Posts Tagged ‘zhao dayong’

A New Voice on Chinese Film: Dan Edwards’ Screening China

Monday, August 2nd, 2010

Directors Jia Zhangke, Wang Xiaoshuai and Lou Ye at the Beijing premiere of Wang's Chongqing Blues (photo courtesy of Screening China)

We’ve been following Dan Edwards‘ blog Screening China for the past several weeks, and it’s quickly shaping up to be an important source for reviews on the latest in Chinese film, especially from the indie/arthouse side. Dan, who is based in Beijing, writes for The Beijinger and Real Time Arts, among other publications. We’ve been linking all year to his coverage of our films and filmmakers: a review of Ghost Town;  an interview with Liu Jiayin; a profile on documentary filmmakers; and a recap of the Hong Kong International Film Festival. He’s contributed a lot in a relatively short time, and it’s good to be able to access his content on his blog (which, ironically, is blocked in China).

Here are some recent highlights from his blog:

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ArtForum Reviews Films by Zhao Dayong at Flaherty Film Seminar

Monday, July 26th, 2010

Street Life (dir. Zhao Dayong)

The Flaherty Film Seminar, a private, weeklong series of screenings and talks with filmmakers, scholars and enthusiasts, concluded another annual edition last month. This year’s Seminar was curated by film critic Dennis Lim with the guiding theme of “Work”. Chinese filmmaker Zhao Dayong attended the seminar, presenting his first two feature films: Street Life and Ghost Town, both distributed by dGenerate.

In ArtForum, Nicholas Rapold points out several highlights of the Seminar, including Zhao Dayong’s films:

Zhao Dayong’s lauded Ghost Town (2009) conjures a marginal community in the provinces—a former Communist workers’ village perched in the mountains. Its unification of artistry (Zhao trained as an oil painter) with social portraiture made the centrally placed film a capstone to the week’s percolating dialogue on how work forges identity. Accordingly, Zhao’s embedded look at the Shanghai homeless, Street Life (2006), offered a fascinating vision of unmade man: a prolonged finale showing one of the subjects (recently beaten by police) engaged in demented Situationist crumping in a public square under a Jumbotron.

The full article can be accessed at ArtForum.

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RealTime Reviews Films by dGenerate Directors at HKIFF

Wednesday, June 30th, 2010

The High Life (dir. Zhao Dayong)

by Isabella Tianzi Cai

RealTime Arts, Australia’s critical guide to contemporary international arts, recently reviewed several films from the 34th Hong Kong International Film Festival – several by directors with films distributed by dGenerate.

In the Asian Digital Competition section of HKIFF, the awards went to Zhao Dayong’s The High Life and Yang Heng’s Sun Spots. RealTime’s Mike Walsh comments on the former, “Characters enter and then leave the narrative, frustrating our attempt to approach contemporary China in exclusively personal terms. It is worth comparing this to the structure of Zhao’s previous documentary Ghost Town which is divided into three parts, each focusing on a different character.” dGenerate Films distributes Ghost Town as well as Zhao’s debut feature Street Life (coming soon), and Yang Heng’s Betelnut.

In the same article, Walsh also highly commends Liu Jiayin’s mesmerizing documentary Oxhide II, the sequel to Oxhide (distributed by dGenerate). He writes,

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Indie Filmmakers Featured in Time Out Shanghai

Monday, June 7th, 2010

The newest issue of Time Out Shanghai (English edition) has a five-page cover feature spotlighting the new generation of independent digital filmmakers. The article singles out seven “directors to watch” whom the magazine playfully dubs “The Magnificent Seven:” Ying Liang, Yang Heng, Zhao Liang, Zhao Ye, Zhao Dayong, Liu Jiayin and Wei Tie.  All seven are interviewed, as is dGenerate Films’ president Karin Chien.

