the Beijing government realized its value as an art and tourist destination, Caochangdi might be similarly preserved. With the current campaign, as well as festivals like Caochangdi PhotoSpring and the recently-opened CCD Workstation May Festival (focused on film and dance), these hopes remain, but Caochangdi’s future is far from certain.

Click here to learn more about the preservation campaign, and sign the online petition here.

Awards Announced at 7th China Documentary Film Festival

Monday, May 10th, 2010

The Spiral Staircase of Harbin (dir. Ji Dan) [Photo courtesy of Fanhall Films

The 7th China Documentary Film Festival, organized by Fanhall Films, was held May 1-7  in the Songzhuang Art District on the outskirts of Beijing. 11 new documentaries were featured in the competiton, as well as several other films outside of competition and an international section featuring films from Japan, South Korea and Singapore.  We will have some commentary on the festival proceedings in the coming days.

The Festival announced its awards for the following films (with citations by the jury in quotes):

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Documentary screenings at Beijing Iberia Center This Weekend

Thursday, April 15th, 2010

Last Lumberjacks (dir. Yu Guangyi)

Organized by Indie Workshop, Non-Profit Incubator (NPI) and the Iberia Center for Contemporary Art, the Eyes on the World series, running April 16-20, examines significant social issues facing contemporary China through the lens of these ten documentary films. These screenings will take place at the Iberia Center for Contemporary Art in the 798 Art District in Beijing.

Full list of films after the break (Screening times are not listed – check ICCA website for more info):

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Chinese Arthouse Cinema Series at Beijing’s UCCA Art Cinematheque

Tuesday, April 13th, 2010

Lan (dir. Jiang Wenli)

The ScreenOut Film Exhibition, hosted by Guangzhou-based Southern Metropolis Daily, is China’s first (and so far only) campaign to introduce art films into commercial-run cinemas. It has presented a number of indie films by many acclaimed Chinese directors, such as Jia Zhangke, Gu Changwei, Lv Le, Wang Quanan, and Wang Xiaoshui. This year, a special retrospective programme at UCCA will screen selected films from past years and a special screen of this year’s new film Lan (dir. Jiang Wenli) and Judge (dir. Liu Jie).

DATES
April 11, 2010 – April 28, 2010

15rmb for adults (with exhibition admission)
10rmb for students with valid student ID

ADDRESS
798 Art District, No.4 Jiuxianqiao Lu, P.O. Box 8503, Chaoyang District, Beijing, P.R.China, 100015

Tel: +86 (0) 10 8459 9269/8459 9387
Fax: +86 (0) 10 8459 9717

TRANSPORTATION
- By Car: From Sanyuan Bridge or Siyuan Bridge enter the Airport Expressway, then leave the Airport Expressway at the entrance to Jiuxianqiao Rd.
- By Bus: Take Bus 401, 402, 405, 445, 909, 955, 973, 988, 991 to Dashanzi or Wangyefen Stop.

Full screening schedule and film descriptions after the break.

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CinemaTalk: Cui Zi’en at the Beijing Apple Store

Monday, April 12th, 2010

This is the first of three interviews produced from the “Meet the Filmmakers” series held in Feburary 2010 at the Apple Store in Sanlitun, Beijing. The series, co-presented by the Apple Store and dGenerate Films, is an ongoing series to showcase China’s newest filmmakers powered by digital technology.

Cui Zi'en, director of Queer China, 'Comrade China', speaks at the Apple store in Beijing. (Photo: Robert Douglas)

Cui Zi’en is a director, film scholar, screenwriter, and novelist based in Beijing. He is an associate professor at the Beijing Film Academy. Cui Zi’en is a premiere avant-garde digital filmmaker in China. He has published nine novels in China and Hong Kong, and he is also the author of books on criticism and theory, as well as a columnist for magazines.

dGenerate Films distributes three of Cui Zi’en’s features in its catalog: Queer China, ‘Comrade China‘, Enter the Clowns, and We Are the… of Communism (coming soon).

The video of Cui’s interview is in four parts, with an English transcript following each video. Video of Part One is below. Click through to view both videos and the full transcript.

Note: English subtitles for each video can be accessed by clicking on the CC button in the pop-up menu on the bottom right corner of the player.

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Press on Beijing Apple Store Events with dGenerate Filmmakers

Wednesday, March 10th, 2010

Cui Zi'en, director of Queer China, Comrade China, speaks at the Apple store in Beijing. (Photo: Robert Douglas)

Following up on our recent “Meet the Filmmakers” series at the Apple Store in Sanlitun, Beijing, here are a couple of links to local coverage of the events.

At The Beijinger, Dan Edwards talks to Karin Chien about the Apple Store events and China’s digital filmmaking revolution.

At the Global Times, Robert Powers reports on Apple Store appearances made by filmmakers Jian Yi and Cui Zi’en.

We’re pleased to announce that the “Meet the Filmmakers” series will continue with other filmmakers appearing at the Apple Store Sanlitun over the coming months. Stay tuned for details.

Hail! Hail! Hail! The State of Chinese Cinema, Part Three

Wednesday, March 10th, 2010

This is the second part of a three-part essay by Zhang Xianmin on the state of contemporary Chinese cinema. Read Parts One and Two.

Translation by Yuqian Yan

IV. New Theaters

Another aspect of capital operation is the development of new theaters and their surroundings. A significant trend is that after international capital was fully withdrawn from China due to policy reasons, the newly raised major players are all domestic partnerships.

Megabox Sanlitun Theater, Beijing

Withdrawn capital is mainly from the States and Europe, but those from Hong Kong or Korea are allowed to stay. Even though according to government policy, Hong Kong and Korean capital can only account for a small proportion, their existence allows theaters to maintain their original status as international chain brands. For example, the new theater built in the middle of Sanlitun, Beijing uses a Korean theater brand. One reason is that Hong Kong and Korean investors sometimes agree to disguise international capital under the name of domestic capital through an intermediary, whereas European and American investors always hesitate to make such a suspicious deal. For instance, Warner has stopped expanding its business in China for years. But European and American giants are just waiting for new policies that will offer better opportunities. In the long run, more than half of the Chinese theaters will be controlled by American capital in the future.

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