Posts Tagged ‘yang fudong’

Blurring the Boundaries Between Art and Film in China

Friday, October 29th, 2010

Meishi Street (dir. Ou Ning)

By Sara Beretta

Everyone, in a sense, is an artist, in that we all strive to better express ourselves. As bricoleurs, we all do our best to depict our thought, wishes and fears, making use of the media we were given (voice, gestures and action, broadly speaking) and employing techno media, in the big and blurry cloud of creativity, communication and experimentation. People mix sounds, images and what else occurs in order to be better heard and understood or, on the contrary, to conceive meanings in different and alternative, sometimes obscure and imaginative, ways.

It’s not that surprising, then, that boundaries are blurring in art, as more creatives are exploring liminal areas and practices to narrate themselves and the world they live in. This is true for contemporary Chinese artists and filmmakers, mixing practices and channels to convey their ideas. Renowned examples include artist Ai Weiwei’s work in documentaries, Ou Ning and Cao Fei’s projects in video art and films (including dGenerate’s titles Meishi Street and San Yuan Li, as well as the productions Renminbi City and Vitamin Creative Space), multimedia works by Yang Fudong, and Song Tao’s Birds Heads. In a recent article in Red Box Review, curator Samantha Culp expresses her wishes for the outcome of this mixing, specifically in how it might help sustain China’s independent film scene:

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Chinese Avant-garde Shills for Prada: Is This the Future of Indie Filmmaking?

Wednesday, February 24th, 2010

Wee Ling Soh of the Shanghaist tipped us to “First Spring,” a nine minute video directed by avant garde filmmaker Yang Fudong (Seven Intellectuals in a Bamboo Forest) as an artsy promotional tie-in for Prada. Video after the break.

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