<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>dGenerate Films &#187; cinema poll</title>
	<atom:link href="http://dgeneratefilms.com/tag/cinema-poll/feed/" rel="self" type="application/rss+xml" />
	<link>http://dgeneratefilms.com</link>
	<description>Distributing the finest in Chinese independent film today</description>
	<lastBuildDate>Fri, 10 Feb 2012 14:43:21 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Best Chinese Language Films of the 2000s: Ballots</title>
		<link>http://dgeneratefilms.com/uncategorized/best-chinese-language-films-of-the-2000s-ballots/</link>
		<comments>http://dgeneratefilms.com/uncategorized/best-chinese-language-films-of-the-2000s-ballots/#comments</comments>
		<pubDate>Thu, 14 Jan 2010 14:47:16 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Chinese Cinema Today]]></category>
		<category><![CDATA[chinese cinema]]></category>
		<category><![CDATA[chinese cinema poll]]></category>
		<category><![CDATA[cinema poll]]></category>
		<category><![CDATA[films of the decade]]></category>
		<category><![CDATA[top ten]]></category>

		<guid isPermaLink="false">http://dgeneratefilms.com/?p=2329</guid>
		<description><![CDATA[A list of the ballots from all 47 participants of the Best Chinese Language Films of the 2000s Poll follows after the break. Several participants included comments and/or honorable mentions, which are also included. Some participants ranked their choices while others left their list unranked; the final results were tallied by the number of mentions [...]]]></description>
			<content:encoded><![CDATA[<p>A list of the ballots from all 47 participants of the Best Chinese Language Films of the 2000s Poll follows after the break. Several participants included comments and/or honorable mentions, which are also included. Some participants ranked their choices while others left their list unranked; the final results were tallied by the number of mentions each film received among all top ten ballots.</p>
<p><span id="more-2329"></span></p>
<p><strong>Michael Berry</strong><br />
UC Santa Barbara<br />
1. Platform – Jia Zhang-ke, 2000, Hong Kong/Japan/France/Netherlands/Switzerland<br />
2. Yi Yi – Edward Yang, 2000, Taiwan/Japan<br />
3. Blind Shaft – Li Yang, 2003, China/Germany/Hong Kong<br />
4. Summer Palace – Lou Ye, 2006, China<br />
5. Though I am Gone, Hu Jie, China 2008.<br />
6. Crouching Tiger, Hidden Dragon – Ang Lee, 2000, China/Taiwan/USA<br />
7. In the Mood for Love – Wong Kar-Wai, 2000, Hong Kong/France<br />
8. Three Times – Hou Hsiao-hsien, 2005, Taiwan<br />
9. Goodbye, Dragon Inn – Tsai Ming-Liang, 2003, Taiwan<br />
10. 1428 – Du Haibin, 2009, China</p>
<p>Honorable Mentions:<br />
Along the Railway – Du Haibin, 2000, China; Devils on The Doorstep – Jiang Wen, 2000, China; Somewhere Over the Dreamland – Cheng Wen-tang, 2002, Taiwan; West of the Tracks – Wang Bing, 2003, China; Café  Lumière – Hou Hsiao-hsien, 2003, Taiwan/Japan (even though it is in Japanese); Infernal Affairs Trilogy – Andrew Lau and Alan Mak, 2002, 2003, Hong Kong; Kung Fu Hustle – Stephen Chow, 2004, Hong Kong/China; The World – Jia Zhang-ke, 2004/China/Japan/France; Delamu – Tian Zhuangzhuang, 2004, China; Shanghai Dreams – Wang Xiaoshuai, 2005, China; The Wayward Cloud – Tsai Ming-liang, 2005, France/Taiwan; Riding Alone for Thousands of Miles – Zhang Yimou, 2005, China; Still Life – Jia Zhangke, 2006, China; Election 1 &amp; 2 – Johnnie To, 2005, 2006, Hong Kong; God Man Dog &#8211; Singing Chen, 2007, Taiwan; No Pudeo Visir Sin Ti – Leon Dai, 2009, Taiwan; Legend of the Mountain – King Hu, 1979 (restored complete 180 min. version, 2008), Taiwan, South Korea</p>
