Disorder (dir. Huang Weikai)
In the current issue of Film Comment, Chris Chang labels Huang Weikai’s experimental documentary Disorder a “Hot Property,” describing it as “a city symphony from hell:”
Disorder begins with an image of a geyser unleashed from a broken hydrant. Cut to a man, lying in the street, the victim of a traffic accident. Are the actions related? No clue. People gathering to help the injured party are clearly unnerved by the presence of the camera – one of the film’s recurring panoptic motifs. As they try to aid the fallen man, they accuse him of “faking it” and offer him hush money. A scene of a panicky mob in a supermarket follows shortly; and then, unexpectedly, a close-up of udon noodles. Chopsticks reveal a dead cockroach, and the utensils are then used to resubmerge the bug. That’s one of the many moments of perverse levity – but the film’s general mayhem proceeds inexorably.
Disorder screens at Pomona College this Thursday as part of the series “Between Disorder and Unexpected Pleasures: Tales from the New Chinese Cinema”, Friday at the Finger Lakes Environmental Film Festival in Ithaca, NY, and next Thursday at the Yerba Buena Center for the Arts. Later this spring it will screen in New York at the Museum of the Moving Image and Anthology Film Archives.
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