Posts Tagged ‘ciff’

Shelly on Film: Fall Festival Report, Part Two: Under Safe Cover, a Fierce Debate

Wednesday, December 7th, 2011

By Shelly Kraicer

Shu Haolun's "No. 89 Shimen Road" won the top prize at CIFF, but wasn't shown on Awards Night.

The Nanjing-based China Independent Film Festival (28 October-1 November 2011), unlike the Beijing Independent Film Festival described previously, benefited from a substantial degree of official and semi-official “cover”. Unlike BIFF, there is a certain amount of practical compromise with official bodies and officially approved cinema: purity isn’t such an issue. Co-sponsors include the Nanjing University School of Journalism and Communication, The Communication University of China (Nanjing) and the RCM Museum of Modern Art. The second day of CIFF includes a forum attended by local propaganda department officials. A sidebar of the festival (nicknamed the “Longbiao Section” for the dragon-headed insignia that appears at the beginning of all officially approved film prints in China) included screenings in a luxurious commercial cinema of several films that that are strictly speaking non-independent (i.e. censor-approved) but are made in a spirit of independence. These films would not appear at BIFF, for example, but might show later in official venues like Beijing’s Broadway Cinematheque MOMA, where approved “arthouse cinema” (i.e. non-commercial) finds a refuge in Beijing.

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8th Annual Chinese Independent Film Festival – Lineup

Friday, October 28th, 2011

By Maya E. Rudolph

The 8th annual China Independent Film Festival will commence October 28th with an exciting roster of narrative, documentary, and short films screening in Nanjing. The festival this year boasts a balanced feature narrative and documentary program, and an extensive program of shorts, experimental films, a selection of shorts from Germany, and four selections from the Folk Memory Project.

Kicking off the documentary program is Zheng Kuo’s 798 Station, a 2011 film documenting the evolution of Beijing’s 798 factory space from an East German-engineered industrial park to a contemporary art hotspot. Also screening on the festival’s first day is Cong Feng’s (director of 2008′s Doctor Ma’s Country Clinic) The Unfinished History of Life, a serious and thorough account of a group of friends and acquaintances in Gansu province, their daily lives and concerns unfolding over several hours of footage.

Yang Heng, the director of Betelnut (distributed by dGenerate), brings to the narrative program a second feature, Sun Spots. This 2010 Hong-Kong co-production boasts a vaguely surrealistic, hauntingly still story of violence and redemption. Other films by directors represented by dGenerate are No. 89 Shimen Road (Shu Haolun, Nostalgia, Struggle), Shattered (Xu Tong, Fortune Teller), and Cop Shop II (Zhou Hao, Using, The Transition Period).

The full program is listed following the break: (more…)

Collective Excitement: Individual Expressions: The 7th China Independent Film Festival

Wednesday, November 3rd, 2010

Opening Ceremony of the 7th China Independent Film Festival in Nanjing (photo courtesy of CIFF)

By Sara Beretta

The 7th China Independent Film Festival (CIFF), which ran from October 21-25, was a five-day affair packed with screenings and forums. Among the changes in this year’s event were a new curatorial team (Dong Bingfeng, Du Qingchun, Wei Xidi) and a new location, Nanjing University. Under the guidance of Zhang Xianmin (Beijing Film Academy Professor, curator, critic, filmmaker, actor, producer and dGenerate consultant), the curators worked with both the Committee (Cao Kai, Chen Yun, Li Li, Zhang Xiamin, Zhou Kai) and the Selection Team (Cai Meng, Liu Jiayin, Wang Liren, Wei Xidi, Wang Xiaolu) put together a stellar program of events and screenings.

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CIFF Awards Announced; Zhang Xianmin Interviewed

Tuesday, October 26th, 2010

Poster for The Old Donkey (dir. Li Ruijun)

The Seventh China Independent Film Festival concluded in Nanjing on October 25, with awards given to the following narrative feature films:

First Prize: The Old Donkey, dir. Li Ruijun
Second Prize: Rivers and My Father, dir. Li Luo
Debut Prize: Piercing, dir. Liu Jian

Special Mentions:
Single Man, dir. Hao Jie
Cleaning, dir. Yuan Fei

Additionally, the following films were screened as part of the CIFF Top 10 Documentaries program:

Xue Jianqiang: Martian Syndrome
Zhang Zanbo: A Song of Love, Maybe
Qiu Jiongjiong: Madame
Mao Chenyu: Triumph of the Will
Guo Xiaolu: Once Upon a Time Proletarian
Chen Xinzhong: Zhong Sheng
Wang Qingren: Game Theory
Yang Yishu: On the Road
Zhou Hao: Cop Shop
Li Ning: Tape

CIFF organizer (and dGenerate consultant) Zhang Xianmin discusses the Festival with Christen Cornell for Artspace China.

China Independent Film Festival Full Lineup Announced

Friday, October 8th, 2010
By Isabella Tianzi Cai
The Seventh China Independent Film Festival will be held in Nanjing from October 21 to 25. The screenings will be held at Nanjing University as well as other university venues.

There will be a forum for film enthusiasts at the festival called “The Projection of China’s Moving Images and the Chinese Imagination in the Next Ten Years.” A 3-D workshop will be also held there with support from Panasonic.

dGenerate Directors who have films in the festival are Zhao Dayong (The High Life), Zhou Hao (Cop Shop), Cao Fei (China Tracy, Living in RMB City).

Main programs of the festival follow after the break. Further details can be found at the festival website.

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