<p><strong>Andrew Chan</strong><br />
Critic, <em>Film Comment</em>; <em>Reverse Shot</em><br />
1. Yi Yi<br />
2. Platform<br />
3. Three Times<br />
4. In the Mood for Love<br />
5. Tie Xi Qu: West of the Tracks<br />
6. What Time Is It There?<br />
7. The Other Half<br />
8. Oxhide<br />
9. Ghost Town<br />
10. Everlasting Regret</p>
<p><strong>Cui Zi&#8217;en</strong><br />
Filmmaker (<em>Queer China; Enter the Clowns</em>), Activist<br />
1. Zhou Hongxiang: The Red Flag Flies<br />
2. Yang Fudong: Seven Intellectuals in Bamboo Forest<br />
3. Andrew Y-S Cheng: Shanghai Panic<br />
4. Andrew Y-S Cheng: Destination Shanghai<br />
5. Jia Zhangke: Still Life<br />
6. Yang Jin: A Black and White Cow<br />
7. Zhao Ye: Jalainur<br />
8. Lv Le: Novel<br />
9. Du Haibin: Along the Railway<br />
10. ZHu Chuanming: Extras<br />
11. Wang Libo: Buried</p>
<p><strong>Mike D&#8217;Angelo</strong><br />
Film Critic<br />
1. In the Mood for Love<br />
2. Hero<br />
3. Devils on the Doorstep<br />
4. The Wayward Cloud<br />
5. What Time Is It There?<br />
6. Not One Less<br />
7. Crouching Tiger, Hidden Dragon<br />
8. Blue Gate Crossing<br />
9. Red Cliff<br />
10. The Orphan of Anyang</p>
<p><strong>Aurelia Dubouloz</strong><br />
Scholar<br />
Platform, Jia Zhangke, 2000<br />
I Love Beijing, Ning Ying, 2001<br />
West of the Tracks, Wang Bing, 2002<br />
Goodbye Dragon Inn, Tsai Mingliang, 2003<br />
Dam Street, Li Yu, 2005<br />
Triangle, Johnnie To, Tsui hark, Ringo Lam, 2007<br />
Crime and Punishment, Zhao Liang, 2007<br />
1428, Du Haibin, 2009<br />
Spring Fever, Lou Ye, 2009<br />
The Search, Pema Tseden, 2009</p>
<p><strong>Gan Xiao&#8217;er</strong><br />
Filmmaker (<em>Raised from Dust</em>)<br />
1. Summer Palace (Liu Ye)<br />
2. Spring Fever (Liu Ye)<br />
3. Still Life (Jia Zhangke)<br />
4. Floating Dust (Huang Wenhai)<br />
5. Bing Ai (Feng Yan)<br />
6. Platform (Jia Zhangke)<br />
7. Oxhide (Liu Jiayin)<br />
8. History of Chemistry 2 (Lu Chunsheng)<br />
9. Raised from Dust(Gan Xiao&#8217;er)<br />
10. Silent Holy Stone (Wanma Caidan)</p>
<p><strong>Thomas Hart</strong><br />
EU-China Information Society Project<br />
1. Still Life (Jia ZhangKe)<br />
2. Blind Shaft (Li Yang)<br />
3. In the Mood for Love (Wong KarWai)<br />
4. Isabella  (Pang Ho-Cheung)<br />
5. The world  (Jia Zhang-Ke)<br />
6. Riding Alone for Thousands of Miles  (Zhang Yimou)<br />
7. Lust, Caution (Ang Lee)<br />
8. 2046 (Wong Kar-Wai)<br />
9. Infernal Affairs  (Andrew Lau, Alan Mak)<br />
10. Summer Palace  (Lou Ye)</p>
<p><strong>Brian Hu</strong><br />
UCLA<br />
1. Yi Yi (Edward Yang)<br />
2. The World (Jia Zhang-ke)<br />
3. Crouching Tiger, Hidden Dragon (Ang Lee)<br />
4. In the Mood for Love (Wong Kar-wai)<br />
5. Millennium Mambo (Hou Hsiao-hsien)<br />
6. Lust, Caution (Ang Lee)<br />
7. What Time is it There? (Tsai Ming-liang)<br />
8. Summer Palace (Lou Ye)<br />
9. Sparrow (Johnnie To)<br />
10. My Life As McDull (Toe Yuen)</p>
<p><strong>Huang Weikai</strong><br />
Director (<em>Floating; Disorder</em>)<br />
Wong Kai-wai: Ashes of time (final version)<br />
Wong Kar-wai: In the Mood For love<br />
Jonnie To: Breaking News (2004)<br />
Wai Keung Lau, Siu Fai Mak: Infernal Affairs (2002)<br />
Feng Xiaogang: Big Shot&#8217;s Funeral (2001)<br />
Pang Ho-cheung: You Shoot, I Shoot (2001)<br />
Wu Wenguang: Fuck Cinema<br />
Liu Jiayin: Oxhide<br />
Zhang Jingwei: KJ<br />
Huang Weikai: Disorder</p>
<p><strong>Huang Wenhai</strong><br />
Director (<em>Floating Dust, We</em>)<br />
Edward Yang: Yi Yi<br />
Lou Ye: Summer Palace, Spring Fever<br />
