Posts Tagged ‘chinese film’

Newsletter – June 2010

Wednesday, June 23rd, 2010

dGenerate Films Newsletter: June 2010

In celebration of the summer and the end of the school year, we are offering a sale though the end of June — 15% off any dGenerate title ordered before June 30! We hope that you will consider rounding out your DVD libraries with dGenerate titles and support the invaluable work that our filmmakers are doing to created uncensored perspectives on contemporary Chinese society. Contact us to order and mention the discount, you’ve got a week!

Now is also the time to start thinking about your Fall film series’ and bringing one of our indie Chinese films to your venue. With enough time and planning, our filmmakers are also available to come out and visit as well.

And for those of you home viewers, most of our films are available online for viewing through Amazon and Indieflix for $5 a film. Visit the respective page for each film on our catalog page and you’ll find links to view them.

As always, contact as any time, for any reason. Visit our latest film catalog here. Thanks for your support!

Welcome,

Ariella Tai

Manager, Operations & Sales
(646) 360-0343 / info@dgeneratefilms.com
http://dgeneratefilms.com
Twitter: @dgeneratefilms
Facebook: http://www.facebook.com/pages/dGenerate-Films/61032165931




NEW TITLES AVAILABLE FOR PRE-ORDER

DU HAIBIN’S 1428 FEATURED AT LA FILM FESTIVAL

  • Currently making its way around the festival circuit and available for exhibition screenings is Venice Film Festival Best Documentary 1428. A powerful look at the reality facing survivors of the Sichuan earthquake in 2008, Du Haibin’s film recently was picked as “Best of the Los Angeles Film Festival” by LA Weekly critic Karina Longworth.
  • Film scholar and Cal Arts professor Bernice Reynaud recently reviewed 1428 in Senses of Cinema, along with Oxhide and Queer China, ‘Comrade China’, amongst other contemporary Chinese films
  • CNN also took a behind-the-scenes look at 1428

“THE MAGNIFICENT 7″ OF CHINESE INDIE FILMMAKING

  • The latest issue of Time Out Shanghai highlights “The Seven Hottest Directors in China”: Ying Liang, Yang Heng, Zhao Liang, Liu Jiayin, Zhao Dayong, Zhao Ye, and Wei Tie. The feature interviews all seven of the directors, as well as dGenerate President Karin Chien. dGenerate proudly offers titles from five of the seven directors named in the article as “directors to watch.” You can download the full article at the dGenerate website.

NEW ACQUISITIONS

  • We are excited for the recent addition of Huang Weikai’s Disorder to our catalog, as well as Liu Jiayin’s long-awaited sequel to Oxhide, Oxhide 2. Please contact exhibitions@dgeneratefilms.com if you are interested in bringing these films to your city or university!

FOLLOW US

  • The best way to keep tabs on all the up-to-the-minute happenings in the underground Chinese film world is by following us on Twitter, Facebook, and through our blog’s RSS feed. Stay in touch!

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Summer Program in Chinese Film

Tuesday, December 22nd, 2009

The University of Washington is now accepting applications for their third Summer Program in Chinese Film History and Criticism held at the Beijing Film Academy. The Program will be take place on June 28 to July 25, 2010.

Students worldwide are welcome to the program, administered through the University of Washington. Twelve quarter credits are transferable to other institutions. The program is especially well suited for upper-level undergraduates who intend to continue their studies in Chinese cinema, and for graduate students and professors who plan to teach courses involving Chinese films. No knowledge of Chinese is required.

The courses will be taught by professors from outside Asia (including Chris Berry, Yomi Braester, and James Tweedie) and a variety of faculty from the Beijing Film Academy. The program also includes meetings with filmmakers. The program cost (including tuition and lodging) is $3,300 + registration fee. Rolling admission will start on January 1, 2010.

Further details on curriculum and application procedures can be found on the program’s website. Questions should be addressed to the program director, Professor Yomi Braester: yomi @ uw.edu.

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dGenerate Directors Featured in Dragons & Tigers

Thursday, September 10th, 2009

by Lu Chen

Tony Rayns and Shelly Kraicer, programmers of the Vancouver International Film Festival’s big Dragons & Tigers: The Cinemas of East Asia section, have announced a program that will showcase a total of thirty-five features, four mid-length films and twenty-two shorts, as of publication. Dragons & Tigers is one of the preeminent showcases of East Asian films in the world, and a stepping stone for many young Asian filmmakers. This year it will feature five World Premieres, eight International Premieres, twelve North American Premieres and two Canadian Premieres from seventy countries.

Four dGenerate Films directors are featured in the program.

  • Gay activist and radial filmmaker Cui Zi’en’s Queer China, ‘Comrade’ China uses rare testimonies from theorists, activists and artists to outline the modern origins of Chinese homosexuality through its attempted suppression to its breakthroughs in the last decade.
  • Zhao Dayong’s (whose documentary Ghost Town will have its international premiere at the New York Film Festival on September 27) Rough Poetry brings together political theater and faces in closeup by putting eight characters in a cage, playing themselves, including a cop, a prostitute, and a poet.
  • Liu Jiayin’s Oxhide II is a sequel to her dGenerate title Oxhide and uses the occasion of making dumplings with her parents to structure this formally daring, wryly amusing look at family dynamics, economic burdens and the ethics and aesthetics of cooking from scratch.
  • Yang Heng’s (Betelnut) Sun Spots tells a tale of love, betrayal and revenge set in a verdant mountain paradise in central China, and captures the anguish and passion of a youthful lost generation.

(more…)

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Shelly on Film: What is a Chinese Film?

Wednesday, September 9th, 2009

By Shelly Kraicer

San Yuan Li

San Yuan Li (dir. Ou Ning, 2003)

What is a Chinese film?  Ever since I’ve started living and working in Beijing over six years ago, most serious discussions about Chinese cinema ultimately come down to this elemental question, either in its descriptive mode (what defines a Chinese film?) or in its more urgently prescriptive version (what should a Chinese film be?).  Often, it’s filmmakers themselves who seem most anxious about the issue.  Behind it lie several subsidiary anxieties: “What do Westerners want from Chinese films?”, “What’s my role in Chinese society?”, “Are films art, or commerce, or politics?”

(more…)

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