By Shelly Kraicer
I’m often asked how it is that I keep track of new Chinese independent films. One answer: just be in China for a few weeks in October and November. The film festival season here is packed right now. Two major indie film festivals have just concluded: the 6th Beijing Independent Film Festival (BIFF, in the Beijing exurb of Songzhuang) and the 8th China Independent Film Festival (in Nanjing). In Beijing itself, we’ve had the 4th First Film Festival (an international festival for films by first-time directors) at various campuses in China including Peking University, and the 6th Chinese Young Generation Film Forum. Coming up is the 5th Chongqing Independent Film and Video Festival (CIFVF).
That’s a lot of films and festivals. Of course there is substantial overlap, especially between the three main indie film festivals (BIFF, CIFF, CIFVF). BIFF and CIFF each had its own issues this year: external and internal conflict that showed just how much pressure independent filmmakers are under in China at the moment. These conflicts, which I’ll describe below, also demonstrated the urgency with which these filmmakers conceive of their practice, their autonomy, their mission, and their very existence.