Posts Tagged ‘karamay’

Shelly on Film: Deeper Into Dragons and Tigers

Tuesday, October 19th, 2010

By Shelly Kraicer

Rumination (dir. Xu Ruotao)

The 2010 Vancouver International Film Festival (September 30 to October 15) has just concluded. This was my fourth year programming Chinese language films for VIFF’s Dragons and Tigers section for East Asian cinema; this year’s edition featured 43 features and 21 shorts, co-curated by Tony Rayns and myself. I selected 19 features and three shorts: 12 from China, 4 from Hong Kong, 3 from Taiwan, 2 from Malaysia, and one from Singapore. Details of the films from the People’s Republic of China, including comments derived from my catalogue notes for VIFF, can be found below.

Within the D&T section, the Dragons and Tigers Award for Young Cinema, programmed by Tony Rayns, featured 8 films by young, as yet “undiscovered” directors. The jury, comprised of Jia Zhangke, Bong Joon-ho, and Denis Côté, awarded its prize to the Japanese film Good Morning World!, directed by Hirohara Satoru. Two special mentions were awarded: one to the Chinese film Rumination (Fanchu), by Xu Ruotao, and one to Phan Dang Di’s Vietnamese film Don’t Be Afraid B!

As usual, I chose more films from China than from any other territory. I try each year to balance at least two goals in my programming: I want to give VIFF audiences a sense of the increasing variety of Chinese language filmmaking, both in the independent sector, and in commercial genres. At the same time, it has always been VIFF’s policy and my own personal preference to highlight the work of independent young filmmakers working outside of the system of official censorship and distribution (independent tizhiwai films). Indie documentary filmmaking continues to be particularly strong in China, and I could only choose a few examples: it would have been easy to devote the bulk of my 9 feature length film slots to Chinese independent films this year.

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Banned Chinese Independent Documentaries Shine Overseas

Friday, May 21st, 2010

Director Ai Xiaoming

The Epoch Times has an informative article by Liang Zhen on Chinese independent documentaries, published on the heels of two film festivals that spotlighted these films: the Hong Kong International Film Festival and the Buenos Aires International Festival of Independent Cinema, the latter of which was programmed by Shelly Kraicer. The article describes several recent important films from the independent documentary movement in China: Petition by Zhao Liang, Karamay by Xu Xin, and works by Hu Jie and Ai Xiaoming. Ai Xiaoming gives a concluding quote attesting to the mission of many of these filmmakers:

“Today’s China is losing an important part—memory. This is how authorities maintain an autocratic ruling: They take away history and thus take away common sense, morals, and many other things,” she said. “If we persistently record history over the past 10 years, we will be able to see the changes in the decade. We can save this history for future generations.”

Read the full article: (in English) (in Chinese)

The Unforgettable Fire: Karamay

Friday, April 16th, 2010

By Isabella Tianzi Cai

Karamay (dir. Xu Xin)

Known as the “12/8/94 Incident,” a devastating fire broke out in the Karamay Friendship Theater in Urumqi, the capital of Xinjiang, killing 323 people, 288 of whom were schoolchildren.  Chinese director Xu Xin’s Karamay, which premiered at this year’s 34th Hong Kong International Film Festival, brings back these nearly erased memories of the past.

With little knowledge of the incident at the time it happened, Xu Xin expected the fire to be just another unwanted accident when he first started the project. However, in the making of the documentary, where he interviewed over 60 people related to the victims, Xu gained a much deeper understanding of the underlying tragedy.  He tries to convey this  agony, shooting in black-and-white with no music or voice-over throughout the film’s somber six-hour running time.

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