Posts Tagged ‘hong kong international film festival’

A New Voice on Chinese Film: Dan Edwards’ Screening China

Monday, August 2nd, 2010

Directors Jia Zhangke, Wang Xiaoshuai and Lou Ye at the Beijing premiere of Wang's Chongqing Blues (photo courtesy of Screening China)

We’ve been following Dan Edwards‘ blog Screening China for the past several weeks, and it’s quickly shaping up to be an important source for reviews on the latest in Chinese film, especially from the indie/arthouse side. Dan, who is based in Beijing, writes for The Beijinger and Real Time Arts, among other publications. We’ve been linking all year to his coverage of our films and filmmakers: a review of Ghost Town; an interview with Liu Jiayin; a profile on documentary filmmakers; and a recap of the Hong Kong International Film Festival. He’s contributed a lot in a relatively short time, and it’s good to be able to access his content on his blog (which, ironically, is blocked in China).

Here are some recent highlights from his blog:

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RealTime Reviews Films by dGenerate Directors at HKIFF

Wednesday, June 30th, 2010

The High Life (dir. Zhao Dayong)

by Isabella Tianzi Cai

RealTime Arts, Australia’s critical guide to contemporary international arts, recently reviewed several films from the 34th Hong Kong International Film Festival – several by directors with films distributed by dGenerate.

In the Asian Digital Competition section of HKIFF, the awards went to Zhao Dayong’s The High Life and Yang Heng’s Sun Spots. RealTime’s Mike Walsh comments on the former, “Characters enter and then leave the narrative, frustrating our attempt to approach contemporary China in exclusively personal terms. It is worth comparing this to the structure of Zhao’s previous documentary Ghost Town which is divided into three parts, each focusing on a different character.” dGenerate Films distributes Ghost Town as well as Zhao’s debut feature Street Life (coming soon), and Yang Heng’s Betelnut.

In the same article, Walsh also highly commends Liu Jiayin’s mesmerizing documentary Oxhide II, the sequel to Oxhide (distributed by dGenerate). He writes,

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Three dGenerate Directors Win at Hong Kong Film Festival

Thursday, April 1st, 2010

Awards ceremony at Hong Kong International Film Festival (photo courtesy Lantern Films)

The Hong Kong International Film Festival gave out its awards Tuesday night, and to our delight, four of the nine awards were given to filmmakers repped by dGenerate. Yang Heng (director of Betelnut) took home the Golden Digital Award in the Asian Digital Competition for his new film Sun Spots, while Zhao Liang (Crime and Punishment) won the Humanitarian Award for his stunning documentary Petition. But the night belonged to Zhao Dayong (Ghost Town, Street Life), whose new film The High Life nabbed two awards – the FIRPRESCI Critics’ Jury Prize and the Silver Award in the Asian Digital Competition.

Full coverage of the awards can be found at The Hollywood Reporter.

See if you can catch Zhao Dayong’s previous feature Ghost Town, which is touring the US through April at these venues. Read some reviews of this film.

Yang Heng’s previous feature Betelnut is available at dGenerate Films. Find out more about his prizewinning debut.

Zhao Liang’s eye-opening documentary Crime and Punishment is currently available for non-theatrical exhibition, and will be available on DVD in the summer.