Posts Tagged ‘zhao dayong’

Zhao Dayong’s Ghost Town Premieres at the NYFF, Tix on Sale Sunday!

Friday, September 11th, 2009

The dGenerate team have been working feverishly in preparation for Zhao Dayong’s amazing documentary (and dGenerate title) Ghost Town’s international premiere at the prestigious New York Film Festival.  Ghost Town, the only Chinese film in this year’s festival, screens Sunday, September 27 at 2:15 at the Lincoln Center.  We strongly advise you to get tickets in advance, as the NYFF screenings always sell out quick.  Tickets go on sale this Sunday, September 13.

Jury members Dennis Lim and Scott Foundas had this to say about the film:

  • “Ghost Town is one of the most surprising and rewarding films I’ve seen all year, one of the most important films to have emerged from the booming (but still underexplored) field of Chinese independent documentaries.” – Dennis Lim, film critic, Editor of Moving Image Source, New York Film Festival selection committee member
  • “I didn’t think there was another Jia Zhangke or Wang Bing lurking out there, but it turns out there is!” – Scott Foundas, film critic, Film Editor of L.A.Weekly, New York Film Festival selection committee member

Click here for more information on Ghost Town.

Click here to buy tickets to the New York Film Festival.

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dGenerate Directors Featured in Dragons & Tigers

Thursday, September 10th, 2009

by Lu Chen

Tony Rayns and Shelly Kraicer, programmers of the Vancouver International Film Festival’s big Dragons & Tigers: The Cinemas of East Asia section, have announced a program that will showcase a total of thirty-five features, four mid-length films and twenty-two shorts, as of publication. Dragons & Tigers is one of the preeminent showcases of East Asian films in the world, and a stepping stone for many young Asian filmmakers. This year it will feature five World Premieres, eight International Premieres, twelve North American Premieres and two Canadian Premieres from seventy countries.

Four dGenerate Films directors are featured in the program.

  • Gay activist and radial filmmaker Cui Zi’en’s Queer China, ‘Comrade’ China uses rare testimonies from theorists, activists and artists to outline the modern origins of Chinese homosexuality through its attempted suppression to its breakthroughs in the last decade.
  • Zhao Dayong’s (whose documentary Ghost Town will have its international premiere at the New York Film Festival on September 27) Rough Poetry brings together political theater and faces in closeup by putting eight characters in a cage, playing themselves, including a cop, a prostitute, and a poet.
  • Liu Jiayin’s Oxhide II is a sequel to her dGenerate title Oxhide and uses the occasion of making dumplings with her parents to structure this formally daring, wryly amusing look at family dynamics, economic burdens and the ethics and aesthetics of cooking from scratch.
  • Yang Heng’s (Betelnut) Sun Spots tells a tale of love, betrayal and revenge set in a verdant mountain paradise in central China, and captures the anguish and passion of a youthful lost generation.

(more…)

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Shelly on Film: What is a Chinese Film?

Wednesday, September 9th, 2009

By Shelly Kraicer

San Yuan Li

San Yuan Li (dir. Ou Ning, 2003)

What is a Chinese film?  Ever since I’ve started living and working in Beijing over six years ago, most serious discussions about Chinese cinema ultimately come down to this elemental question, either in its descriptive mode (what defines a Chinese film?) or in its more urgently prescriptive version (what should a Chinese film be?).  Often, it’s filmmakers themselves who seem most anxious about the issue.  Behind it lie several subsidiary anxieties: “What do Westerners want from Chinese films?”, “What’s my role in Chinese society?”, “Are films art, or commerce, or politics?”

(more…)

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ZHAO Dayong

Thursday, September 3rd, 2009

Zhao_Dayong_Ghost_TownZhao’s directorial debut, STREET LIFE, which explored the lives of homeless Chinese living on the backstreets of Shanghai, premiered at Austria’s Viennale in 2006. The film screened the following year at Berlin’s Globale Film Festival, and at the Rome Asiatica Film Mediale, where it won the City of Rome Prize.

GHOST TOWN, Zhao Dayong’s second film, won an Independent Spirit Award at the 5th China Documentary Film Festival, an unofficial film forum held in Beijing in May 2008. Zhao is currently in post-production on his third documentary, MY FATHER’S HOUSE, which deals with the growing African population in Guangzhou through the story of an underground Nigerian church. His first experimental film, ROUGH POETRY, will screen at this year’s Vancouver International Film Festival.

After graduating from China’s Lu Xun Art Academy in 1992, where he studied oil painting, Zhao worked for a number of years as a professional artist and advertising director. He was also founding editor of Culture & Morals, a journal for the contemporary arts in China.

