Posts Tagged ‘screening’

Chinese-language films screening at UT Austin

Sunday, November 6th, 2011

The Department of Radio-Film-Television and the Center for East Asian Studies at the University of Texas at Austin present:

Contemporary Chinese-Language Cinema, Nov 9-13, 2011

with Peggy Hsiung-ping Chiao, distinguished Taiwanese scholar and film producer, alumna and recipient of the 2011-12 William Randolph Hearst Fellow Award from the College of Communication, The University of Texas at Austin

Public Lecture: Chinese-Language Cinema – The New Image
Nov 11 (Fri) 3:30 p.m. – 5 p.m. Legends Room, the Etter-Harbin Alumni Center

Award Ceremony will be held at the end of the lecture and followed by the reception

Master Class: Filmmaking in China: From Art Cinema to Commercial Production
Nov 10 (Thur) 3:30 p.m. – 5 p.m. CMA 4.128

Public Screenings of Films Produced by Peggy Chiao

Buddha Mountain Nov 9 (Wed) 7:30 p.m. CMB Studio 4D (CMB 4.122)
Beijing Bicycle Nov 10 (Thur) 7:30 p.m. ART 1.102

Taiwan Cinema of the 2000s In Celebration of the Founding of the Taiwan Academy

Reception
Nov 11 (Fri) 5 p.m. -7:30 p.m. Legends Room, the Etter-Harbin Alumni Center

Public Screenings of Films Made in Taiwan

7:30 p.m. CMB Studio 4D (CMB 4.122)
Hear Me Nov 11 (Fri)
Blue Gate Crossing Nov 12 (Sat)
Yang Yang Nov 13 (Sun)

Please see the websites below for more details:

http://rtf.utexas.edu/events/contemporary-chinese-language-cinema

http://www.utexas.edu/cola/centers/eastasia/events/19939

Mao Impersonators Documentary Screening at Harvard

Tuesday, October 4th, 2011

From the Fairbank Center for Chinese Studies:

Par of the Emergent Visions series
Date: Friday, October 7, 2011, 7:00pm – 9:00pm

Readymade: A Documentary about Mao Impersonators

With film director Zhang Bingjian

Although Chairman Mao died 35 years ago, he lives on in the form of his impersonators. This documentary is about two ordinary middle-aged individuals who make a career out of their physical likeness to Mao. The first, a farmer from Mao’s hometown studies at the Beijing Film Academy with his family’s support and the dream of playing Mao on the big screen. The second, a housewife struggles to overcome her husband’s aversion toward her new career. Through their lives and performances, the film presents trenchant insights into the legacy of the “Great Helmsman” in today’s China.

The film screening will be followed by a discussion with Zhang Bingjian.

Born in Shanghai, Zhang Bingjian graduated from the Beijing Film Academy in 1982 and received an MFA degree from the University of South Carolina in 1993. He directed a feature film Suffocation in 2004 that starred the well-known actor Ge You and was the first Chinese psychic film to be released nationwide. It was also screened at international film festivals worldwide. Readymade is his first documentary.

The film is in Chinese with English subtitles
Free and open to the public
Cosponsored with
the CCK Foundation Inter-University Center for Sinology
Contact: jieli@fas.harvard.edu

Location: CGIS South, Belfer Case Study Room, S020,
1730 Cambridge Street, Harvard University

Broadening the Chinese Film Scene: QCC and ISSAS

Tuesday, July 19th, 2011
Er Dong

Yang Jin's Er Dong, featured in both QCC and ISSAS programs

By Ariella Tai

Earlier this year, two new screening groups devoted to independent Chinese cinema were introduced into the Chinese film scene. The Qifang Cinephile Collective (QCC) and Indie Screening Alliance of Art Spaces (ISSAS) are both organized as traveling networks of screenings. The QCC holds several screenings each month in cafes, bars and libraries located in 11 different cities. Among the most recent round of screenings, themed “Youth”, was Yang Jin’s Er Dong, available in the dGenerate catalog. The ISSAS, initiated by curators Zhang Xiamin and Zuo Ging, will offer a 15-film program in the spring and fall. ISSAS’ April 2010 launch featured six Chinese independent films made within the past two years.

Both the QCC and the ISSAS seek to create new distribution channels within China, so that films providing vital perspectives in contemporary Chinese society and produced through independent means can be circulated within their country of origin. ISSAS, in particular, was specifically organized to redress these films’ lack of availability to the public and to “…promote the distribution of independent films, integrate current resources and effectively organize film events to further showcase the value of these works. [They] also hope to undertake some international film exchange events to change the current monologue of film culture in China.”

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Documentary screenings at Beijing Iberia Center This Weekend

Thursday, April 15th, 2010

Last Lumberjacks (dir. Yu Guangyi)

Organized by Indie Workshop, Non-Profit Incubator (NPI) and the Iberia Center for Contemporary Art, the Eyes on the World series, running April 16-20, examines significant social issues facing contemporary China through the lens of these ten documentary films. These screenings will take place at the Iberia Center for Contemporary Art in the 798 Art District in Beijing.

