Posts Tagged ‘ying liang’

A Tour of China’s Only Independent Film School

Monday, August 9th, 2010

Li Xianting Film School's Ying Liang (left) and Zhu Rikun (right) with owner and daughter of their favorite restaurant in Songzhuang (photo by Gertjan Zuilhof)

Last month we reported that the International Film Festival Rotterdam launched “Raiding Africa,” an exciting program commissioning several African filmmakers to make new films in China. The IFFR enlisted the Li Xianting Film School to help initiate the African directors into the Chinese independent film scene. Located in Songzhuang on the outskirts of Beijing, Li Xianting Film School is the first film school for independent filmmakers in China,.

IFFR’s Gertjan Zuilhof, the organizer of the program, is providing ongoing updates on the project at his IFFR blog. His latest entry introduces the Li Xianting Film School, where important figures like Zhu Rikun and Ying Liang (whose films dGenerate distributes) are fostering the independent film movement in China through their screenings, events and educational programs.

We’ve visited Songzhuang on multiple occasions, and we’ve always meant to profile the Li Xianting Film School in depth (the closest we’ve come is Shelly Kraicer’s indispensible guide to the Chinese indie film scene). So it’s great that Zuilhof is bringing exposure to the Film School through both the Raiding Africa program and his blog. And it’s amusing to read Zuilhof’s observations on Songzhuang, a former farming town that has become a haven for Beijing artists, and has traded its acres of fields for newly-built galleries. Zuilhof quips: ”They make modern art museums here like they are pizza huts.”

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Indie Filmmakers Featured in Time Out Shanghai

Monday, June 7th, 2010

The newest issue of Time Out Shanghai (English edition) has a five-page cover feature spotlighting the new generation of independent digital filmmakers. The article singles out seven “directors to watch” whom the magazine playfully dubs “The Magnificent Seven:” Ying Liang, Yang Heng, Zhao Liang, Zhao Ye, Zhao Dayong, Liu Jiayin and Wei Tie.  All seven are interviewed, as is dGenerate Films’ president Karin Chien.

The feature is not available online, but we’ve secured permission to make it available as a downloadable .pdf on the dGenerate website. You can download the feature here. Thanks to Nicola Davison at Time Out Shanghai.

dGenerate Films is the proud distributor of films from five of the “Magnificent Seven.” Learn more about their films by clicking on the following titles:

Liu Jiayin: Oxhide

Ying Liang: Taking Father Home; The Other Half

Yang Heng: Betelnut

Zhao Liang: Crime and Punishment

Zhao Dayong: Ghost Town


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MEET THE FILMMAKERS: Ying Liang at Apple Store Beijing

Tuesday, April 20th, 2010

Ying Liang

dGenerate Films and the Apple Store in Beijing continue their ongoing series showcasing China’s newest filmmakers powered by digital technology. This Thursday, April 21, acclaimed digital filmmaker Ying Liang will show clips from his films and discuss his creative process.

Ying Liang’s talk is part of the series “Meet the Filmmakers,” a collaboration between the Apple Store in Beijing and dGenerate Films. Digital tools, from digital video cameras to editing software, have placed filmmaking in the hands of the people. This series introduces award-winning directors discuss with the general public how they use digital technology to create their latest movies, attracting worldwide attention and acclaim.

Read news coverage of the inaugural “Meet the Filmmakers” events, and watch video from a previous Apple Store talk with filmmaker and activist Cui Zi’en.

All events will be held at the Apple Store in Sanlitun, Beijing, starting at 7pm.

Ying Liang graduated from the Department of Directing at the Chongqing Film Academy and Beijing Normal University. He directed his first feature film, Taking Father Home (2005), which won awards at the Tokyo Filmex Film Festival, the Hong Kong International Film Festival, and the San Francisco International Film Festival. In 2006, Ying made The Other Half (2006), which is supported by the Hubert Bals Fund (HBF) from the International Film Festival Rotterdam. The film also won the Special Jury Prize at the Tokyo Filmex Film Festival. Ying Liang’s latest film Good Cats (2008) premiered at the Karlovy Vary International Film Festival.