Jia Zhangke: Still LIfe, Public Space<br />
Wanma Caidan: Search<br />
Yang Fudong: A Strange Heaven<br />
Wang Bin: West of the tracks.<br />
Zhao Liang: Petition<br />
Hu Jie: Looking for Linzhao&#8217;s Soul</p>
<p><strong>La Frances Hui</strong><br />
Programmer, Asia Society<br />
Face<br />
Platform<br />
Kung Fu Hustle<br />
In the Mood for Love<br />
The World<br />
Goodbye, Dragon Inn<br />
Infernal Affairs<br />
Blind Shaft<br />
In Search of Lin Zhao&#8217;s Soul<br />
Delamu</p>
<p><strong>Jian Yi</strong><br />
Filmmaker (<em>Super, Girls!; Bamboo Shoots</em>)<br />
Documentary:<br />
Chinese Villagers&#8217; Documentary Project (Wu Wenguang)<br />
Survival Song (Yu Guangyi)</p>
<p>Narrative Films:<br />
Platform (Jia Zhangke)<br />
Unknown Pleasures (Jia Zhangke)<br />
Bamboo Shoots (Jian Yi)</p>
<p><strong>A.S. Keijser</strong><br />
Leiden University<br />
1 A One and a Two (Yi Yi), d: Edward Yang / Yang Dechang, TW 2000<br />
2 Infernal Affairs (Wujiandao), d: Lau Wai-Keung &amp; Alan Mak, HK 2002<br />
3 I Don&#8217;t Want to Sleep Alone (Hei yanquan), d: Tsai Ming-Liang, TW/Malaysia 2006<br />
4 Still Life (Sanxia haoren), d: Jia Zhang-ke, PRC 2006<br />
5 Oxhide (Niupi), d: Liu Jiayin, PRC 2005<br />
6 Us Two (Women lia), d: Ma Liwen, PRC 2005 (am not sure about the English title of this film…)<br />
7 In the Mood for Love (Huayang nianhua), r: Wong Kar-wai, HK 2000<br />
8 Tie Xi Qu: West of the Tracks (Tiexiqu), d: Wang Bing, PRC 2003<br />
9 Suzhou River (Suzhouhe), d: Lou Ye, PRC 2000<br />
10 Devils on the Doorstep (Guizi laile), d: Jiang Wen, PRC 2000</p>
<p><strong>Anthony Kaufman</strong><br />
Film Critic, IndieWire<br />
&#8220;Platform&#8221; (2000)<br />
&#8220;Unknown Pleasures&#8221; (2002)<br />
&#8220;The World&#8221; (2004)<br />
&#8220;Still Life&#8221; (2006)<br />
&#8220;Dong&#8221; (2006)<br />
&#8220;Crouching Tiger, Hidden Dragon&#8221; (2000)<br />
&#8220;Green Hat&#8221; (2003)<br />
&#8220;Blind Shaft&#8221; (2003)<br />
&#8220;In the Mood for Love&#8221; (2000)<br />
&#8220;Quitting&#8221; (2001)</p>
<p><strong>Robert Koehler</strong><br />
Film Critic / Programmer, AFI Festival, Variety<br />
1. PLATFORM (Jia Zhang-ke)<br />
2. UNKNOWN PLEASURES (Jia Zhang-ke)<br />
3. THE WORLD (Jia Zhang-ke)<br />
4. TIMBER GANG (Yu Guangyi)<br />
5. TIEXI DISTRICT: WEST OF THE TRACKS (Wang Bing)<br />
6. NIGHT TRAIN (Diao Yinan)<br />
7. FENGMING: A CHINESE MEMOIR (Wang Bing)<br />
8. STILL LIFE (Jia Zhang-ke)<br />
9. SURVIVAL SONG (Yu Guangyi)<br />
10. OXHIDE (Liu Jiayin)</p>
<p><strong>Shelly Kraicer</strong><br />
Film Critic, Programmer, Vancouver International Film Festival, Cinema-Scope<br />
Suzhou River (Suzhou he), Lou Ye, 2000<br />
Durian Durian (Liulian piaopiao), Fruit Chan, 2000<br />
In the Mood For Love (Huayang nianhua), Wong Kar-wai, 2000<br />
Platform (Zhantai), Jia Zhangke, 2001<br />
My Life as McDull (Maidou gushi), Toe Yuen, Brian Tse, Alice Mak, 2001<br />
What Time is it There? (Ni neibian ji dian?), Tsai Ming-liang, 2001<br />
West of Tracks (Tiexi qu), Wang Bing, 2002<br />
PTU, Johnnie To, 2003  (actually, the entire body of Johnnie To’s work in the decade, taken together, constitutes a “masterwork”: I choose PTU as a representative)<br />
Three Times (Zuihao de shiguang), Hou Hsiao-hsien, 2005<br />
Oxhide 2 (Niupi 2), Liu Jiayin, 2009</p>
<p><strong>Kevin Lawrence</strong><br />
China Institute<br />
1.      What Time Is It There? (2001, dir. by Tsai Ming-liang) – no movie has ever made me swing from laughter to crying in less time than it takes to type this sentence (except maybe Tsai’s The Hole).<br />