Full list of films after the break (Screening times are not listed – check ICCA website for more info):

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Canadian Premiere of The Other Half

Wednesday, November 4th, 2009

the_other_half-thumbOn Friday, November 6, the Gibsone Jessop Gallery in Toronto, Canada, launches a screening series of contemporary Chinese films in partnership with dGenerate Films. This five film series will begin with Ying Liang’s The Other Half, “a fierce and harrowing cry of political rage.” (The New Yorker)

This marks the first in a five-film screening series at Toronto’s Gibsone Jessop Gallery. Gibsone Jessop not only showcases international contemporary art from around the globe, with a special focus on China, they also host nightly events such as film screenings, theater and music that deepen the understanding of the cultures and context their artists create within. The next five Fridays will highlight different dGenerate films. Subsequent screenings include San Yuan Li, Little Moth, Using, and Queer China, ‘Comrade’ China.

Visit Gibsone Jessop’s site for more information about the event.

Friday, November 6, 2009, 7:30pm
To reserve tickets, please email info@gibsonejessop.com
Tickets: $10 in advance, $12 at the door
Limited Seating.

SUPER, GIRLS! and Director JIAN Yi at China Institute!

Thursday, October 15th, 2009

super_girls-thumbIn collaboration with dGenerate Films, the China Institute in America (125 East 65th Street) will present dGenerate title Super, Girls! (Chao Ji Nu Sheng) on Saturday, October 24, at 4:30 pm, as part of the Sinomathèque Film Series. An open discussion with director JIAN Yi will follow the screening.

Super, Girls! follows ten female teenagers on their quest to become instant superstars through the “Super Girls Singing Contest,” the wildly popular Chinese version of the “American Idol.” Discussing his unusual subject matter among Chinese indies, director Jian says in the “Director’s Statement”:

“Mainstream life is fairly underrepresented in independent Chinese documentaries as filmmakers tend to focus more on the society’s underprivileged groups. Yet ‘mainstream’ life in fast changing societies like China’s can be as different as Red Guards in 1960s, poets in 1980s, businessmen in 1990s and the ‘Super-girls’ in 2000s. What are the values of the family’s-only-child generation? How do they release their tremendous extra energy and money and embrace a globalized culture? China should not be just the playground for banks and corporations. China’s new generation of independent filmmakers look into the present-day mainstream culture and document and scrutinize this crazy and confusing time of the nation’s history.”

The Sinomathèque is an ongoing film series at the China Institute that showcases contemporary and historical work of every genre originating from China, Taiwan, and Hong Kong.

For more information, visit the China Institute.

For further information, please contact sinomatheque@chinainstitute.org or 212-744-8181×150.

The dGenerate Films Birth Story

Monday, June 8th, 2009

We’re thrilled at dGenerate Films to be launching our first slate of films. In honor of the occasion, I was recently thinking about the journey we undertook to get here.

The idea for the company was inspired by one of our films, San Yuan Li, by Ou Ning and Cao Fei. By a chance encounter, I indirectly helped Andrew Gluckman, now a good friend, book a screening of San Yuan Li at New York University in December 2007. At the time, I had no inkling of what was to happen. Nor did I know anything about the film. But when I saw San Yuan Li, I was blown away by the artistry and production methodology of the film. After the screening, Ou Ning told me many films in China were being made underground, meaning without censorship and without any chance at domestic distribution.

I knew there was an audience here for these films – given the immense interest in China, and a general lack of access to media made from within China, it seemed like an obvious one-two connection. Problem was, I was and still am an independent film producer, a consuming profession. I self-distributed films I produced, but the thought of tunneling a new route to bring underground Chinese films to the U.S. was daunting.

So I mulled over the idea, and a month later, it came out in an idle chat between myself and Brian Newman, Tribeca Film Institute’s Executive Director, as we were riding the free Sundance Film Festival shuttle bus. Brian said he was developing a new platform called Reframe designed specifically to distribute independent films to the academic market. He promised to accept all the films I brought back China. Reframe would take care of the physical manufacturing and order fulfillment. Brian’s offer suddenly made the idea much less daunting. I got back on the phone with Ou Ning, who immediately sent me forty films to watch.

The content was there, the distribution network was coming, all that was needed now was the missing link between the two.

More information on San Yuan Li can be found here.

Come back soon for Part 2 of “The Birth of dGenerate Films” by dGenerate President Karin Chien

Director Ying Liang to Visit NY and Bay Area

Tuesday, April 14th, 2009
Photo courtesy World Socialist Website

Photo courtesy World Socialist Website

dGenerate films is proud to welcome director Ying Liang to the New York City and SF Bay Area at the end of April and beginning of May. Ying will attend screenings of his most recent two features, The Other Half and Good Cats. (more…)