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Shelly on Film: The Twenty Minute Standout of Rotterdam

Monday, March 22nd, 2010

by Shelly Kraicer

Condolences (dir. Ying Liang)

I’ve always enjoyed attending the International Film Festival Rotterdam (IFFR), which perks up a dark and sleety Dutch mid-winter with what is quite possibly the world’s most creatively curated large-scale festival of art and experimental cinema. IFFR has always strongly supported Chinese language independent films. And films in Chinese usually do quite well there, having won the top prize, the Tiger Award, quite often in past few years (Flower in the Pocket, Malaysia, 2008; Love Conquers All, Malaysia, 2007; Walking on the Wild Side, 2006, China; The Missing, Taiwan, 2004; Suzhou River, China, 2000).

Even if this year’s lineup of new Chinese films might have been a bit less scintillating than usual (though standouts included Yang Heng’s Sun Spots in competition, Liu Jiayin’s Oxhide II, Lou Ye’s Spring Fever, and Xu Tong’s documentary Wheat Harvest), one short stood out: Ying Liang’s Condolences (Weiwen). And the IFFR jury recognized this: Condolences won one of three Tiger Awards for Short Film. It’s a particularly well-deserved prize, in my opinion: this 20 minute fiction short of Ying Liang’s is this gifted young Chinese director’s best work so far.

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Hail! Hail! Hail! The State of Chinese Cinema, Part Three

Wednesday, March 10th, 2010

This is the second part of a three-part essay by Zhang Xianmin on the state of contemporary Chinese cinema. Read Parts One and Two.

Translation by Yuqian Yan

IV. New Theaters

Another aspect of capital operation is the development of new theaters and their surroundings. A significant trend is that after international capital was fully withdrawn from China due to policy reasons, the newly raised major players are all domestic partnerships.

Megabox Sanlitun Theater, Beijing

Withdrawn capital is mainly from the States and Europe, but those from Hong Kong or Korea are allowed to stay. Even though according to government policy, Hong Kong and Korean capital can only account for a small proportion, their existence allows theaters to maintain their original status as international chain brands. For example, the new theater built in the middle of Sanlitun, Beijing uses a Korean theater brand. One reason is that Hong Kong and Korean investors sometimes agree to disguise international capital under the name of domestic capital through an intermediary, whereas European and American investors always hesitate to make such a suspicious deal. For instance, Warner has stopped expanding its business in China for years. But European and American giants are just waiting for new policies that will offer better opportunities. In the long run, more than half of the Chinese theaters will be controlled by American capital in the future.

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Ying Liang wins Rotterdam Tiger Award for New Short

Monday, February 8th, 2010

Condolences (dir. Ying Liang)We’re proud to announce that Ying Liang, whose films The Other Half and Taking Father Home are standouts of the dGenerate catalog, has another international award to add to his collection.

During the IFFR 2010 Awards Ceremony for Short Films on Monday, February 1, 2010 in festival location Rotterdamse Schouwburg, the award-winning short films of the 39th International Film Festival Rotterdam were announced. The three Tiger Awards for Short Film were granted to Wei Wen (Condolences) by Ying Liang (China), Atlantiques by Mati Diop (France/Senegal) and Wednesday Morning Two A.M. by Lewis Klahr (USA).

The film was even cited by film critic Neil Young in his top ten list for the 2000s in the Best Chinese Films of the 2000s Poll conducted by dGenerate.

The jury had this to say of Ying Liang’s new short in their award citation:

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Taking Father Home Screening at China Institute

Friday, January 22nd, 2010

yaziWinner of several international festival awards, Taking Father Home is the debut feature of radical independent filmmaker Ying Liang, who borrowed equipment and recruited friends and family to realize his fierce vision of an emotionally scarred society. The film presents “a side of China that is rarely, if ever, seen on film.” (Richard Brody, The New Yorker)

More details can be found on the film here.