2.      Yi Yi (2000, dir. by Edward Yang) – a masterpiece.<br />
3.      The Wayward Cloud (2004, dir. by Tsai Ming-liang) – one of the most controlled works of art about rage and sex and sex and rage—how could I not admire this film even if on some reflection I have absolutely despised it?<br />
4.      Three Times (2006, dir. by Hou Hsiao-hsien) – the first 1/3 of this film is some of Hou Hsiao-hsien’s best work ever (and that is very high praise!)<br />
5.      The World (2004, dir. Jia Zhangke) – I feel like everyone will chosePlatform as their top pick, but for me that movie feels very 90s; The World issquarely situated in the 21st century.<br />
6.      Kung Fu Hustle (2004, dir. by Stephen Chow) – my favorite superhero film so far!<br />
7.      Blind Shaft (2003, dir. by Li Yang) – there are many worthy realist films from young 21st century Chinese directors, and this one is edited verysmartly.<br />
8.      Lust, Caution (2007, dir. by Ang Lee) – what an unexpected surprise coming from Ang Lee and being (loosely) based on a Zhang Ailing short story.  I think the psychology of occupation and betrayal was very timelyand handled quite nicely.<br />
9.      Visage/Face (2009, dir. by Tsai Ming-liang) – I couldn’t resist putting another Tsai Ming-liang film on here (could just as well have been Goodbye,Dragon Inn or I Don’t Want to Sleep Alone); this film definitely proves Tsai is still thinking/digging deep and growing, even as he returns to familiar tropes.<br />
10.     In the Mood for Love (2001, dir. by Wong Kar-wai) – such a guilty pleasure—I could watch Tony Leung smoke a cigarette all day!</p>
<p><strong>Dennis Lim</strong><br />
Editor, Moving Image Source<br />
1. Platform<br />
2. In the Mood for Love<br />
3. Goodbye Dragon Inn<br />
4. Tie Xi Qu: West of the Tracks<br />
5. Still Life<br />
6. I Don&#8217;t Want to Sleep Alone<br />
7. Unknown Pleasures<br />
8. Survival Song<br />
9. Millennium Mambo<br />
10. Oxhide</p>
<p><strong>Greg Louvel</strong><br />
Film Critic<br />
Jiang Wen &#8211; Devils at the Doorstep<br />
Jia Zhangke &#8211;  The World<br />
Jia Zhangke &#8211; Still Life<br />
Edward Yang &#8211; Yi Yi<br />
Wong Kar Wai &#8211; My Blueberry Nights<br />
Li Yang &#8211; Blind Shaft<br />
Wang Xiaoshuai &#8211; Beijing Bicycle<br />
Zhang Yimou &#8211; Three Guns / A Simple Noodle Story<br />
Jia Zhangke &#8211; Unknown Pleasures</p>
<p><strong>Edwin Mak</strong><br />
Film Critic/ <a href="http://ntbd.wordpress.com/" target="_blank">Blogger</a><br />
West of the Tracks, Wang Bing<br />
Platform, Jia Zhangke<br />
Devils on the Doorstep, Jiang Wen<br />
A One and A Two, Edward Yang<br />
PTU: Into the Perilous Night, Johnnie To<br />
In The Mood For Love, Wong Kar-wai<br />
Crouching Tiger Hidden Dragon, &#8211; Ang Lee<br />
The Wayward Cloud, Tsai Ming-liang<br />
Shaolin Soccer, Stephen Chow<br />
The Warlords, Peter Chan</p>
<p><strong>Jason McGrath</strong><br />
University of Minnesota<br />
Devils on the Doorstep (Jiang Wen, 2000)<br />
Platform (Jia Zhangke, 2000)<br />
In the Mood for Love (Wong Kar-wai, 2000)<br />
Chicken Poets (Meng Jinghui, 2002)<br />
Infernal Affairs (Andrew Lau &amp; Alan Mak, 2002)<br />
West of the Tracks (Wang Bing, 2003)<br />
Pirated Copy (He Jianjun, 2004)<br />
Kekexili: Mountain Patrol (Lu Chuan, 2004)<br />
I Don’t Want to Sleep Alone (Tsai Ming-liang, 2006)<br />
Lust, Caution (Ang Lee, 2007)</p>
<p><strong>Jia-yan Mi</strong><br />
The College of New Jersey<br />
1.        Devils on the Doorstep (Jian Wen, 2000)<br />
2.        Suzhou River (Lou Ye, 2000)<br />
