dGenerate Films presents CinemaTalk, an ongoing series of conversations with esteemed scholars of Chinese cinema studies. These conversations are presented on this site in audio podcast and/or text format. They are intended to help the Chinese cinema studies community keep abreast of the latest work being done in the field, as well as to learn what recent Chinese films are catching the attention of others. This series reflects our mission to bring valuable resources and foster community around the field of Chinese film studies.
Lu Xinyu (photo courtesy of UCLA International Institute)
Lu Xinyu is Professor and Director of the Radio and TV Department, School of Journalism, Fudan University, Shanghai, China. Professor Lu is widely regarded as the leading scholar on independent Chinese documentaries. Her influential book Documenting China: The New Documentary Movement (Beijing, SDX Joint Publishing Company, 2003) was the first book to systematically theorize the New Documentary Movement in China from the beginning of 1990s. She spent the past academic year as a visiting scholar in the department of cinema studies at New York University.
Selected Publications by Lu Xinyu:
- Writing and What It Obscures (Guangxi Normal University Press, 2008)
- Documenting China: The Contemporary Documentary Movement in China (SDX Joint Publishing Company, Beijing, 2003)
- Mythology. Tragedy. Aristotle’s Art of Poetry: New Concept to Ancient Greek’s Poetics Tradition (Fudan University Press, Shanghai, 1995)
Papers and Articles:
- “The Power and Pain of Chinese New Documentary Movement”, Dushu No. 5, 2006.
- “Ruins of the Future Class and History in Wang Bing’s Tiexi District”, New Left Review, 31 Jan/Fab 2005. London.
- “Tiexi District: History and Class Consciousness”, Dushu No. 1, 2004.
- “The History of Documentary and the Document of the History”, Journalism Quarterly, Winter, 2003.
- “A Memorandum about Contemporary Chinese Documentary Development”, South China Television Journal No. 6, 2002 and No. 1, 2003.
- “Began from the Other Side: New Documentary Movement in China”, Frontiers No. 3, 2002.
In this interview conducted by dGenerate’s Yuqian Yan, Lu Xinyu told us about her current work during her visit in New York and how she was attracted to independent Chinese documentary from an aesthetic and humanist background. Starting from Aristotle’s poetic concept of “tragedy”, she led us to understand the New Documentary Movement as a unique art form that depicts the tragic life of ordinary people in the rapidly changing Chinese society. The interview was conducted in Chinese. Full English transcript after the break.
Play the Podcast (in Mandarin Chinese) (Time: 16:43)
Download it here (right-click to download). (File Size:7.7 MB)