Friday, January 29 2010 ~ 6:00–8:00 PM
$5 member / $10 non-member

This film series is made possible through the generosity of the public and private grantors, and the support of the general public. Free popcorn and refreshments will be served and an open discussion will follow the screening. Seating is LIMITED. Reservations are on a first-come, first-served basis. To purchase tickets, please visit the China Institute website. For further information, please contact sinomatheque@chinainstitute.org, or call 212-744-8181 x137.

Location Details:

China Institute
125 65th Street
New York NY 10065

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Lessons from the Underground: China’s Indie Music Scene

Wednesday, December 30th, 2009

The blog for the Walker Art Center in Minneapolis, MN, published an interesting article about the film series “The People’s Republic of Cinema: 60 Years of China on Film” we mentioned before. Rather than a regular film review, the article tries to summarize “New China’s” turbulent history, the “intense economic, political, and cultural growing pains” that led to today’s emerging global power, and rightly points out that “Chinese filmmakers (those both inside and outside of the border) are in a unique position to process and reflect their current cultural moment.” The author further alludes to her own encounter, from a study trip, with some Shanghai boys who strongly identified with American hip-hop culture and formed their own band 021 Crew to travel throughout southern China and rap in Mandarin, Japanese, and English. Hip-hop offers them a sense of freedom and participation in global culture. The author notes, “To them, it is a platform of revolution.”

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CinemaTalk: Conversation with Richard Brody, Film Editor of The New Yorker

Monday, December 7th, 2009

dGenerate Films presents CinemaTalk, an ongoing series of conversations with esteemed scholars of Chinese cinema studies. These conversations are presented on this site in audio podcast and/or text format. They are intended to help the Chinese cinema studies community keep abreast of the latest work being done in the field, as well as to learn what recent Chinese films are catching the attention of others. This series reflects our mission to bring valuable resources and foster community around the field of Chinese film studies.

Richard Brody (Photo courtesy of <i>The New Yorker</i>)

Richard Brody (Photo courtesy of The New Yorker)

Richard Brody began writing for The New Yorker in 1999, and has contributed articles about the directors François Truffaut, Jean-Luc Godard, and Samuel Fuller. Since 2005, he has been the movie-listings editor at the magazine; he writes film reviews, a column about DVDs, and a blog about movies, The Front Row. He is the author of the book “Everything Is Cinema: The Working Life of Jean-Luc Godard.”

In this interview, dGenerate Films’ Kevin Lee talks to Richard Brody about his top ten films of the 2000s, in which he lists three Chinese feature films: Jia Zhangke’s The World, Wang Bing’s Fengming: A Chinese Memoir, and Ying Liang’s The Other Half. This conversation touches on all three films, and why Brody considers Chinese cinema to be “the crucial story in cinema of the past decade.” Brody also discusses two other films on his list, Jean-Luc Godard’s In Praise of Love and Claude Lanzmann’s Sobibor, 14 October 1943, 4PM, and their connection to the Chinese films he selected.

Brody’s full top ten list, and a topical index of the podcast with timecode follows after the break.

Play the Podcast (Time: 22:39) (right click to download)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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Canadian Premiere of The Other Half

Wednesday, November 4th, 2009

the_other_half-thumbOn Friday, November 6, the Gibsone Jessop Gallery in Toronto, Canada, launches a screening series of contemporary Chinese films in partnership with dGenerate Films. This five film series will begin with Ying Liang’s The Other Half, “a fierce and harrowing cry of political rage.” (The New Yorker)

This marks the first in a five-film screening series at Toronto’s Gibsone Jessop Gallery.  Gibsone Jessop not only showcases international contemporary art from around the globe, with a special focus on China, they also host nightly events such as film screenings, theater and music that deepen the understanding of the cultures and context their artists create within.  The next five Fridays will highlight different dGenerate films.  Subsequent screenings include San Yuan Li, Little Moth, Using, and Queer China, ‘Comrade’ China.

Visit Gibsone Jessop’s site for more information about the event.

Friday, November 6, 2009, 7:30pm
To reserve tickets, please email info@gibsonejessop.com
Tickets: $10 in advance, $12 at the door
Limited Seating.

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