3.        In the Moods of Love (Wong Kar Wai, 2000)<br />
4.        What Time Is It Over There? (Tsai Mingliang, 2001)<br />
5.        Yi yi: A One and a Two&#8230;  (Edward Yang, 2001<br />
6.        Millennium Mambo (Hou Hsiao-hsien, 2001)<br />
7.        Still Life (Jiazhang Ke, 2006)<br />
8.        Infernal Affairs (Wai-keung Lau, 2002)<br />
9.        Peacock (Gu Changwei, 2005)<br />
10.        Crouching Tiger, Hidden Dragon (Ang Lee, 2000)</p>
<p><strong>William Phuan</strong><br />
Programmer, Singapore<br />
Beijing Bicycle<br />
Crouching Tiger, Hidden Dragon<br />
In the Mood for Love<br />
Suzhou River<br />
Yi Yi<br />
What Time Is It Over There<br />
West of the Tracks<br />
Springtime in a Small Town<br />
Platform<br />
Infernal Affairs</p>
<p>Honorable Mention: 2046; Goodbye Dragon Inn; PTU; Uniform; The Shaft; Kung Fu Hustle;  Election; Three Times; I Don&#8217;t Want to Sleep Alone; Still Life; Summer Palace; Taking Father Home; City of Life and Death; The Message; Unknown Pleasures; The World; Red Cliff 1 &amp; 2</p>
<p><strong>James Quandt</strong><br />
Programmer, Cinematheque Ontario; Toronto International Film Festival<br />
It all but kills me to proffer a list with only one film by Jia and Tsai, as I admired so many of their films this decade, but otherwise my list would be all established masters, so I have forcibly made space for several films by newcomers. No ranking implied:</p>
<p>Orphan of Anyang &#8211; Wang Chao<br />
Platform &#8211; Jia Zhang-ke<br />
What Time is it There? &#8211; Tsai Ming-liang<br />
West of the Tracks &#8211; Wang Bing<br />
In the Mood for Love &#8211; Wong Kar Wai<br />
Oxhide &amp; Oxhide II &#8211; Liu Jiayin<br />
Uniform &#8211; Diao Yi’nan<br />
Three Times (the first part) &#8211; Hou Hsiao-hsien<br />
Springtime in a Small Town &#8211; Tian Zhuangzhuang</p>
<p>Toss-up: Suzhou River &#8211; Lou Ye or Grain in Ear &#8211; Zhang Lu</p>
<p><strong>Tony Rayns</strong><br />
Programmer, Vancouver International Film Festival<br />
BAOBER IN LOVE  (Li Shaohong)<br />
IN THE MOOD FOR LOVE  (Wong Kar Wai)<br />
MID-AFTERNOON BARKS  (Zhang Yuedong)<br />
THE NARROW PATH  (Cui Zi&#8217;en)<br />
A ONE AND A TWO &#8230;  (Edward Yang)<br />
OXHIDE  (Liu Jiayin)<br />
PETITION  (Zhao Liang)<br />
SPRING FEVER  (Lou Ye)<br />
STILL LIFE  (Jia Zhangke)<br />
SWEET FOOD CITY  (Gao Wendong)</p>
<p><strong>Bérénice Reynaud</strong><br />
California Institute for the Arts<br />
Unranked (by year of release)<br />
Wong Kar-Wai: In The Mood For Love (2000)<br />
Yi Yi – Edward Yang, 2000, Taiwan/Japan<br />
Devils on The Doorstep – Wen Jiang, 2000, China<br />
Millennium Mambo – Hou Hsiao-hsien, 2001, Taiwan/France<br />
Wang Bing: West Of The Tracks (2004)<br />
Liu Jiayin: Oxhide (2005), and Oxhide 2 (2009)<br />
The Other Half – Ying Liang/Peng Shan, 2006, China<br />
Jia Zhangke: Still Life (2006)<br />
Perfect Life – Emily Tang, 2008, China<br />
City of Life and Death – Lu Chuan, 2009, China</p>
<p><strong>Peter Rist</strong><br />
Zhantai (Platform), Jia Zhangke (P.R. China/Hong Kong/France/Japan)<br />
Suzhou he (Suzhou River), Lou Ye (China/Germany)<br />
Fa yeung nin wa (In the Mood for Love), Wong Kar-wai (Hong Kong/France)<br />
Tie Xi Qu: West of the Tracks, Wang Bing (China), documentary, digital<br />
Cha ma gu dao xi lie (Delamu), Tian Zhuangzhuang (China/Japan), digital, doc.<br />
McDull, Prince de la Bun, Toe Yuen (Hong Kong), animation<br />
Zui hao de shi guang (Three Times), Hou Hsiao-hsien (Taiwan/France)<br />
Hei yan quan (I Don’t Want to Sleep Alone), Tsai Ming-liang<br />
(Malaysia/China/Taiwan/France/Austria)<br />
