The newest issue of the online film journal Senses of Cinema features lengthy reviews by film scholar and Cal Arts professor Berenice Reynaud on new films from Mainland China. Titled “Men Won’t Cry – Traces of a Repressive Past,” Reynaud covers a dozen international titles that screened at last fall’s Vancouver International Film Festival, giving special attention to four new films from the Mainland, as well as the Hong Kong feature Night and Fog by Ann Hui. Her analysis is particularly astute at discerning issues of identity, gender, power and nationhood in the formal approaches taken by each film. The following are some choice excerpts, though readers are advised to read Reynaud’s appreciations in full:
Posts Tagged ‘pema tseden’
Asia Society, Columbia University-Modern Tibetan Studies, Trace Foundation, Maysles Institute, and Kham Film Project present:
April 10 & 15, 2010
**Filmmaker Pema Tseden Q&A on April 10th**
Screenings at Asia Society and Museum, 725 Park Avenue at 70th Street, NYC
Asia Society, Columbia University-Modern Tibetan Studies, Trace Foundation, Maysles Institute, and Kham Film Project present the ground-breaking work of filmmaker Pema Tseden (Wanma Caidan in Chinese), who has emerged as the outstanding cinematic voice of Tibet. Hailing from the Tibetan area of Amdo (Qinghai) and trained at the prestigious Beijing Film Academy where he was its first ever Tibetan student, Pema Tseden has made award-winning films that meditate on the meaning of culture and tradition in contemporary life, with Tibet as his canvas. The Tibet in his films is not the one that has been exoticized in Western cinema, or promoted as an epic example of progress and modernization in Chinese film. Instead, he has created a raw, observant, and tender film language to show the detailed tapestry of contemporary Tibetan experiences. Pema Tseden speaks of his art in relation to the traditional Tibetan aesthetic of the thangka or scroll paintings: “they’re like a panorama: all the stories are in one picture.”
This two-film series includes free screenings of Pema Tseden’s new film The Search (2009) and feature debut The Silent Holy Stones (2005) at Asia Society, 725 Park Avenue (E 70 Street), New York City. Pema Tseden will be available in New York for interviews between now and April 15, 2010.
Free admission. Limit to two per person. Ticket registration available at https://tickets.asiasociety.org/public/ or in-person at Asia Society. To purchase tickets or for more information, please call (212) 517-ASIA or visit www.AsiaSociety.org.
Program and further details after the break.
In Joanne Lee-Young’s article for the Vancouver Sun, longtime Asian film programmer and critic Tony Rayns spotlights some of his favorite films in this year’s Vancouver International Film Festival Dragons & Tigers Program of Asian cinema. Our own blog contributor Shelly Kraicer programmed the Chinese titles in the series, some of which are mentioned below:
Rayns: “In the last 10 years or so… nearly all of the creative energy in [mainland] Chinese cinema has come from the independent sector, from kids working outside the film industry.”
This means that when there is an event, like the devastating Sichuan earthquake last year, filmmakers like Du Haibin, “who has always been drawn to the marginal, the dispossessed and people who are socially at the bottom of the ladder,” said Rayns, rush off to film those events.