Posts Tagged ‘educational resource’

New York Times article on the Chinese digital underground!

Tuesday, September 29th, 2009

In the midst of Ghost Town-New York Film Festival madness, a little newspaper called the New York Times decided to spotlight the burgeoning independent Chinese film scene in last Sunday’s edition.  Reporter Kirk Semple explores the nuanced relationship (or lack thereof) between underground filmmakers like Ghost Town‘s Zhao Dayong and The Other Half‘s Ying Liang, and the Chinese government requirement that all films be approved by the state-run Film Bureau.

It’s a great educational primer for anyone seeking to understand the political context and artistic environment within which all of dGenerate Films’ filmmakers operate. Throw in a choice quote from dGenerate Films’ president Karin Chien, and you’ve got a must-read and a nice victory for us and our filmmakers.

Read the New York Times article “Indie Filmmakers: China’s New Guerillas” here

CinemaTalk: a Conversation with Michael Berry

Monday, August 24th, 2009

dGenerate Films presents CinemaTalk, an ongoing series of conversations with esteemed scholars of Chinese cinema studies. These conversations are presented on this site in audio podcast and/or text format. They are intended to help the Chinese cinema studies community keep abreast of the latest work being done in the field, as well as to learn what recent Chinese films are catching the attention of others. This series reflects our mission to bring valuable resources and foster community around the field of Chinese film studies.

Michael Berry (photo courtesy of University of California, Santa Barbara / Michael Berry)Michael Berry is Associate Professor of Contemporary Chinese Cultural Studies at the University of California, Santa Barbara.  He is the author of the BFI Film Classics monograph Jia Zhang-ke’s Hometown Trilogy, which offers extended analysis of the films Xiao Wu, Platform, and Unknown Pleasures; A History of Pain: Trauma in Modern Chinese Literature and Film, which explores literary and cinematic representations of atrocity in twentieth century China; and Speaking in Images: Interviews with Contemporary Chinese Filmmakers, a collection of dialogues with contemporary Chinese filmmakers including Hou Hsiao-hsien, Zhang Yimou, Stanley Kwan, and Jia Zhangke.  Also an active literary translator, Berry has translated several important contemporary Chinese novels by Yu Hua, Ye Zhaoyan, Chang Ta-chun, and Wang Anyi.  Current literary translation projects include the modern martial arts novel The Last Swallow of Autumn (Xia Yin) and Wu He’s (Dancing Crane) award-winning novel Remains of Life (Yu Sheng), a fascinating literary exploration of the 1930 Musha Incident, which was honored with a 2008 NEA Translation Grant.

In this conversation with dGenerate’s Kevin Lee, Michael shares his insights on Jia Zhangke, specifically his career development since the “Hometown Trilogy” and his recent controversy at the Melbourne International Film Festival.   Be sure to read Jia’s statement of withdrawal from the Melbourne Film Festival as a point of reference.

Play the Podcast (Time: 17:39)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download it here (right-click to download, file size: 8.2 MB).

Get a list of Michael’s publications and a timecoded index of topics covered in the interview after the jump.

(more…)