The feature is not available online, but we’ve secured permission to make it available as a downloadable .pdf on the dGenerate website. You can download the feature here. Thanks to Nicola Davison at Time Out Shanghai.

dGenerate Films is the proud distributor of films from five of the “Magnificent Seven.” Learn more about their films by clicking on the following titles:

Liu Jiayin: Oxhide

Ying Liang: Taking Father Home; The Other Half

Yang Heng: Betelnut

Zhao Liang: Crime and Punishment

Zhao Dayong: Ghost Town


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“A Quiet Marvel:” Chicago Critics on Ghost Town – Now Playing!

Friday, April 9th, 2010

Ghost Town (dir. Zhao Dayong)

As part of its national tour, Zhao Dayong’s acclaimed documentary Ghost Town is screening for a week in Chicago, from April 9-15 at Facets Cinematheque. Chicago critics are already showering unanimous praise upon the film. Some excerpts:

“Fine, go ahead and film!” hollers a resident of Zhiziluo. “But there’s nothing worth filming here.”
Zhao Dayong offers a differing view in “Ghost Town…” This skilled filmmaker finds much to contemplate in the long abandoned, largely depopulated Chinese town.

- Bill Stamets, The Chicago Sun-Times

A quiet marvel, Zhao Dayong’s second feature-length picture is no less an indelible portrait of a place, and its people, as Terence Davies’ “Of Time and the City” and Jia Zhangke’s “Still Life” or “24 City.”

- Michael Phillips, The Chicago Tribune

Directed by Zhao Dayong, this 2008 documentary presents Zhizilou, a small town in Yunan province, as evidence that the Chinese economic miracle has eroded once-thriving rural cultures by drawing villagers to large cities… The lush mountain scenery contrasts vividly with the crumbling town, but the biggest impact comes from the astonishing candor of the residents.

- Andrea Gronvall, The Chicago Reader

Shot without government permission in a remote part of China, Ghost Town is about as handmade as filmmaking comes… Zhao finds unlikely poetry in his story, seemingly one of utter hopelessness, and uses it to bring this epic portrait full circle.

- Ben Kenigsberg, Time Out Chicago

Director-editor-cinematographer Zhao Dayong’s astonishingly gorgeous, achingly sorrowful three-part independent documentary, “Ghost Town” (2008), captures the life and survival of Zhiziluo, a village in remote Southwest China. His work resembles that of his countryman Zhangke Jia and other filmmakers of the current generation working on high-definition video (a format less restricted by the Chinese government than 35mm features intended for theatrical exhibition), all demonstrating by witness, “What is now? What is China? What is the future?” All find the lyric in the mundane: So many stories, so many vistas of physical beauty and dusty ruin… “Ghost Town” is profound in portraying the particulars of generations of villagers and profoundly sad as well.

- Ray Pride, New City Film

Tickets can be purchased at:

Facets Cinematheque
1517 Fullerton Avenue
Chicago, IL 60614

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Video: Interview with Zhao Dayong on his new film The High Life

Friday, April 2nd, 2010

Danwei.org interviews Zhao Dayong, Chinese independent filmmaker and director of Street Life and Ghost Town (both distributed by dGenerate). Zhao’s latest feature film The High Life premiered at this year’s Hong Kong International Film Festival. In this interview Zhao introduces these films, as well as his documentary My Father’s House and experimental feature Rough Poetry. More information about Zhao and his work is available on his website Lanternfilms. Video also on Tudou.

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Three dGenerate Directors Win at Hong Kong Film Festival

Thursday, April 1st, 2010

Awards ceremony at Hong Kong International Film Festival (photo courtesy Lantern Films)

The Hong Kong International Film Festival gave out its awards Tuesday night, and to our delight, four of the nine awards were given to filmmakers repped by dGenerate. Yang Heng (director of Betelnut) took home the Golden Digital Award in the Asian Digital Competition for his new film Sun Spots, while Zhao Liang (Crime and Punishment) won the Humanitarian Award for his stunning documentary Petition. But the night belonged to Zhao Dayong (Ghost Town, Street Life), whose new film The High Life nabbed two awards – the FIRPRESCI Critics’ Jury Prize and the Silver Award in the Asian Digital Competition.

Full coverage of the awards can be found at The Hollywood Reporter.