SELECTED FILMOGRAPHY

Street Life
2006, 98 min, documentary

Ghost Town
2008, 172 min, documentary

Rough Poetry
2009, 50 min, experimental

My Father’s House
In Post-Production

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Ghost Town (Fei Cheng)

Thursday, September 3rd, 2009

ZHAO Dayong. China, 2008. Documentary, 169 minutes.

GhostTown For U.S. Sales, including television, home video and non-theatrical exhibition, please contact: Karin Chien
(646) 360-0343
karin [at] dgeneratefilms [dot] com


“Ghost Town is one of the most surprising and rewarding films I’ve seen all year, one of the most important films to have emerged from the booming (but still underexplored) field of Chinese independent documentaries.” – Dennis Lim, film critic, Editor of Moving Image Source, New York Film Festival selection committee member

“I didn’t think there was another Jia Zhangke or Wang Bing lurking out there, but it turns out there is!” – Scott Foundas, film critic, Film Editor of L.A.Weekly, New York Film Festival selection committee member

Zhiziluo is a town barely clinging to life. Tucked away in a rugged corner of Southwest China, the village is haunted by traces of China’s cultural past while its residents piece together a day-by-day existence. Lisa and Nu minority villagers squat in the abandoned halls of this remote former Community county seat, where Cultural Revolution slogans fade into the shadows of the old city hall, and a blank white figure of Chairman Mao gazes silently to the wild mountain wilderness of the Salween River Valley in China’s southwest Yunnan province.

The film has a three-part structure:

VOICES tells the story of Yuehan, the pastor of the local Christian church, and his 87 year-old father, John the Elder, a formerly jailed Lisu pastor who was among the first in the region to study with Western missionaries before they were expelled in 1957. Voices exposes the personal rift between Yuehan and his father as well as questions over the past and future of the church.

RECOLLECTIONS is a story about two young lovers faced with substantial cultural and economic obstacles threatening their relationship. The young man, Pu Biqui, must decide whether to leave Zhiziluo for brighter prospects in the city, while his girlfriend faces the possibility of being sold into marriage to help her family with its financial woes.

INNOCENCE tells thes tory of Ah Long, a twelve year-old boy who lives alone, having been abandoned by this family. Ah Long scavenges the area to feed himself, while still finding ways to amuse himself as a child, even indulging in a traditional Lisu exorcism.

These lost souls of Zhiziluo struggle to find both spiritual and material solace in a world that has left them behind.

Director’s Bio: ZHAO Dayong

Film Website: www.lanternfilms.com.hk

More Info: Read “A New Chapter for Chinese Cinema at NYFF”

Film Festivals: New York Film Festival (Screening co-sponsored by Stranger Than Fiction), Turino Film Festival.

Contact us to book a screening of this film at your festival, museum, or school.

Trailer:

Downloads: Press Kit (4.6 MB Zip file includes all publicity stills)

Publicity Stills:

Ghost_Town_1

Ghost_Town_2

Ghost_Town_3Ghost_Town_4 Zhao_Dayong_Ghost_Town

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Ghost Town: a New Chapter for Chinese Cinema at the New York Film Festival

Wednesday, August 19th, 2009
Ghost Town (photo courtesy of Fanhall Films)

Ghost Town (photo courtesy of Fanhall Films)

Marking a breakthrough for the Chinese digital filmmaking community, director Zhao Dayong’s Ghost Town (Fei Cheng, 2008) was selected for the 47th New York Film Festival (September 25 – October 11), as the only Chinese entry in the lineup. This low-budget documentary shot on HD has never been shown in any major festival outside China; as of this article it has yet to even appear on IMDb and All Movie Guide. Yet it joins a prestigious NYFF lineup that features new works by renowned directors such as Alain Resnais, Pedro Almodovar, Jacques Rivette, and Lars von Trier. Its inclusion in the NYFF represents a first in the festival’s program: a nod to China’s digital generation of documentary filmmakers.

According to the website of Fanhall Films, a multi-faceted indie film support organization based in Beijing, the three-hour documentary is not about phantoms, but the Lisu and Nu minority villagers in the abandoned halls of a remote former communist county seat in the southwestern province of Yunnan, China. Consisting of three chapters, “Voices,” “Recollections,” and “Innocence,” the film observes and records the mode of existence of the nameless and the forgotten, offering extraordinary insights into such topics as religious faith, relationships, juvenile deviants, generational differences, and lost history.

Dennis Lim, a member of this year’s NYFF jury and a major voice in promoting Chinese independent cinema, shared his reasons for selecting the film with dGenerate Films’ Kevin Lee: “Ghost Town is one of the most surprising and rewarding films I’ve seen all year, one of the most important films to have emerged from the booming (but still underexplored) field of Chinese independent documentaries.” Fellow jury member Scott Foundas also considered the film an exciting discovery, exclaiming: “I didn’t think there was another Jia Zhangke or Wang Bing lurking out there, but it turns out there is!”

(more…)

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