Posts Tagged ‘rotterdam’

A Tour of China’s Only Independent Film School

Monday, August 9th, 2010

Li Xianting Film School's Ying Liang (left) and Zhu Rikun (right) with owner and daughter of their favorite restaurant in Songzhuang (photo by Gertjan Zuilhof)

Last month we reported that the International Film Festival Rotterdam launched “Raiding Africa,” an exciting program commissioning several African filmmakers to make new films in China. The IFFR enlisted the Li Xianting Film School to help initiate the African directors into the Chinese independent film scene. Located in Songzhuang on the outskirts of Beijing, Li Xianting Film School is the first film school for independent filmmakers in China,.

IFFR’s Gertjan Zuilhof, the organizer of the program, is providing ongoing updates on the project at his IFFR blog. His latest entry introduces the Li Xianting Film School, where important figures like Zhu Rikun and Ying Liang (whose films dGenerate distributes) are fostering the independent film movement in China through their screenings, events and educational programs.

We’ve visited Songzhuang on multiple occasions, and we’ve always meant to profile the Li Xianting Film School in depth (the closest we’ve come is Shelly Kraicer’s indispensible guide to the Chinese indie film scene). So it’s great that Zuilhof is bringing exposure to the Film School through both the Raiding Africa program and his blog. And it’s amusing to read Zuilhof’s observations on Songzhuang, a former farming town that has become a haven for Beijing artists, and has traded its acres of fields for newly-built galleries. Zuilhof quips: ”They make modern art museums here like they are pizza huts.”

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African Directors Film in China with Li Xianting Film School and Rotterdam Festival

Tuesday, July 6th, 2010

Portrait of Mozambique President Armando Guebuza in a Chinese restaurant (Photo: Ella Raidel, IFF Rotterdam)

The International Film Festival Rotterdam has announced an exciting new project where several African directors will make films in China.  We find this a brilliant initiative to bridge two parts of the world that are developing complex new social and economic ties. Additionally, it’s wonderful that IFFR enlisted the Li Xianting Film School in Beijing, the first film school for independent filmmakers in China, to help initiate the African directors into the Chinese independent film scene.  Among its faculty, the Li Xianting Film School features at least a couple of dGenerate directors such as Ying Liang and Yang Jin. This promises to be a wonderful opportunity of artistic and cross-cultural exchange.

The project has already kicked off with a blog by Rotterdam Festival programmer Gertjan Zuilhof, which will follow the project through its many stages. We’ll be keeping tabs on it to see how the participants are progressing.

The full press release from IFFR follows:

Inspired by the growing influence of China in some African countries, the International Film Festival Rotterdam (IFFR) asks seven filmmakers from South Africa, Cameroon, Uganda, Rwanda, Congo and Angola to make films in China. The African directors’ films will premiere, along with a contextual film program, during the Rotterdam’s 40th edition. The program, titled ‘Raiding Africa’, includes a film workshop produced by the IFFR in collaboration with the Li Xianting Film School in Beijing and supported by Rotterdam’s Hubert Bals Fund.

More after the break.

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Shelly on Film: The Twenty Minute Standout of Rotterdam

Monday, March 22nd, 2010

by Shelly Kraicer

Condolences (dir. Ying Liang)

I’ve always enjoyed attending the International Film Festival Rotterdam (IFFR), which perks up a dark and sleety Dutch mid-winter with what is quite possibly the world’s most creatively curated large-scale festival of art and experimental cinema. IFFR has always strongly supported Chinese language independent films. And films in Chinese usually do quite well there, having won the top prize, the Tiger Award, quite often in past few years (Flower in the Pocket, Malaysia, 2008; Love Conquers All, Malaysia, 2007; Walking on the Wild Side, 2006, China; The Missing, Taiwan, 2004; Suzhou River, China, 2000).