Binglang (Betelnut), Yang Heng (China), digital<br />
Niu pi er (Oxhide II), Liu Jiayin (China), digital</p>
<p><strong>Jason Sanders</strong><br />
Pacific Film Archive, UC Berkeley<br />
Yi Yi: A One and a Two, dir. Edward Yang, Taiwan, 2000.<br />
The World, dir. Jia Zhang-ke, China, 2004.<br />
In the Mood for Love, dir. Wong Kar-wai, Hong Kong, 2000. (Seems so long ago)<br />
Goodbye Dragon Inn, dir. Tsai Ming-liang, Taiwan, 2003.<br />
Fuck Cinema, dir. Wu Wenguang, China, 2006.<br />
Kekexili: Mountain Patrol, dir. Lu Chuang, China, 2004.<br />
Tang Poetry, dir. Zhang Lu, China, 2003.<br />
The Other Half, dir. Ying Liang, China, 2006.<br />
Tie Xe Qui: West of the Tracks, dir. Wang Bing, China, 2003.<br />
Infernal Affairs Trilogy, dir. Alan Mak &amp; Lau Wai-keung, Hong Kong, 2002-2003.</p>
<p>Runners-up: Crazy Stone, dir. Hao Ling, 2006; Little Moth, dir. Peng Tao, 2007; Oxhide, dir. Liu Jiayin, 2004; Flower in the Pocket, dir. Liew Seng Tat, Malaysia; Still Life, dir. Jia Zhang-ke, 2007; I Love Beijing, Ning Ying, 2001; 15, dir. Royston Tan, Singapore, 2003</p>
<p><strong>Michael Sicinski</strong><br />
University of Houston<br />
1. IN THE MOOD FOR LOVE (Wong Kar-wai)<br />
2. STILL LIFE (Jia Zhang-ke)<br />
3. DEVILS ON THE DOORSTEP (Jiang Wen)<br />
4. YI YI (Edward Yang)<br />
5. KUNG FU HUSTLE (Stephen Chiau)<br />
6. EXILED (Johnnie To)<br />
7. THE SUN ALSO RISES (Jiang Wen)<br />
8. BLUE GATE CROSSING (Yee Chin-yen)<br />
9. HERO (Zhang Yimou)<br />
10. KEKEXILI: MOUNTAIN PATROL (Lu Chuan)</p>
<p><strong>J.P. Sniadecki</strong><br />
Harvard University<br />
Platform, dir. Jia Zhangke<br />
Suzhou River, dir. Luo Ye<br />
Unknown Pleasures, dir. Jia Zhangke<br />
Wayward Cloud, dir. Tsai Ming Liang<br />
West of the Rails, dir. Wang Bing<br />
Bing&#8217;Ai, dir. Feng Yan<br />
Outside, dir. Wang Wo<br />
Petition, dir. Zhao Liang<br />
In the Mood for Love, dir. Xu Ruotao<br />
Ghost Town, dir. Zhao Dayong</p>
<p><strong>Mingwei Song</strong><br />
Wellesley College<br />
The World (Jia Zhangke, 2005; PRC)<br />
Crouching Tiger, Hidden Dragon (Ang Lee, 2000; Taiwan)<br />
Yi Yi: a One and a Two (Edward Yang, 2000; Taiwan)<br />
Seafood (Zhu Wen, 2002; PRC)<br />
Durian, Durian (Fruit Chan, 2000; Hong Kong)<br />
Devils on the Doorstep (Jiang Wen, 2000; PRC)<br />
Lust, Caution (Ang Lee, 2007; Taiwan)<br />
Three Times (Hou Hsiao-hsien, 2005; Taiwan)<br />
In the Mood for Love (Wong Kar-wai, 2000; Hong Kong)<br />
Summer Palace (Lou Ye, 2006; PRC)</p>
<p><strong>Chuck Stephens</strong><br />
Film Critic, <em>Film Comment</em>, <em>Filmmaker</em><br />
Uniform<br />
Seafood<br />
In the Mood for Love<br />
2046<br />
Goodbye Dragon Inn<br />
Millennium Mambo<br />
Lan yu<br />
Unknown Pleasures<br />
West of the Tracks<br />
Pangyau (Amir Muhammad)</p>
<p>Honorable Mentions: All Tomorrow&#8217;s Parties; Useless; Mid-Afternoon Barks; Little Moth; The Orphan of Anyang; Cry Woman; Rain Dogs (Ho Yuhang); The Beautiful Washing Machine (James Lee); Gubra (Yasmin Ahmad);</p>
<p><strong>David Walsh</strong><br />
Film Critic, <a href="http://www.wsws.org" target="_blank">World Socialist Web Site</a><br />
Platform, Jia Zhangke (China, 2000—but also, Unknown Pleasures, 2002; The World, 2004)<br />
Good Cats, Ying Liang (China, 2008—but also Taking Father Home, 2006; The Other Half, 2006)<br />
Little Moth, Peng Tao (China, 2007)<br />
Blind Shaft, Lang Yi (China, 2003)<br />
Cry Woman, Liu Bingjian (China, 2002)<br />
Bing Ai, Feng Yan (China, 2007)<br />
Durian, Durian, Fruit Chan (Hong Kong, 2000—but also, Little Cheung, 1999—I saw it in 2000!)<br />
