Posts Tagged ‘screening’

Documentary screenings at Beijing Iberia Center This Weekend

Thursday, April 15th, 2010

Last Lumberjacks (dir. Yu Guangyi)

Organized by Indie Workshop, Non-Profit Incubator (NPI) and the Iberia Center for Contemporary Art, the Eyes on the World series, running April 16-20, examines significant social issues facing contemporary China through the lens of these ten documentary films. These screenings will take place at the Iberia Center for Contemporary Art in the 798 Art District in Beijing.

Full list of films after the break (Screening times are not listed – check ICCA website for more info):

(more…)

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Canadian Premiere of The Other Half

Wednesday, November 4th, 2009

the_other_half-thumbOn Friday, November 6, the Gibsone Jessop Gallery in Toronto, Canada, launches a screening series of contemporary Chinese films in partnership with dGenerate Films. This five film series will begin with Ying Liang’s The Other Half, “a fierce and harrowing cry of political rage.” (The New Yorker)

This marks the first in a five-film screening series at Toronto’s Gibsone Jessop Gallery.  Gibsone Jessop not only showcases international contemporary art from around the globe, with a special focus on China, they also host nightly events such as film screenings, theater and music that deepen the understanding of the cultures and context their artists create within.  The next five Fridays will highlight different dGenerate films.  Subsequent screenings include San Yuan Li, Little Moth, Using, and Queer China, ‘Comrade’ China.

Visit Gibsone Jessop’s site for more information about the event.

Friday, November 6, 2009, 7:30pm
To reserve tickets, please email info@gibsonejessop.com
Tickets: $10 in advance, $12 at the door
Limited Seating.

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SUPER, GIRLS! and Director JIAN Yi at China Institute!

Thursday, October 15th, 2009

super_girls-thumbIn collaboration with dGenerate Films, the China Institute in America (125 East 65th Street) will present dGenerate title Super, Girls! (Chao Ji Nu Sheng) on Saturday, October 24, at 4:30 pm, as part of the Sinomathèque Film Series. An open discussion with director JIAN Yi will follow the screening.

Super, Girls! follows ten female teenagers on their quest to become instant superstars through the “Super Girls Singing Contest,” the wildly popular Chinese version of the “American Idol.” Discussing his unusual subject matter among Chinese indies, director Jian says in the “Director’s Statement”:

“Mainstream life is fairly underrepresented in independent Chinese documentaries as filmmakers tend to focus more on the society’s underprivileged groups. Yet ‘mainstream’ life in fast changing societies like China’s can be as different as Red Guards in 1960s, poets in 1980s, businessmen in 1990s and the ‘Super-girls’ in 2000s. What are the values of the family’s-only-child generation? How do they release their tremendous extra energy and money and embrace a globalized culture? China should not be just the playground for banks and corporations. China’s new generation of independent filmmakers look into the present-day mainstream culture and document and scrutinize this crazy and confusing time of the nation’s history.”

The Sinomathèque is an ongoing film series at the China Institute that showcases contemporary and historical work of every genre originating from China, Taiwan, and Hong Kong.

For more information, visit the China Institute.

For further information, please contact sinomatheque@chinainstitute.org or 212-744-8181×150.

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The dGenerate Films Birth Story

Monday, June 8th, 2009

We’re thrilled at dGenerate Films to be launching our first slate of films.  In honor of the occasion, I was recently thinking about the journey we undertook to get here.

The idea for the company was inspired by one of our films, San Yuan Li, by Ou Ning and Cao Fei.  By a chance encounter, I indirectly helped Andrew Gluckman, now a good friend, book a screening of San Yuan Li at New York University in December 2007.  At the time, I had no inkling of what was to happen.  Nor did I know anything about the film.  But when I saw San Yuan Li, I was blown away by the artistry and production methodology of the film.  After the screening, Ou Ning told me many films in China were being made underground, meaning without censorship and without any chance at domestic distribution.

I knew there was an audience here for these films – given the immense interest in China, and a general lack of access to media made from within China, it seemed like an obvious one-two connection.  Problem was, I was and still am an independent film producer, a consuming profession.  I self-distributed films I produced, but the thought of tunneling a new route to bring underground Chinese films to the U.S. was daunting.

So I mulled over the idea, and a month later, it came out in an idle chat between myself and Brian Newman, Tribeca Film Institute’s Executive Director, as we were riding the free Sundance Film Festival shuttle bus.  Brian said he was developing a new platform called Reframe designed specifically to distribute independent films to the academic market.  He promised to accept all the films I brought back China.  Reframe would take care of the physical manufacturing and order fulfillment. Brian’s offer suddenly made the idea much less daunting.  I got back on the phone with Ou Ning, who immediately sent me forty films to watch.

The content was there, the distribution network was coming, all that was needed now was the missing link between the two.

More information on San Yuan Li can be found here.

Come back soon for Part 2 of “The Birth of dGenerate Films” by dGenerate President Karin Chien

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Director Ying Liang to Visit NY and Bay Area

Tuesday, April 14th, 2009

 

Photo courtesy World Socialist Website

Photo courtesy World Socialist Website

dGenerate films is proud to welcome director Ying Liang to the New York City and SF Bay Area at the end of April and beginning of May.  Ying will attend screenings of his most recent two features, The Other Half and Good Cats. (more…)

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