Posts Tagged ‘zhao dayong’

ZHAO Dayong

Thursday, September 3rd, 2009

Zhao_Dayong_Ghost_TownZhao’s directorial debut, STREET LIFE, which explored the lives of homeless Chinese living on the backstreets of Shanghai, premiered at Austria’s Viennale in 2006. The film screened the following year at Berlin’s Globale Film Festival, and at the Rome Asiatica Film Mediale, where it won the City of Rome Prize.

GHOST TOWN, Zhao Dayong’s second film, won an Independent Spirit Award at the 5th China Documentary Film Festival, an unofficial film forum held in Beijing in May 2008. Zhao is currently in post-production on his third documentary, MY FATHER’S HOUSE, which deals with the growing African population in Guangzhou through the story of an underground Nigerian church. His first experimental film, ROUGH POETRY, will screen at this year’s Vancouver International Film Festival.

After graduating from China’s Lu Xun Art Academy in 1992, where he studied oil painting, Zhao worked for a number of years as a professional artist and advertising director. He was also founding editor of Culture & Morals, a journal for the contemporary arts in China.

SELECTED FILMOGRAPHY

Street Life
2006, 98 min, documentary

Ghost Town
2008, 172 min, documentary

Rough Poetry
2009, 50 min, experimental

My Father’s House
2009, 77 min, documentary

Ghost Town: a New Chapter for Chinese Cinema at the New York Film Festival

Wednesday, August 19th, 2009
Ghost Town (photo courtesy of Fanhall Films)

Ghost Town (photo courtesy of Fanhall Films)

Marking a breakthrough for the Chinese digital filmmaking community, director Zhao Dayong’s Ghost Town (Fei Cheng, 2008) was selected for the 47th New York Film Festival (September 25 – October 11), as the only Chinese entry in the lineup. This low-budget documentary shot on HD has never been shown in any major festival outside China; as of this article it has yet to even appear on IMDb and All Movie Guide. Yet it joins a prestigious NYFF lineup that features new works by renowned directors such as Alain Resnais, Pedro Almodovar, Jacques Rivette, and Lars von Trier. Its inclusion in the NYFF represents a first in the festival’s program: a nod to China’s digital generation of documentary filmmakers.

According to the website of Fanhall Films, a multi-faceted indie film support organization based in Beijing, the three-hour documentary is not about phantoms, but the Lisu and Nu minority villagers in the abandoned halls of a remote former communist county seat in the southwestern province of Yunnan, China. Consisting of three chapters, “Voices,” “Recollections,” and “Innocence,” the film observes and records the mode of existence of the nameless and the forgotten, offering extraordinary insights into such topics as religious faith, relationships, juvenile deviants, generational differences, and lost history.

Dennis Lim, a member of this year’s NYFF jury and a major voice in promoting Chinese independent cinema, shared his reasons for selecting the film with dGenerate Films’ Kevin Lee: “Ghost Town is one of the most surprising and rewarding films I’ve seen all year, one of the most important films to have emerged from the booming (but still underexplored) field of Chinese independent documentaries.” Fellow jury member Scott Foundas also considered the film an exciting discovery, exclaiming: “I didn’t think there was another Jia Zhangke or Wang Bing lurking out there, but it turns out there is!”

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