River People, He Jianjun (China, 2009)<br />
Grain in Ear, Zhang Lu (China, 2005)<br />
The Orphan of Anyang, Wang Chao (China, 2001)<br />
An eleventh would be Yi Yi, Edward Yang (Taiwan, 2000)<br />
And a twelfth, Bundled, Singing Chen (Taiwan, 2000)<br />
Wang Bing deserves mention, if not a more exacting editor, for West of the Tracks (China, 2003) and Fengming: A Chinese Memoir (China, 2007)</p>
<p><strong>Ban Wang</strong><br />
Stanford University<br />
1. Kekexili<br />
2 Kongque (Peacock)<br />
3 Hero<br />
4 24 City<br />
5 Platform<br />
6 Postmen in the Mountains<br />
7 Suzhou River<br />
8 The Road (Fangxiang zhi lv)<br />
9 Blindshaft<br />
10. Jijie Hao (Assembly)</p>
<p><strong>Wang Ge</strong><br />
Film Critic, The Beijinger<br />
Still Life, 2006, Jia Zhangke, China<br />
Devil On The Doorstep, 2000, Jiang Wen<br />
Cape No.7, 2008, Wei Desheng, Taiwan<br />
How Are You, Gongliao?, 2004, Cui Suxin, Taiwan<br />
Blind Shaft, 2003, Li Yang, China<br />
Peacock, 2005, Gu Changwei, China<br />
Bodyguards and Assassins, 2009, Chen Desen, Hong Kong/China<br />
Yi Yi, 2000, Edward Yang, Taiwan<br />
Tie Xi Qu: West of the Tracks, 2003, Wang Bin, China<br />
Trivial Matters, 2007, Peng Haoxiang, Hong Kong</p>
<p><strong>Qi Wang</strong><br />
Georgia Institute of Technology<br />
And the Spring Comes (dir. Gu Changwei)<br />
Butterfly (dir. Yan Yan Mak)<br />
Devils on the Doorstep (dir. Jiang Wen)<br />
Orphan of Anyang (dir. Wang Chao)<br />
The Other Half (dir. Ying Liang)<br />
Platform (dir. Jia Zhangke)<br />
Suzhou River (dir. Lou Ye)<br />
Though I Am Gone (dir. Hu Jie, documentary)<br />
West of the Tracks (dir. Wang Bing, documentary)<br />
Yi Yi (dir. Edward Yang)</p>
<p><strong>Wanma Caidan</strong><br />
Filmmaker (<em>The Silent Holy Stones; The Search</em>)<br />
Yi Yi (Edward Yang)<br />
Taking Father Home (Ying Liang)<br />
Peacock (Gu Changwei)<br />
Delamu (Tian Zhuangzhuang)<br />
Spring Fever (Lou Ye)<br />
Platform (Jia Zhangke)<br />
Lust and Caution (An lee)<br />
Blind Shaft (Li Yang)<br />
Devils on the Door Step (Jiang Wen)<br />
Beijing Bicycle (Wang Xiaoshui)</p>
<p><strong>Xu Tong</strong><br />
Filmmaker (<em>Wheat Harvest; Fortune Teller</em>)<br />
1. Summer Palace (Liu Ye)<br />
2. Rumination (Xu Ruotao)<br />
3. Good Cat (Ying Liang)<br />
4. Along the Railway (Du Haibing)<br />
5. San Li Dong (Lin Xin)<br />
6. Dr. Ma&#8217;s Clinic (Cong Feng)<br />
7. Crime and Punishment (Zhao Liang)<br />
8. Using (Zhao Hao)<br />
9. Two Seasons (Zhao Xun)<br />
10: Wheat Harvest (Xu Tong)</p>
<p><strong>Yan Yu</strong><br />
Filmmaker (<em>Before the Flood</em>)<br />
West of the Tracks (Wang Bin)<br />
Summer Palace (Lou Ye)<br />
Still Life (Jia Zhangke)<br />
Incense (Ning Hao)<br />
Blind Mountain (Li Yang)</p>
<p><strong>Chi-hui Yang</strong><br />
Programmer, San Francisco Asian American Film Festival<br />
Grain In Ear, Zhang Lu<br />
Summer Palace, Lou Ye<br />
Yi Yi, Edward Yang<br />
Jailanur, Zhao Ye<br />
Goodbye Dragon Inn, Tsai Ming-liang<br />
Conjugation, Emily Tang<br />
Dumplings, Fruit Chan<br />
My Life As McDull, Brian Tse<br />
West of the Tracks, Wang Bing<br />
Quitting, Zhang Yang<br />
Still Life, Jia Zhang-ke</p>
<p><strong>Yang Jin</strong><br />
Filmmaker (<em>The Black and White Milk Cow; Er Dong</em>)<br />
Survival Song (Yu Guangyi)<br />
West of the Tracks (Wang Bin)<br />
Classmate (Lin Xin)<br />
Petition (Zhao Liang)<br />
Mr. Ma&#8217;s clinic (Cong Feng)<br />
Platform (Jia Zhangke)<br />
Seven Intellectuals in the Bamboo Forest (Yang Fudong)<br />
Rain Clouds over Wushan (Zhang Ming)<br />
