Last Chance to Watch Fujian Blue on Comcast On Demand!

January 26th, 2012

"Fujian Blue" (dir. Weng Shuoming)

Robin Weng Shuoming‘s award winning feature Fujian Blue is available rent for all Comacast Cable on demand subscribers only until the end of January. Don’t miss a rare chance to see Chinese independent filmmaking on US cable on demand!

Fujian Blue is a thrilling narrative portrayal of reckless youth, corruption, and heartache in of southern China’s most telling social environments.

A full review by Mike Fu can be found here:

“Subtropical reveries of money, sex, and power dominate the golden triangle of southern China in this gritty neorealist drama from Robin Weng (Weng Shouming). Featuring idyllic natural landscapes side by side with Fujian province’s urban sprawl, Weng’s narrative follows a group of young hoodlums circulating carefree in a vapid nightlife of karaoke bars and dance halls. By day, they pursue a more malicious endeavor to extort money from local housewives, whose husbands have made their fortunes abroad and left them floundering at home. The film opens contrasting rows of decrepit houses with breathtaking mansions, reminiscent of a southern Californian suburb, glistening beneath the sun. Already the dichotomy of contemporary Chinese society becomes apparent: the rift between haves and have-nots threatens to grow ever wider, and the stakes only become higher for a younger generation willing to risk everything.”

 

Update From Sundance/Slamdance

January 25th, 2012

"Old Dog" (dir. Pema Tseden)

The Sundance and Slamdance Film Festivals are starting to wind down, but not before a score of China-related films and discussions have made their mark on Park City.

While no films by mainland filmmakers were programmed at the festivals this year, both narrative and documentary projects focused on China have revealed diverse impressions of Chinese life, art, and even filmmaking practice. In Sundance’s US Documentary competition is Alison Klayman‘s Ai Wei Wei: Never Sorry, a through investigation into the artistry, activism, and philosophy of China’s most notorious artist and documentary filmmaker. Representing a different facet of Chinese documentary subjects is China Heavyweight, Yung Chang‘s story of aspiring boxers in Sichuan Province. A co-production between China and Canada, China Heavyweight entered Sundance in the World Documentary competition.

Pema Tseden‘s Old Dog made its Slamdance premiere last night as part of a special screening series. The film, shot in Tibet with a largely Tibetan cast and crew, presents an allegorical narrative of a Tibetan farmer reluctant to relinquish his beloved mastiff to a Chinese trader. Also screening at Slamdance today were a series of independent shorts from Iranseven films smuggled out of a country with a system of controlling and censoring filmmakers closely reminiscent of that currently governing the work of Chinese filmmakers.

More coverage on many of these films and events, plus interviews with filmmakers, are forthcoming!

Reviews of New Films by Zhou Hao, director of “Using” and “The Transition Period”

January 24th, 2012

By Kevin B. Lee

Police on duty at Guangzhou Railway Station in early 2012. Image: eChinacities.

On his blog Screening China, Dan Edwards reviews two new films by the prolific documentary maker Zhou Hao, whose films Using and The Transition Period are distributed by dGenerate.  Zhou’s new films Cop Shop and Cop Shop II are both about the daily operations of the police station at Guangzhou Railway Station, one of the busiest public transport hubs in China. Edwards writes, “Without explicitly making the point, the Cop Shop films present a pretty damning view of the vagaries of China’s bureaucratic administration, which impacts negatively upon both the police and the swirling masses outside.”

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Call for Papers: New York Conference on Asian Studies, September 28-29

January 23rd, 2012

New York Conference on Asian Studies, NYCAS 12
September 28-29, 2012
State University of New York at New Paltz

Plan NOW to participate in NYCAS 2012!

EARLY submission of panels and papers is encouraged!
The deadline for submitting proposals is May 15, 2012.
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China’s Vicarious Democracy Online and In the News

January 20th, 2012

An underpinning of democratic participation may have led to the end of the TV hit "Super Girls" (courtesy Getty Images)

The recent Presidential elections in Taiwan have been a hot topic in Chinese discussion circles, not only due to observations of how differently politicians are treated in democratic Taiwan, but also because access to news of the democratic process down south has been surprisingly unrestrained in both state media and online. Andrew Jacobs of The New York Times reports:

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Hometown Superheroes: Spectacle and Samaritans take Beijing

January 19th, 2012

"Tape" (dir. Li Ning)

By Maya Eva Gunst Rudolph 

A fleet of masked vigilantes are taking Beijing—and leaving a trail of public spectacle in their wake. A trend of “superhero mimicry” growing popular in Beijing was recently reported on by J. David Goodman for the New York Times‘s Lede blog. These anonymous good Samaritans, adopting names like “The Incredible Shining Knight” and “Chinese Redbud Woman,” have been running wild on the streets of Beijing–and all over weibo and baidu blogs–engaging in small acts of public benevolence.

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Update on Wukan: The Protestor & The Party

January 18th, 2012

Lin Zuluan, courtesy of David Gray/Reuters

In the weeks since the residents of Wukan Village took the the streets to protest government land seizures and the death of a village representative, negotiations between Wukan’s rebelliously self-governing body and Guangdong Province Party officials have squelched the protests and led to an uncertain new era. While the circumstances surrounding the death of Xue Jinbo—a Wukan resident selected to represent the villager’s demands while the protests were still going on—remain unresolved, a few notable developments have been made in the post-protest calm.

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The Daily Show Takes on the Foxconn Factory in Hilarious Video

January 18th, 2012

On Monday’s episode of The Daily Show host Jon Stewart presented a segment examining the working conditions of the Foxconn factory complex in Shenzhen, China, which produces and assembles parts for many mobile devices used in the United States, most notably the Apple iPhone. While the conditions of Foxconn workers are no laughing matter (35 hour work days of highly repetitive work, no unionizing, high incidents of suicide), Stewart employs his characteristically effective approach of hard social analysis packaged as light satire to educate a general audience about where and how their precious gadgets are made. Watch the video after the break.

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“Foxconn is still a hard place to work”: The Struggle for Worker’s Rights Continues

January 17th, 2012

"Struggle" (dir. Shu Haolun)

Shenzhen’s Foxconn factory, made famous last year by a trend of worker suicides that created a global moment of uncomfortable horror, is probably the most well-known factory in the world. Employing hundreds of thousands of young Chinese migrants and manufacturing a huge chunk of the world’s electronics—including the hand-crafting of Apple products—the controversy surrounding the Foxconn factory have been painted as a perfect storm of corporate corruption, the absence of protective labor laws and worker’s rights in China, and the imbalanced hypocrisy of a world with an exponential demand for electronics.

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2012 Melbourne Conference on China: Global Media and Public Diplomacy in Sino-Western Relations

January 16th, 2012

Announcement and Call for Papers
2012 Melbourne Conference on China: Global media and public diplomacy in Sino-Western relations

Date: Wednesday 30 May and Thursday 31 May 2012
Venue: The University of Melbourne, Melbourne, Australia
Organisers: The Asia Institute and the Centre for Advanced Journalism at the University of Melbourne, and Radio Australia of the ABC
Website: www.chinastudies.unimelb.edu.au/conferences/2012
Contact: Conference-on-China@unimelb.edu.au

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