Posts Tagged ‘melbourne’

Street Level Visions: Chinese Independent Docs at the Melbourne International Film Festival

Friday, August 3rd, 2012

“Though I Am Gone” (dir. HU Jie)

We’re proud to announce that “Street Level Visions,” a program of independent Chinese documentaries curated by Dan Edwards, will be screening next month as part of the Melbourne International Film Festival.

The program is a small retrospective of independent works produced in China over the past decade, many of which are distributed by dGenerate. The selection includes key landmarks of Chinese documentary such as Zhao Liang’s Petition (2009) and Hu Jie’s Searching for Lin Zhao’s Soul, as well as new and important fare such as Wang Jiuliang’s debut from last year, Beijing Besieged by Waste.

Directors Ou Ning and Wang Jiuliang will be in Melbourne as guests of the festival.

Full program after the break – all screenings at the Australian Centre for the Moving Image (ACMI) on Federation Square unless otherwise indicated:
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Call for Papers at Summer and Fall Chinese Conferences

Tuesday, March 16th, 2010

We’d like to share announcements calling for papers for three academic conferences on Chinese studies. The first is for the Rocky Mountain MLA Conference, held in Albuquerque, New Mexico, October 14-16, 2010. Second is for Chinese Cinema in the US since 1979 to be held at the University of South Carolina, Columbia, October 8-10, 2010. The third is for the 2010 Melbourne Conference on China: Chinese Elites and their Rivals – Past, Present and Future, at the The University of Melbourne, Australia, July 19-20 2010. Details after the break.

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Statement by Jia Zhangke on his withdrawal from Melbourne International Film Festival

Friday, July 24th, 2009

As a follow-up to yesterday’s news of three Chinese films pulling out of the Melbourne International Film Festival in protest to a documentary on Uighur leader Rebiya Kadeer, we are posting a translation of a statement made by Jia Zhangke concerning his decision to withdraw his short film as well as Emily Tang’s A Perfect Life, produced by Jia’s company XStream Pictures. The original statement in Chinese, found here, was translated by Yuqian Yan. In this statement Jia refers to another protest, by British director Ken Loach, who withdrew from the festival after objecting to the festival’s sponsorship by the state of Israel.

1. We have no intention to interfere with the film festival’s freedom to facilitate artistic communication. It is our way of self-discipline to withdraw from the Melbourne Film Festival. I’m not an expert at Xinjiang history, but since it is only two weeks after the Urumqi riots, I think we should at least be cautious not to offend the victims.

2. The political inclination of the Melbourne Film Festival this year is getting stronger. First, it was the British director Ken Loach who questioned the funding of the festival, accusing them of using blood money. Then Ten Conditions of Love, a documentary about Rebiya Kadeer, appeared on the program list. They even organized a series of activities for her.

3. We think attending the same event with Rebiya Kadeer contains political meanings. It is emotionally intolerable and practically inappropriate. So the staff of Xstream Pictures agreed to withdraw from the festival to show our attitude and stance.

4. On July 19, our company representative Zhou Qiang (Chow Keung) wrote to the president of Melbourne Film Festival, announcing that two films from XStream Pictures: “Cry Me a River” and A Perfect Life will withdraw from the festival. Director Emily Tang Xiaobai and producer Zhou Qiang (Chow Keung) also canceled their plans to attend the festival.

Chinese indie films pull out of film festival in response to Uighur doc

Thursday, July 23rd, 2009

Three Chinese films have been pulled from the Melbourne International Film Festival program Tuesday in the wake of pressure from Chinese government representatives in Australia last week, regarding the premiere of documentary 10 Conditions of Love, which profiles Rebiya Kadeer, the leader in exile of the Uighur minority in western China.

The three films in question are Emily Tang’s A Perfect Life, Zhao Liang’s documentary Petition (which premiered at Cannes in May), and Jia Zhangke’s short film Cry Me a River.

From The Hollywood Reporter:

Kadeer has widely been blamed by Beijing for inciting this month’s ethnic riots, which left at least 156 dead, mostly Han Chinese, in the Xinjiang Uighur Autonomous Region.

Festival organizer Richard Moore told The Hollywood Reporter that the filmmakers objected to the presence of Kadeer at the festival and the inclusion of “10 Conditions” in the program.

On July 15, Moore received a call from Chinese consular staff in Melbourne demanding that “10 Conditions” be withdrawn ahead of its Aug. 8 premiere and wanting justification for its inclusion.

Moore reiterated on Tuesday that MIFF continues to stand by its decision to program the film.

“As a festival we continue to aim to support a plurality of views and are disappointed that this action has been taken,” he said.”

Read the full article.

The Age in Australia reports:

Festival director Richard Moore said yesterday it was a major disruption and uncalled for.

“I am obviously upset because we have supported the work of these filmmakers in the past,” he said. “People get passionate about their films every year but this … I wasn’t expecting this amount of dissent from outside forces.”

Asked whether he believed Chinese filmmakers had been pressured to withdraw by the Chinese Government, Mr Moore, said it was extremely sensitive: “I can’t comment further.”

Read the full article.