Even if this year’s lineup of new Chinese films might have been a bit less scintillating than usual (though standouts included Yang Heng’s Sun Spots in competition, Liu Jiayin’s Oxhide II, Lou Ye’s Spring Fever, and Xu Tong’s documentary Wheat Harvest), one short stood out: Ying Liang’s Condolences (Weiwen). And the IFFR jury recognized this: Condolences won one of three Tiger Awards for Short Film. It’s a particularly well-deserved prize, in my opinion: this 20 minute fiction short of Ying Liang’s is this gifted young Chinese director’s best work so far.

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Reviews from Rotterdam: Oxhide II and Sun Spots

Tuesday, February 9th, 2010

Oxhide II (dir. Liu Jiayin)

The International Film Festival Rotterdam concluded this past weekend; this year’s edition was of special interest to us, what with eighteen films by Chinese directors or with a Chinese theme.  Two indie films in particular drew critical attention, much of which is summarized below.

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Ying Liang wins Rotterdam Tiger Award for New Short

Monday, February 8th, 2010

Condolences (dir. Ying Liang)We’re proud to announce that Ying Liang, whose films The Other Half and Taking Father Home are standouts of the dGenerate catalog, has another international award to add to his collection.

During the IFFR 2010 Awards Ceremony for Short Films on Monday, February 1, 2010 in festival location Rotterdamse Schouwburg, the award-winning short films of the 39th International Film Festival Rotterdam were announced. The three Tiger Awards for Short Film were granted to Wei Wen (Condolences) by Ying Liang (China), Atlantiques by Mati Diop (France/Senegal) and Wednesday Morning Two A.M. by Lewis Klahr (USA).

The film was even cited by film critic Neil Young in his top ten list for the 2000s in the Best Chinese Films of the 2000s Poll conducted by dGenerate.

The jury had this to say of Ying Liang’s new short in their award citation:

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Interview with Oxhide director Liu Jiayin

Thursday, January 28th, 2010

Peter Rist, who recently contributed a thoroughly considered ballot for our Chinese Films of the Decade Poll, has published an interview he conducted with Liu Jiayin, the director of Oxhide and Oxhide II. The interview was conducted for Offscreen Magazine at last year’s Vancouver International Film Festival, where Oxhide II was presented. Oxhide II is currently screening at the Rotterdam International Film Festival.

Here are some choice excerpts from the interview. The full interview can be found at Offscreen.

Offscreen: My first question is about style. And, I wonder if you could explain a little bit of why you use the cinemascope frame, because I was very surprised when I saw your first feature film, that for such an intimate setting, and shooting on (not the highest definition) digital, you would use the widest scope frame available.

LJ: Firstly, it is personal. I like the aesthetics of the 2.35:1 aspect ratio, and it also makes the film look more “serious.” I knew that, normally, the cinemascope format is used as a more “epic” style, and for more “spectacular” scenes, or for exterior scenes. I know that my film was really intimate, but I still chose to use this ratio. That’s the first point. Secondly: size and distance are relative, so, even if you are shooting something very close, or if something you are shooting is very small, if you are using a cinemascope lens then that will give you a different perspective, and it will make it look larger.

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18 Chinese Films at Rotterdam Film Festival

Wednesday, January 27th, 2010

Sun Spots (dir. Yang Heng)

18 films by Chinese directors or with a Chinese theme will be presented at this year’s International Film Festival Rotterdam, which runs from January 27 to February 7. Among these films include Oxhide II, Liu Jiayin’s follow up to her debut feature Oxhide (recently voted one of the top ten Chinese films of the past decade). Sun Spots, the second feature by Yang Heng (whose debut Betelnut is a dGenerate Films ttle) will be in competition for the VPRO Tiger Award.

City of Life and Death, Lu Chuan’s controversial big-budget feature depicting the Nanjing Massacre, has inspired a sidebar of related films, several of which date back to the time of the historic tragedy.

The full lineup of films can be found after the break. (more…)

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