See if you can catch Zhao Dayong’s previous feature Ghost Town, which is touring the US through April at these venues. Read some reviews of this film.

Yang Heng’s previous feature Betelnut is available at dGenerate Films. Find out more about his prizewinning debut.

Zhao Liang’s eye-opening documentary Crime and Punishment is currently available for non-theatrical exhibition, and will be available on DVD in the summer.

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Ghost Town tours the U.S.

Monday, March 29th, 2010

Following its weeklong run at MoMA, Zhao Dayong’s acclaimed documentary Ghost Town is screening over the next several weeks at select US engagements.  Contact us to book a screening of this film at your festival, museum, or school.

Ghost Town (dir. Zhao Dayong)

SATURDAY, APRIL 3rd and SUNDAY APRIL 4th
Union Theatre, University of Wisconsin
800 Langdon Street
Milwaukee, WI 53706
http://uniontheater.wisc.edu/

THURSDAY, APRIL 8th
Southwest Film Center
3601 University Boulevard, SE
Albuquerque, NM 87106
http://www.unm.edu/~swfc/

SUNDAY, APRIL 9th
Facets Cinematheque
1517 Fullerton Avenue
Chicago, IL 60614
http://www.facets.org/pages/cinematheque/cinematheque_april2010.php

SATURDAY, APRIL 17th
University of Colorado, Humanities 150
Boulder, CO 80309-0234
http://www.colorado.edu/cas/events.htm

TUESDAY, APRIL 27th
Melnitz Movies
James Bridges Theater, Melnitz 1409
Los Angeles, CA 90095
http://gsa.asucla.ucla.edu/melnitz/

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Raves Across the Board for Ghost Town – Now Playing at MoMA

Monday, March 15th, 2010
The Mao Zedong statue of Zhiziluo salutes the New York film critics for their reviews of Zhao Dayong's <i>Ghost Town</i>

The Mao Zedong statue of Zhiziluo salutes the New York film critics for their reviews of Ghost Town

We couldn’t be more pleased with this trifecta of fresh reviews from New York critics on the eve of Zhao Dayong’s Ghost Town’s weeklong run at the MoMA.

A.O. Scott writes in the New York Times:

Zhao has an exquisite ability to balance words with images… The life stories and household interactions that fill out the film’s three chapters take place against a natural background that is shot beautifully… A miniature epic of the everyday.

Time Out New York’s David Fear gives the film four stars:

Zhao Dayong’s extraordinary documentary on life in the rural village of Zhiziluo, nestled at the foot of the mountains in China’s southwestern Yunnan province. Never mind the nation’s great economic leap forward; the longer you watch Zhao’s chronicle of the financially destitute and the bureaucratically forgotten, the more you feel that you’re witnessing a country fraying at its edges.

Nick Pinkterton in the Village Voice:

I do not expect to soon find scenes to match Ghost Town’s mountaintop funeral, the running along after a rowdy exorcism, or the scanning of faces at the town Christmas chorale. His back to prosperity, Dayong finds hallowed ground.

If you haven’t seen what the critics are raving about, make a beeline for MoMA this week. Schedule and ticketing info here.

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Acclaimed Documentary Ghost Town Makes Weeklong Run at MoMA

Monday, March 8th, 2010

Ghost Town (dir. Zhao Dayong)

Following its triumphant US Premiere at the 2009 New York Film Festival, Zhao Dayong’s Ghost Town will enjoy a weeklong run at the Museum of Modern Art in New York. The MoMA will screen Ghost Town at the following dates:

  • Monday, March 15, 2010, 3 p.m.
  • Wednesday, March 17, 2010, 4 p.m.
  • Thursday, March 18, 2010, 7 p.m.
  • Friday, March 19, 2010, 3:30 p.m.
  • Saturday, March 20, 2010, 4 p.m.
  • Sunday, March 21, 2010, 12:30 p.m.

Tickets can be purchased at the MoMA Film Box Office adjacent to the The Museum of Modern Art, 11 West 53 Street, New York, NY. Details at the MoMA site.

Further details and trailer after the break.

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