Chong Qing + Li Li (Zhang Lv)<br />
The Other Half (Ying Liang)</p>
<p><strong>Emilie Yeh</strong><br />
Hong Kong Baptist University<br />
Yi Yi<br />
The Wayward Cloud<br />
Still Life<br />
2046<br />
Millennium Mambo<br />
In the Mood for Love<br />
Lust, Caution<br />
Crouching Tiger, Hidden Dragon<br />
Summer Palace<br />
West of the Tracks</p>
<p><strong>Ying Liang</strong><br />
Director<br />
Platform (Jia Zhangke)<br />
Oxhide (Liu Jiayin)<br />
Spring Fever (Lou Ye)<br />
Karamay ?Xu Xin)<br />
Aoluguya (Gu Tao)<br />
Classmates (Lin Xin)<br />
West of the Tracks (Wang Bin)<br />
Wheat Harvest (Xu Tong)<br />
Buried (Wang libo)<br />
Before the Flood (Yan Yu)</p>
<p><strong>Neil Young</strong><br />
Film Critic; Programmer, Bradford Film Festival<br />
1. Blind Mountain (2007; Mang shan) by LI Yang<br />
2. Condolences (2009) by YING Liang &#8212; short<br />
3. Night Train (2007; Ye che) by DIAO Yi&#8217;nan<br />
4. Taking Father Home (2005; Bei yazi de nanhai) by YING Liang<br />
5. How Is Your Fish Today? (2006; Jin tian de yu zen me yang?) by Xiaolu GUO<br />
6. The Other Half (2006; Ling yi ban) by YING Liang<br />
7. Kung Fu Hustle (2004; Kung fu aka Gong fu) by Stephen CHOW<br />
8. Little Moth (2007; Xue chan) by PENG Tao<br />
9. Crouching Tiger, Hidden Dragon (2000; Wu hu zang long) by Ang LEE<br />
10. Timber Gang (2007; Mu bang aka The Last Lumberjacks) by YU Guangyi</p>
<p>Then (in alphabetical order): Accident (2009; Yi ngoi) by CHEANG Pou-Soi; I Love Lakers (2009) by YING Liang &#8212; short; In the Mood For Love (2000, Fa yeung nin wa) by WONG Kar-Wai; Seafood (2001; Haixian) by ZHU Wen; Survival Song (2008; Xiao li zi) by YU Guangyi</p>
<p><strong>Zhao Liang</strong><br />
Filmmaker (<em>Crime and Punishment, Petition</em>)<br />
To Live is Better than to Die (Chen Weijun)<br />
Before the Flood (Li Yifan, Yan Yu)<br />
Crime and Punishment (Zhao Liang)<br />
Petition (Zhao Liang)<br />
Looking for Lin Zhao&#8217;s Soul (Hu Jie)<br />
Outside(Wang Wo)<br />
Timber Gang (Yu Guangyi)<br />
Bingai (Feng Yan)<br />
Dr.Ma&#8217;s Country Clinic (Cong Feng)<br />
The Fortune Teller (Xu Tong)</p>
<p>This is actually Zhu Rikun&#8217;s list, but I agree with it.</p>
<p><strong>Angela Zito</strong><br />
New York University<br />
Along the Railroad  2000    Du Haibin<br />
This Happy Life   2002    Jiang Yue<br />
DV China  2002   Zheng Desheng<br />
West of the Tracks   2003    Wang Bing<br />
Dr. Zhang 2005  Huang Ruxiang<br />
The Bimo Records   2006   Yang Rui<br />
The Villager Documentary Project, from 2006 onward,  Wu Wenguang<br />
Bing Ai  2007  Feng Yan<br />
Although I am Gone  2007  Hu Jie<br />
Petition:        2008   Zhao Liang</p>
<p>Special mention to Jiang Hu  1999, Wu Wenguang (I just think of Jiang Hu as founding a style for the decade)</p>

	<h4>Relevant Classroom Use</h4><a href="http://dgeneratefilms.com/tag/chinese-cinema/" title="chinese cinema" rel="tag">chinese cinema</a>, <a href="http://dgeneratefilms.com/tag/chinese-cinema-poll/" title="chinese cinema poll" rel="tag">chinese cinema poll</a>, <a href="http://dgeneratefilms.com/tag/cinema-poll/" title="cinema poll" rel="tag">cinema poll</a>, <a href="http://dgeneratefilms.com/tag/films-of-the-decade/" title="films of the decade" rel="tag">films of the decade</a>, <a href="http://dgeneratefilms.com/tag/top-ten/" title="top ten" rel="tag">top ten</a><br />
]]></content:encoded>
			<wfw:commentRss>http://dgeneratefilms.com/uncategorized/best-chinese-language-films-of-the-2000s-ballots/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
	</channel>
</rss>

